Novel
In this case, Feluda, Topshe and Jatayu go to Srinagar and Kashmir where they come across a spine chilling mystery. They meet a retired judge, Siddheshwar Mallick, and his group who have also come for a holiday. They travel together to Gulmarg, Khilanmarg and Pahalgam. The judge has given death sentence to many convicts in a career spanning three decades and wants to find out whether he had made a mistake in doing so by calling the spirits of those convicts by planchette. The judge suffers from angina due to which he had to voluntarily retire at the age of 65 and he has a son, who is addicted to gambling. He finds out that he had misjudged two of his cases, one of a Bihari and another of a Kashmiri. In the meanwhile, there are life attempts on the judge's son Vijay and on Feluda twice. Soon after, during Pahalgam visit, the judge gets murdered and a precious diamond ring worn on his right hand gets stolen.
Story
Feluda and Topshe travel to Gangtok for their winter holidays at the start of the new year. While eating breakfast at the Bagdogra Airport, they meet a man named Sasadhar Bose, who works for a chemical firm dealing with aromatic perfumes. He tells that he had attended a nephew's wedding in Ghatshila and had come to visit Sikkim. While stopping at a place called Teesta Bazaar, the trio learns of an accident which occurred on the North Sikkim Highway. They learn that a huge boulder had hit a taxi and the taxi had fallen off a cliff. But the driver had escaped unhurt. Feluda and Topshe are staying at Hotel Snow View while Sasadhar Bose is staying at the dak bungalow. In the evening, Sasadhar Bose comes to Feluda's hotel and informs him that the man who fell down the cliff in the accident, was his partner Shivkumar Shelvankar, who was also the owner of the company. Sasadhar Bose walks out of the hotel to find a flight to Bombay the next day.
Writer
Pradosh C. Mitter AKA Feluda, Topshe, and Lalmohan Ganguly go to Puri for vacation. One evening, the trio spot odd footprints on the sand. Later, Lalmohan goes to meet Lakshman, an astrologer who is presumably gifted with extrasensory perception. Soon they stumble upon Roopchand's dead body lying on the beach. Feluda figures out the mystery and gathers everyone at Bhujanga Niwas and tells everyone that Bilas Majumdar is actually Animesh Kumar Sarkar, a smuggler by profession. Feluda tells them that the actual Bilas Majumdar had died three weeks ago in a hospital in Nepal. Why?
Author
인도 동부 콜카타에서 수십 년 동안 인쇄업을 전전하며 일해 온 타리니는 이제 은퇴할 나이에 이르렀다. 미국에 있는 아들의 초청도 마다한 채 집에서 하루하루를 보내고 있는 그에게 친구는 구인광고를 보여준다. 한 번도 출간해본 적은 없지만, 젊었을 때부터 친구들에게 자신이 만들어낸 이야기를 들려주던 취미가 있던 그는 인도 서부의 아흐메다바드에서 스토리텔러를 고용한다는 소식에 흥미를 느낀다. 그런데 고용주는 뜻밖에도 재력가다. 그는 사업에서 성공해 많은 부를 축적했지만 어떤 치료법도 듣지 않는 불면증에 시달린다고 한다. 재력가의 집에 머물며 밤마다 이야기를 들려주는 타리니 덕에 그의 불면증은 조금씩 호전이 되는 것 같다. 하지만 이들의 관계는 또 다른 반전을 가진 이야기로 펼쳐진다.
Author
The suave Prodosh C. Mitter aka Feluda has ruled over our hearts with his sharp wit, impressive intellect and astute observation skills for over five decades now! The story starts off with the murder of Birupaksha Majumdar by Vishnudas Balaporia in the cold Darjeeling Mountains. Feluda, Topshey and Lalmohun Ganguly investigate.
Writer
A modern adaptation of Satyajit Ray's classic short story
Self (archive footage)
A biographical documentary film about the legendary Indian filmmaker Satyajit Ray, to commemorate Ray's centenary year. The film covers Ray's life and early works, focusing on the making of his first film Pather Panchali.
Self (archival footage)
A documentary exploring the 50-year legacy of Bengali fictional detective Feluda, created by Satyajit Ray.
Novel
A Hindi teacher rents a robot to work in his home.
Music
The movie consists of two Feluda stories by Satyajit Ray, Samaddar-er-Chabi and Golokdham Rahashya, shown on either half of the film. It was a tribute to the 50-year anniversary of Feluda and a sequel to Royal Bengal Rahashya (2011).
Novel
The movie consists of two Feluda stories by Satyajit Ray, Samaddar-er-Chabi and Golokdham Rahashya, shown on either half of the film. It was a tribute to the 50-year anniversary of Feluda and a sequel to Royal Bengal Rahashya (2011).
Writer
Ahalya, set as a modern-day thriller, is an ode to a legend from Ramayana. The 14-minute-long film replays the deadly game of Gods, spinning a web of intrigue, seduction, desire and mystery between Gods and Apsaras. Ahalya is a deadly game you can’t escape.
Novel
Feluda and his cousin Topshe goes to Lucknow with Topshe's father to spend the Puja vacation. They arrived at the house of Dhirendra Kumar Sanyal, a friend of Topshe's father. That evening Dr. Shrivastav also came to Dhirendra Kumar Sanyal and tells him about last night, a thief tried to steal his 'Ring of Aurangzeb' (The Emperor's Ring) which was given to him by Pyarilaal Seth. After the incident Dr. Shrivastav has been afraid and asks Dhirendra Kumar Sanyal to keep the ring safe. Dhirendra Kumar Sanyal agreed and keeps the ring to his home. But someday the ring goes missing from there. Then Feluda and Topshe started investigation for the culprit. Meanwhile, Feluda meets an interesting person in doctor's neighborhood, Mr. Bonobihari Sarkar. Bonobihari babu has ferocious and poisonous creatures like crocodile, African tiger, hyena, rattlesnake, scorpion and black widow spider in his own home.
Story
Chaar (English: Four) is a Bengali anthology film, directed by Sandip Ray and produced by Shrikant Mohta, Mahendra Soni and Nispal Singh under the banner of Shree Venkatesh Films and Surinder Films. It based on four stories by different writers- Bateswarer Abodan by Parasuram, Porikkha by Sharadindu Bandyopadhyay, Kagtarua and Dui Bondhu by Satyajit Ray.
Story
Sandip Ray's next where 4 ghost stories are spun together in a comical twist surrounding unusual events.The film is a collection of four short films based on four Bengali short stories- Sharadindu Bandyopadhyay's - Bhut Bhabishyat, Satyajit Ray's- Brown Saheber Bari, Anath Babur Bhoy and Lucknow-er Duel.
Novel
Feluda alias Pradosh Mitra, a private detective is invited by a rich former Zamindar (and a retired big game hunter) in North Bengal. The task is to solve a riddle which was written by an ancestor long time ago. The riddle ostensibly contains clue to finding hidden treasure that belongs to the family of the Zamindar. When Tarit Sengupta, the personal secretary of the Zamindar is killed in mysterious circumstances, Feluda finds out that Tarit had already solved the riddle, and was in the process of stealing the treasure when he was killed. Then the mystery thickens as there are many suspects. At the end the man-eating Tiger appears to give the story a new dimension. How does Feluda Solve it? See it to believe. The mastery of Satyajit Rays's writing and direction of Sandip Ray can be seen here.
Novel
By accident, more than anything else, the three find themselves beside the grave of Thomas Godwin. The grave was dug up by some miscreants for unknown reasons. The rather colorful history of Mr. Godwin makes Feluda curious to know more about the man.From the diary of Thomas' daughter Charlotte, Feluda finds that a very precious clock went to Thomas' grave with him. To his surprise, Feluda finds that another party knows about this clock and they are trying to get it aided by the letter with them. Thanks to the brilliance of the detective and the help of 'Haripodobabu', the chauffeur of Mr. Ganguli, a new introduction in this book, their plot is foiled.
Novel
Feluda, the famous Bengali detective tackles an international buyer, a corrupt arts agent, numerous henchmen and impostors in this story that revolves around a painting of Jesus by the famous Italian painter Tintoretto.
Novel
Detective Feluda, with the help of his nephew Topshe and the writer Jatayu, investigates smuggling and illegal trading in ancient sculptures across India.
Music
아버지의 갑작스런 사망소식을 전하기 위해 인도에 있는 엄마를 찾아 1년 만에 뭉친 3형제. 맏형 프랜시스는 이번 여행을 계기로 서먹한 형제 사이가 돈독해지길 바란다. 항상 이혼생각에 잠겨있던 찰라 아내가 임신하자 구체적으로 이혼을 계획하는 둘째 피터, 헤어진 애인에게 병적으로 집착하는 막내 잭. 선로가 있어도 길을 잃어버리는 대책 없는 인도기차 ‘다즐링 주식회사’를 탄 채 세 형제의 사고만발 인도여행이 시작되는데…
Writer
Lalmohan Ganguly, alias Jatayu − a sidekick of Feluda − gets invited to Mumbai (previously Bombay) to watch the shooting of a film based on a novel written by him. Once in Mumbai, he, along with Feluda and Topshe gets embroiled with underworld kingpins. He seems to have transported the Nana Sahib's necklace. But fortunately because of Feluda the real thief is caught and convicted. Although the original story was written in the 1970s, the movie is set in more recent times and depict the real problem of underworld involvement in Bollywood.
Based on interviews with Ray himself, and packed with clips from his films, as well as rare-to-come-by footage of his recording sessions, the documentary follows Satyajit Ray’s journey as a music director and composer of his own work on screen.
Author
A hunter-cum-psychologist wants to publish a book about three of his patients who committed crimes in the past, but did not get caught. However, he gets murdered by his brother in law and now it is up to Feluda to find the murderer.
Story
While at a felicitation ceremony, Feluda, a detective, meets Joychand, a simple man who owns a pink diamond. When several buyers set their eyes on the precious stone, Feluda must save the day.
(Archive footage)
Filmmaker Catherine Berge profiles the prolific career of East Indian actor Soumitra Chatterjee.
Original Music Composer
Famous Bengali private investigator Pradosh C. Mitter (Feluda) is hired by wealthy businessman Dinnanath Lahiri. His suitcase has been accidentally exchanged with someone on the Kalka Mail. Inside it is a valuable manuscript written by Shambucharan Bose. The case takes Feluda, Topshe and Jatayu to Shimla, where they discover a priceless diamond in a film container, disguised as a betel - nut. 'The Three Musketeers' face great danger in Shimla, before Feluda eventually solves the case.
Writer
Famous Bengali private investigator Pradosh C. Mitter (Feluda) is hired by wealthy businessman Dinnanath Lahiri. His suitcase has been accidentally exchanged with someone on the Kalka Mail. Inside it is a valuable manuscript written by Shambucharan Bose. The case takes Feluda, Topshe and Jatayu to Shimla, where they discover a priceless diamond in a film container, disguised as a betel - nut. 'The Three Musketeers' face great danger in Shimla, before Feluda eventually solves the case.
Story
Feluda is called to Gosaipur by Jiban Mallick, the son of the local Zamindar Shyamlal Mallick to investigate a threat of his father's life. Everyone in the village knows that father and the son are at loggerheads. Shyamlal is also an eccentric who eschews anything modern. Then, instead of Syamlal, his son Jiban Mallick is killed and the wealth of Mallick's looted. Oddly though, the dead body of Jiban Mallick vanishes, only to reappear again. Feluda works this out with a mixture of investigating skills and deception.
Writer
Sen Gupta, a doctor who only treats upper-class patients, is forced to confront his own moral and medical beliefs as he discovers rural India during an unexpected stop at a village. He finds a breathless man lying on the side of the road. With little sympathy, the doctor sends him back to his own village for treatment. When Dr. Gupta discovers that the villages wants a witch doctor to treat the man, he attends the exorcism and is shocked. A transformation of the cold city man then follows.
Original Music Composer
Goopy Bagha Phire Elo (Bengali: গুপী বাঘা ফিরে এলো) (1992) is the third sequel of Goopy Gyne Bagha Byne series. It was directed by Sandip Ray and written by his father Satyajit Ray. This film was released eleven years after its predecessor Hirak Rajar Deshe.
Writer
Goopy Bagha Phire Elo (Bengali: গুপী বাঘা ফিরে এলো) (1992) is the third sequel of Goopy Gyne Bagha Byne series. It was directed by Sandip Ray and written by his father Satyajit Ray. This film was released eleven years after its predecessor Hirak Rajar Deshe.
Story
A well-off Indian family is paid an unexpected, and rather unwanted, visit by a man claiming to be the woman's long lost uncle. The initial suspicion with which they greet the man slowly dissolves as he regales them with stories of his travels, tales that are at odds with their conventional middle class perspective on the world.
Original Music Composer
A well-off Indian family is paid an unexpected, and rather unwanted, visit by a man claiming to be the woman's long lost uncle. The initial suspicion with which they greet the man slowly dissolves as he regales them with stories of his travels, tales that are at odds with their conventional middle class perspective on the world.
Producer
A well-off Indian family is paid an unexpected, and rather unwanted, visit by a man claiming to be the woman's long lost uncle. The initial suspicion with which they greet the man slowly dissolves as he regales them with stories of his travels, tales that are at odds with their conventional middle class perspective on the world.
Screenplay
A well-off Indian family is paid an unexpected, and rather unwanted, visit by a man claiming to be the woman's long lost uncle. The initial suspicion with which they greet the man slowly dissolves as he regales them with stories of his travels, tales that are at odds with their conventional middle class perspective on the world.
Director
A well-off Indian family is paid an unexpected, and rather unwanted, visit by a man claiming to be the woman's long lost uncle. The initial suspicion with which they greet the man slowly dissolves as he regales them with stories of his travels, tales that are at odds with their conventional middle class perspective on the world.
Screenplay
When a wealthy patriarch falls ill on his 70th birthday, three of his sons rush in from Calcutta, leading to a reunion filled with painful ironies and lingering disillusionment. As the family—including an addled fourth son (Soumitra Chatterjee) who lives with the old man—watches and waits, the static occasion brings out simmering tensions in their family dynamics, from the father’s moral rectitude to the business ambition of two sons and the withdrawal of their siblings.
Story
When a wealthy patriarch falls ill on his 70th birthday, three of his sons rush in from Calcutta, leading to a reunion filled with painful ironies and lingering disillusionment. As the family—including an addled fourth son (Soumitra Chatterjee) who lives with the old man—watches and waits, the static occasion brings out simmering tensions in their family dynamics, from the father’s moral rectitude to the business ambition of two sons and the withdrawal of their siblings.
Original Music Composer
When a wealthy patriarch falls ill on his 70th birthday, three of his sons rush in from Calcutta, leading to a reunion filled with painful ironies and lingering disillusionment. As the family—including an addled fourth son (Soumitra Chatterjee) who lives with the old man—watches and waits, the static occasion brings out simmering tensions in their family dynamics, from the father’s moral rectitude to the business ambition of two sons and the withdrawal of their siblings.
Director
When a wealthy patriarch falls ill on his 70th birthday, three of his sons rush in from Calcutta, leading to a reunion filled with painful ironies and lingering disillusionment. As the family—including an addled fourth son (Soumitra Chatterjee) who lives with the old man—watches and waits, the static occasion brings out simmering tensions in their family dynamics, from the father’s moral rectitude to the business ambition of two sons and the withdrawal of their siblings.
Original Music Composer
Ashoke Gupta is an idealistic doctor working in a town near Calcutta. He discovers that the water at a popular temple is the source of an outbreak of typhoid and hepatitis. In order to save lives, he risks his career to try and call attention to this polluted water source, while a local group of building contractors attempt to discredit him in various ways.
Screenplay
Ashoke Gupta is an idealistic doctor working in a town near Calcutta. He discovers that the water at a popular temple is the source of an outbreak of typhoid and hepatitis. In order to save lives, he risks his career to try and call attention to this polluted water source, while a local group of building contractors attempt to discredit him in various ways.
Director
Ashoke Gupta is an idealistic doctor working in a town near Calcutta. He discovers that the water at a popular temple is the source of an outbreak of typhoid and hepatitis. In order to save lives, he risks his career to try and call attention to this polluted water source, while a local group of building contractors attempt to discredit him in various ways.
Original Music Composer
The film presents the life and work of the writer Sukumar Ray, Satyajit Ray's father. Ray made this film as a tribute to celebrate the centenary of his birth.
Screenplay
The film presents the life and work of the writer Sukumar Ray, Satyajit Ray's father. Ray made this film as a tribute to celebrate the centenary of his birth.
Director
The film presents the life and work of the writer Sukumar Ray, Satyajit Ray's father. Ray made this film as a tribute to celebrate the centenary of his birth.
Original Music Composer
When the movie opens, a woman is recalling the events that molded her perspective on the world. Years ago, her husband, a wealthy Western-educated landowner, challenged tradition by providing her with schooling, and inviting her out of the seclusion in which married women were kept, to the consternation of more conservative relatives. Meeting her husband's visiting friend from college, a leader of an economic rebellion against the British, she takes up his political cause, despite her husbands warnings. As the story progresses, the relationship between the woman and the visitor becomes more than platonic, and the political battles, pitting rich against poor and Hindu against Moslem, turn out not to be quite as simple as she had first thought.
Screenplay
When the movie opens, a woman is recalling the events that molded her perspective on the world. Years ago, her husband, a wealthy Western-educated landowner, challenged tradition by providing her with schooling, and inviting her out of the seclusion in which married women were kept, to the consternation of more conservative relatives. Meeting her husband's visiting friend from college, a leader of an economic rebellion against the British, she takes up his political cause, despite her husbands warnings. As the story progresses, the relationship between the woman and the visitor becomes more than platonic, and the political battles, pitting rich against poor and Hindu against Moslem, turn out not to be quite as simple as she had first thought.
Director
When the movie opens, a woman is recalling the events that molded her perspective on the world. Years ago, her husband, a wealthy Western-educated landowner, challenged tradition by providing her with schooling, and inviting her out of the seclusion in which married women were kept, to the consternation of more conservative relatives. Meeting her husband's visiting friend from college, a leader of an economic rebellion against the British, she takes up his political cause, despite her husbands warnings. As the story progresses, the relationship between the woman and the visitor becomes more than platonic, and the political battles, pitting rich against poor and Hindu against Moslem, turn out not to be quite as simple as she had first thought.
Documentary on director Satyajit Ray, featuring an extensive interview and clips from his films, and location shooting of his film "The Home and the World."
Writer
A day in the life of a six-year-old child in Calcutta, who lives shut up in the family home, insulated from the city by a park. The father is away at work. The grandfather is alone in his room, ill and confined to his bed. The mother receives her lover.
Director
A day in the life of a six-year-old child in Calcutta, who lives shut up in the family home, insulated from the city by a park. The father is away at work. The grandfather is alone in his room, ill and confined to his bed. The mother receives her lover.
Original Music Composer
When a poor and out-caste village tanner goes to village priest to get the date of his daughter's marriage fixed, the priest in turn asks for labor without pay in exchange.
Screenplay
When a poor and out-caste village tanner goes to village priest to get the date of his daughter's marriage fixed, the priest in turn asks for labor without pay in exchange.
Director
When a poor and out-caste village tanner goes to village priest to get the date of his daughter's marriage fixed, the priest in turn asks for labor without pay in exchange.
Original Music Composer
When Goopy and Bagha learn about Hirak Raja's tyranny, they try to set him right with the help of Udayan, a school teacher, and their magical powers.
Writer
When Goopy and Bagha learn about Hirak Raja's tyranny, they try to set him right with the help of Udayan, a school teacher, and their magical powers.
Director
When Goopy and Bagha learn about Hirak Raja's tyranny, they try to set him right with the help of Udayan, a school teacher, and their magical powers.
Original Music Composer
탐정 펠루다는 바라나시에서 휴가를 보낸다. 그러나 가네쉬(코끼리 신) 황금상 도난사건이 일어나고, 펠루다는 조사에 착수한다. 펠루다는 무자비한 무역상, 칼잡이, 어린 소년 등 여러 용의자를 만나지만 누구 하나 진실을 말하는 이는 없다.
(영화의 전당)
Screenplay
탐정 펠루다는 바라나시에서 휴가를 보낸다. 그러나 가네쉬(코끼리 신) 황금상 도난사건이 일어나고, 펠루다는 조사에 착수한다. 펠루다는 무자비한 무역상, 칼잡이, 어린 소년 등 여러 용의자를 만나지만 누구 하나 진실을 말하는 이는 없다.
(영화의 전당)
Novel
탐정 펠루다는 바라나시에서 휴가를 보낸다. 그러나 가네쉬(코끼리 신) 황금상 도난사건이 일어나고, 펠루다는 조사에 착수한다. 펠루다는 무자비한 무역상, 칼잡이, 어린 소년 등 여러 용의자를 만나지만 누구 하나 진실을 말하는 이는 없다.
(영화의 전당)
Director
탐정 펠루다는 바라나시에서 휴가를 보낸다. 그러나 가네쉬(코끼리 신) 황금상 도난사건이 일어나고, 펠루다는 조사에 착수한다. 펠루다는 무자비한 무역상, 칼잡이, 어린 소년 등 여러 용의자를 만나지만 누구 하나 진실을 말하는 이는 없다.
(영화의 전당)
Original Music Composer
It is the year 1856. Nawab Wajid Ali Shah is the king of Awadh, one of the last independent kingdoms of India. The British colonialists, intent on controlling this rich land, have sent general Outram on a secret mission to clear the way for an annexation. Pressure is mounting amidst intrigue and political manoeuvres, but the Nawab whiles away his time in pursuit of pleasure and religious practice. The court is of no help either—Court nobles Mir and Mirza, ignoring the situation of their country and all their duties towards their families, spend their days playing endless games of chess. The film is based on Munshi Premchand's short story of the same name.
Dialogue
It is the year 1856. Nawab Wajid Ali Shah is the king of Awadh, one of the last independent kingdoms of India. The British colonialists, intent on controlling this rich land, have sent general Outram on a secret mission to clear the way for an annexation. Pressure is mounting amidst intrigue and political manoeuvres, but the Nawab whiles away his time in pursuit of pleasure and religious practice. The court is of no help either—Court nobles Mir and Mirza, ignoring the situation of their country and all their duties towards their families, spend their days playing endless games of chess. The film is based on Munshi Premchand's short story of the same name.
Screenplay
It is the year 1856. Nawab Wajid Ali Shah is the king of Awadh, one of the last independent kingdoms of India. The British colonialists, intent on controlling this rich land, have sent general Outram on a secret mission to clear the way for an annexation. Pressure is mounting amidst intrigue and political manoeuvres, but the Nawab whiles away his time in pursuit of pleasure and religious practice. The court is of no help either—Court nobles Mir and Mirza, ignoring the situation of their country and all their duties towards their families, spend their days playing endless games of chess. The film is based on Munshi Premchand's short story of the same name.
Director
It is the year 1856. Nawab Wajid Ali Shah is the king of Awadh, one of the last independent kingdoms of India. The British colonialists, intent on controlling this rich land, have sent general Outram on a secret mission to clear the way for an annexation. Pressure is mounting amidst intrigue and political manoeuvres, but the Nawab whiles away his time in pursuit of pleasure and religious practice. The court is of no help either—Court nobles Mir and Mirza, ignoring the situation of their country and all their duties towards their families, spend their days playing endless games of chess. The film is based on Munshi Premchand's short story of the same name.
Original Music Composer
A bright and idealistic young graduate steels himself for a dog-eat-dog world, only to flounder in a job market packed with thousands of other hopefuls. When he eventually decides to start his own business as a middle-man, he discovers that the world of business does not live up to his lofty ideals.
Screenplay
A bright and idealistic young graduate steels himself for a dog-eat-dog world, only to flounder in a job market packed with thousands of other hopefuls. When he eventually decides to start his own business as a middle-man, he discovers that the world of business does not live up to his lofty ideals.
Director
A bright and idealistic young graduate steels himself for a dog-eat-dog world, only to flounder in a job market packed with thousands of other hopefuls. When he eventually decides to start his own business as a middle-man, he discovers that the world of business does not live up to his lofty ideals.
Screenplay
A documentary about the aging prima ballerina Balasaraswati (popularly known as "Bala"), the most famous exponent of the Bharatanatyam dance.
Director
A documentary about the aging prima ballerina Balasaraswati (popularly known as "Bala"), the most famous exponent of the Bharatanatyam dance.
Original Music Composer
A young boy becomes a target for crooks, after he claims to remember his past life and mentions precious jewels in a golden fortress.
Writer
A young boy becomes a target for crooks, after he claims to remember his past life and mentions precious jewels in a golden fortress.
Director
A young boy becomes a target for crooks, after he claims to remember his past life and mentions precious jewels in a golden fortress.
Original Music Composer
Gangacharan is the new Brahmin of a village, where he assumes various duties: teaching, organizing religious events, and trying to prevent epidemics. But in that year 1943, war is raging (as reminded by the planes occasionally heard flying over the countryside), and a major famine is under way. As food shortages reach catastrophic proportions, Gangacharan attempts to preserve his privileged situation, while his generous wife, Ananga, conversely tries to help and support the community.
Screenplay
Gangacharan is the new Brahmin of a village, where he assumes various duties: teaching, organizing religious events, and trying to prevent epidemics. But in that year 1943, war is raging (as reminded by the planes occasionally heard flying over the countryside), and a major famine is under way. As food shortages reach catastrophic proportions, Gangacharan attempts to preserve his privileged situation, while his generous wife, Ananga, conversely tries to help and support the community.
Director
Gangacharan is the new Brahmin of a village, where he assumes various duties: teaching, organizing religious events, and trying to prevent epidemics. But in that year 1943, war is raging (as reminded by the planes occasionally heard flying over the countryside), and a major famine is under way. As food shortages reach catastrophic proportions, Gangacharan attempts to preserve his privileged situation, while his generous wife, Ananga, conversely tries to help and support the community.
Narrator (voice)
At the age of 54, Binode Bihari Mukherjee, an accomplished painter, lost his sight following an unsuccessful cataract operation. He continued to create art despite his loss of sight. The documentary explores Binode Bihari’s inner eye that guides his fingers to create art.
Writer
At the age of 54, Binode Bihari Mukherjee, an accomplished painter, lost his sight following an unsuccessful cataract operation. He continued to create art despite his loss of sight. The documentary explores Binode Bihari’s inner eye that guides his fingers to create art.
Director
At the age of 54, Binode Bihari Mukherjee, an accomplished painter, lost his sight following an unsuccessful cataract operation. He continued to create art despite his loss of sight. The documentary explores Binode Bihari’s inner eye that guides his fingers to create art.
Original Music Composer
The chronicles of Shyamalendu Chatterjee, an ambitious and self-made young man, as he rises his way up the corporate ladder.
Screenplay
The chronicles of Shyamalendu Chatterjee, an ambitious and self-made young man, as he rises his way up the corporate ladder.
Director
The chronicles of Shyamalendu Chatterjee, an ambitious and self-made young man, as he rises his way up the corporate ladder.
Original Music Composer
Satyajit Ray's poetic documentary was commissioned by the Chogyal (King) of Sikkim at a time when he felt the sovereignty of Sikkim was under threat from both China and India. Ray's documentary is about the sovereignty of Sikkim. The film was banned by the government of India when Sikkim merged with India in 1975. The ban was finally lifted by the Ministry of External Affairs in September 2010.
Sound
Satyajit Ray's poetic documentary was commissioned by the Chogyal (King) of Sikkim at a time when he felt the sovereignty of Sikkim was under threat from both China and India. Ray's documentary is about the sovereignty of Sikkim. The film was banned by the government of India when Sikkim merged with India in 1975. The ban was finally lifted by the Ministry of External Affairs in September 2010.
Writer
Satyajit Ray's poetic documentary was commissioned by the Chogyal (King) of Sikkim at a time when he felt the sovereignty of Sikkim was under threat from both China and India. Ray's documentary is about the sovereignty of Sikkim. The film was banned by the government of India when Sikkim merged with India in 1975. The ban was finally lifted by the Ministry of External Affairs in September 2010.
Narrator (voice)
Satyajit Ray's poetic documentary was commissioned by the Chogyal (King) of Sikkim at a time when he felt the sovereignty of Sikkim was under threat from both China and India. Ray's documentary is about the sovereignty of Sikkim. The film was banned by the government of India when Sikkim merged with India in 1975. The ban was finally lifted by the Ministry of External Affairs in September 2010.
Director
Satyajit Ray's poetic documentary was commissioned by the Chogyal (King) of Sikkim at a time when he felt the sovereignty of Sikkim was under threat from both China and India. Ray's documentary is about the sovereignty of Sikkim. The film was banned by the government of India when Sikkim merged with India in 1975. The ban was finally lifted by the Ministry of External Affairs in September 2010.
Original Music Composer
Siddhartho Chowdhury, a brilliant medical student, is forced to leave his studies after his father's sudden demise. He is forced to navigate the high unemployment rate and the communist socio-political climate of 1960s Calcutta in search of a job.
Screenplay
Siddhartho Chowdhury, a brilliant medical student, is forced to leave his studies after his father's sudden demise. He is forced to navigate the high unemployment rate and the communist socio-political climate of 1960s Calcutta in search of a job.
Director
Siddhartho Chowdhury, a brilliant medical student, is forced to leave his studies after his father's sudden demise. He is forced to navigate the high unemployment rate and the communist socio-political climate of 1960s Calcutta in search of a job.
Screenplay
인도의 중산층 노동자인 아심(수미트라 샤트리제), 산조이(수벤두 챠터지)), 세차(로비 고쉬), 하리(사미트 바네자) 이렇게 네명이 함께 주말을 보내기 위해 숲으로 간다. 아심은 성공한 사람으로 조금은 고압적이고 자기도취에 빠진 사람이다. 산조이는 소심하며 보수적이고 순수하다. 세차는 재밌는 사람이고, 하리는 충동적이 경솔한 사람이다. 숲속에 도착한 네명은 또다른 여성그룹을 만나고 그들과 즐겁게 지낸다.
Original Music Composer
인도의 중산층 노동자인 아심(수미트라 샤트리제), 산조이(수벤두 챠터지)), 세차(로비 고쉬), 하리(사미트 바네자) 이렇게 네명이 함께 주말을 보내기 위해 숲으로 간다. 아심은 성공한 사람으로 조금은 고압적이고 자기도취에 빠진 사람이다. 산조이는 소심하며 보수적이고 순수하다. 세차는 재밌는 사람이고, 하리는 충동적이 경솔한 사람이다. 숲속에 도착한 네명은 또다른 여성그룹을 만나고 그들과 즐겁게 지낸다.
Director
인도의 중산층 노동자인 아심(수미트라 샤트리제), 산조이(수벤두 챠터지)), 세차(로비 고쉬), 하리(사미트 바네자) 이렇게 네명이 함께 주말을 보내기 위해 숲으로 간다. 아심은 성공한 사람으로 조금은 고압적이고 자기도취에 빠진 사람이다. 산조이는 소심하며 보수적이고 순수하다. 세차는 재밌는 사람이고, 하리는 충동적이 경솔한 사람이다. 숲속에 도착한 네명은 또다른 여성그룹을 만나고 그들과 즐겁게 지낸다.
Original Music Composer
A hilarious romantic-comedy where two people have their luggage exchanged during a train journey. One of them (Soumitra Chatterjee) is a psychiatrist, and he develops a keen interest in knowing the other party (Aparna Sen). His experience as a psychiatrist helps him to understand the happy-go-lucky and pampered Aparna Sen and woo her love.
Screenplay
A hilarious romantic-comedy where two people have their luggage exchanged during a train journey. One of them (Soumitra Chatterjee) is a psychiatrist, and he develops a keen interest in knowing the other party (Aparna Sen). His experience as a psychiatrist helps him to understand the happy-go-lucky and pampered Aparna Sen and woo her love.
Original Music Composer
Goopy Gyne and Bagha Byne are banished from their respective villages for being bad musicians. However, with their skills, they succeed in pleasing the king of ghosts who grants them three boons. How will they succeed in preventing the war between Halla and Shundi which is looming large?
Writer
Goopy Gyne and Bagha Byne are banished from their respective villages for being bad musicians. However, with their skills, they succeed in pleasing the king of ghosts who grants them three boons. How will they succeed in preventing the war between Halla and Shundi which is looming large?
Director
Goopy Gyne and Bagha Byne are banished from their respective villages for being bad musicians. However, with their skills, they succeed in pleasing the king of ghosts who grants them three boons. How will they succeed in preventing the war between Halla and Shundi which is looming large?
Original Music Composer
When Byomkesh Bakshi's new client, Dr. Nishanath Sen, is murdered at Golaap Colony, he decides to probe into the case with the help of his close aide, Ajit.
Screenplay
When Byomkesh Bakshi's new client, Dr. Nishanath Sen, is murdered at Golaap Colony, he decides to probe into the case with the help of his close aide, Ajit.
Director
When Byomkesh Bakshi's new client, Dr. Nishanath Sen, is murdered at Golaap Colony, he decides to probe into the case with the help of his close aide, Ajit.
Self
In 1967, Canadian documentarian James Beveridge traveled to Kolkata to film director Satyajit Ray at work. The resulting program, produced for the American public television series “The Creative Person,” features interviews with Ray, several of his actors and crew members, and film critic Chidananda Das Gupta.
Original Music Composer
영화배우 아린담 무케르지가 시상식 참가를 위해 델리로 가는 밤기차에 오른다. 기차에서 한 기자가 그에게 독점 인터뷰를 제안하고, 그들은 대화를 시작한다. 사트야지트 레이는 인터뷰를 통해 과거와 꿈, 기차 안 승객들의 이야기까지 결합시켜 기묘한 이야기를 구성한다.
(영화의 전당)
Writer
영화배우 아린담 무케르지가 시상식 참가를 위해 델리로 가는 밤기차에 오른다. 기차에서 한 기자가 그에게 독점 인터뷰를 제안하고, 그들은 대화를 시작한다. 사트야지트 레이는 인터뷰를 통해 과거와 꿈, 기차 안 승객들의 이야기까지 결합시켜 기묘한 이야기를 구성한다.
(영화의 전당)
Director
영화배우 아린담 무케르지가 시상식 참가를 위해 델리로 가는 밤기차에 오른다. 기차에서 한 기자가 그에게 독점 인터뷰를 제안하고, 그들은 대화를 시작한다. 사트야지트 레이는 인터뷰를 통해 과거와 꿈, 기차 안 승객들의 이야기까지 결합시켜 기묘한 이야기를 구성한다.
(영화의 전당)
Original Music Composer
토니 버킹엄 (제프리 켄달 분)과 아내 카라 (로라 리델 분)는 인도에서 전국을 떠돌아다니며 셰익스피어 연극을 공연하는 한 극단을 운영하고 있다. 그들은 최근 성장하고 있는 인도 극영화로 인해 자신들의 영역이 줄고 들고 있어 위기를 맞게 된다. 또한 두 사람의 딸인 리지 버킹엄 (펠리시티 켄달 분)이 젊고 부유한 인도 남자 산주 (샤시 카푸어 분)와 사랑에 빠지자 걱정이 이만저만 아니다. 리지가 인도에서 태아나 자라긴 했어도 두 나라 사이의 문화적 갈등을 겪고 있으며 산주가 인도의 유명한 영화배우와 염문을 뿌리고 있는 바람둥이이기 때문인데... (EBS)
Original Music Composer
This short film shows an encounter, through a series of games, between a street child from the shantytowns and a child of a rich family, stationed at his window. The film has no dialogue and the action moves through the attempts at one-upmanship evident in their successive display of their toys. Their rivalry (a kite shot down by a toy rifle, for example) concludes with the opposition between the world of noise (the toys inside the house) and that of music (the street child's flute).
Writer
This short film shows an encounter, through a series of games, between a street child from the shantytowns and a child of a rich family, stationed at his window. The film has no dialogue and the action moves through the attempts at one-upmanship evident in their successive display of their toys. Their rivalry (a kite shot down by a toy rifle, for example) concludes with the opposition between the world of noise (the toys inside the house) and that of music (the street child's flute).
Director
This short film shows an encounter, through a series of games, between a street child from the shantytowns and a child of a rich family, stationed at his window. The film has no dialogue and the action moves through the attempts at one-upmanship evident in their successive display of their toys. Their rivalry (a kite shot down by a toy rifle, for example) concludes with the opposition between the world of noise (the toys inside the house) and that of music (the street child's flute).
Original Music Composer
시나리오 작가 아미타바 로이는 친지 방문 겸 영화 자료 조사 차 북부 벵골 지역을 여행한다. 여행 중 자동차가 고장나면서 그는 관리인의 집에 머물게 된다. 공교롭게도 관리인은 그의 옛 연인 카루나의 남편이었다. 남편은 두 사람의 불편함을 알아차리지 못 하고, 아미타바는 카루나에게 다시 청혼할 용기를 내 본다. (영화의 전당)
Screenplay
시나리오 작가 아미타바 로이는 친지 방문 겸 영화 자료 조사 차 북부 벵골 지역을 여행한다. 여행 중 자동차가 고장나면서 그는 관리인의 집에 머물게 된다. 공교롭게도 관리인은 그의 옛 연인 카루나의 남편이었다. 남편은 두 사람의 불편함을 알아차리지 못 하고, 아미타바는 카루나에게 다시 청혼할 용기를 내 본다. (영화의 전당)
Director
시나리오 작가 아미타바 로이는 친지 방문 겸 영화 자료 조사 차 북부 벵골 지역을 여행한다. 여행 중 자동차가 고장나면서 그는 관리인의 집에 머물게 된다. 공교롭게도 관리인은 그의 옛 연인 카루나의 남편이었다. 남편은 두 사람의 불편함을 알아차리지 못 하고, 아미타바는 카루나에게 다시 청혼할 용기를 내 본다. (영화의 전당)
Original Music Composer
은퇴한 변호사는 순례에서 돌아오던 기차에서 성스러운 남자 비린치 바바와 그의 조수를 만나 그의 초자연적인 삶에 완전히 사로잡힌다. 변호사는 성인을 집으로 모셔오고, 변호사의 딸 부키는 바바의 충실한 제자가 되기를 자처한다. 사실 부키는 남자친구에게 복수하기 위해 바바의 제자가 되기로 했다. 남자친구는 바바가 사기꾼이라는 사실을 폭로하여 여자친구를 되찾고자 한다.
(영화의 전당)
Screenplay
은퇴한 변호사는 순례에서 돌아오던 기차에서 성스러운 남자 비린치 바바와 그의 조수를 만나 그의 초자연적인 삶에 완전히 사로잡힌다. 변호사는 성인을 집으로 모셔오고, 변호사의 딸 부키는 바바의 충실한 제자가 되기를 자처한다. 사실 부키는 남자친구에게 복수하기 위해 바바의 제자가 되기로 했다. 남자친구는 바바가 사기꾼이라는 사실을 폭로하여 여자친구를 되찾고자 한다.
(영화의 전당)
Director
은퇴한 변호사는 순례에서 돌아오던 기차에서 성스러운 남자 비린치 바바와 그의 조수를 만나 그의 초자연적인 삶에 완전히 사로잡힌다. 변호사는 성인을 집으로 모셔오고, 변호사의 딸 부키는 바바의 충실한 제자가 되기를 자처한다. 사실 부키는 남자친구에게 복수하기 위해 바바의 제자가 되기로 했다. 남자친구는 바바가 사기꾼이라는 사실을 폭로하여 여자친구를 되찾고자 한다.
(영화의 전당)
Original Music Composer
1870년대 인도. 차루는 외롭고 한가한 생활을 하고 있다. 차루의 남편 부파티는 가정생활보다 신문제작에 더 많은 시간을 할애하기 때문이다. 남편의 사촌이자 시인인 아말이 그들의 집으로 오게 되고, 차루는 아말과 문학적 교감을 나눈다. 위태로운 결혼생활의 모습과 자신의 목소리를 확립하기 위한 첫걸음을 내딛는 여성의 이야기를 담았다.
(영화의 전당)
Screenplay
1870년대 인도. 차루는 외롭고 한가한 생활을 하고 있다. 차루의 남편 부파티는 가정생활보다 신문제작에 더 많은 시간을 할애하기 때문이다. 남편의 사촌이자 시인인 아말이 그들의 집으로 오게 되고, 차루는 아말과 문학적 교감을 나눈다. 위태로운 결혼생활의 모습과 자신의 목소리를 확립하기 위한 첫걸음을 내딛는 여성의 이야기를 담았다.
(영화의 전당)
Director
1870년대 인도. 차루는 외롭고 한가한 생활을 하고 있다. 차루의 남편 부파티는 가정생활보다 신문제작에 더 많은 시간을 할애하기 때문이다. 남편의 사촌이자 시인인 아말이 그들의 집으로 오게 되고, 차루는 아말과 문학적 교감을 나눈다. 위태로운 결혼생활의 모습과 자신의 목소리를 확립하기 위한 첫걸음을 내딛는 여성의 이야기를 담았다.
(영화의 전당)
Narrator
Documentary about Indian filmmaker Satyajit Ray
Editor
Follows the fortunes of a young teacher, Prem, who isn't ready to take on the responsibilities of his arranged marriage.
Screenplay
젊은 주부 아라티는 은행원인 남편의 월급으로는 살림을 꾸리기 쉽지 않다. 그녀는 직접 직업을 구하기로 결심하지만 남편은 모욕을 받았다고 느끼고 시부모는 반대한다. 자존심이 없는 남자만이 아내를 일하게 한다고 그들은 생각한다. 그러나 시대는 변했고, 아라티는 망설임 끝에 립스틱을 바르고 직장에 출근한다. 아라티는 무난하게 사회생활에 적응하지만 가정에서는 문제가 생긴다. 시아버지는 아라티의 남편에게 냉전을 선포하고 묵비권을 행사한다. 남편은 자신의 상처받은 자존심을 새로 집안의 가장이 된 아내의 위치에 맞게 재조정한다.
Original Music Composer
젊은 주부 아라티는 은행원인 남편의 월급으로는 살림을 꾸리기 쉽지 않다. 그녀는 직접 직업을 구하기로 결심하지만 남편은 모욕을 받았다고 느끼고 시부모는 반대한다. 자존심이 없는 남자만이 아내를 일하게 한다고 그들은 생각한다. 그러나 시대는 변했고, 아라티는 망설임 끝에 립스틱을 바르고 직장에 출근한다. 아라티는 무난하게 사회생활에 적응하지만 가정에서는 문제가 생긴다. 시아버지는 아라티의 남편에게 냉전을 선포하고 묵비권을 행사한다. 남편은 자신의 상처받은 자존심을 새로 집안의 가장이 된 아내의 위치에 맞게 재조정한다.
Director
젊은 주부 아라티는 은행원인 남편의 월급으로는 살림을 꾸리기 쉽지 않다. 그녀는 직접 직업을 구하기로 결심하지만 남편은 모욕을 받았다고 느끼고 시부모는 반대한다. 자존심이 없는 남자만이 아내를 일하게 한다고 그들은 생각한다. 그러나 시대는 변했고, 아라티는 망설임 끝에 립스틱을 바르고 직장에 출근한다. 아라티는 무난하게 사회생활에 적응하지만 가정에서는 문제가 생긴다. 시아버지는 아라티의 남편에게 냉전을 선포하고 묵비권을 행사한다. 남편은 자신의 상처받은 자존심을 새로 집안의 가장이 된 아내의 위치에 맞게 재조정한다.
Original Music Composer
The story revolves around a North Indian taxi driver, Narsingh, who attempts to reinvent his life by visiting his native place, but instead gets embroiled in a local Marwari businessman's smuggling and human trafficking business.
Screenplay
The story revolves around a North Indian taxi driver, Narsingh, who attempts to reinvent his life by visiting his native place, but instead gets embroiled in a local Marwari businessman's smuggling and human trafficking business.
Director
The story revolves around a North Indian taxi driver, Narsingh, who attempts to reinvent his life by visiting his native place, but instead gets embroiled in a local Marwari businessman's smuggling and human trafficking business.
Original Music Composer
Played out in real time, several complex family dramas intersect in the landscape of the Himalayan foothills, allowing the Bengali auteur to examine the class and generational differences of postcolonial India while celebrating the hopes of a society in transition.
Screenplay
Played out in real time, several complex family dramas intersect in the landscape of the Himalayan foothills, allowing the Bengali auteur to examine the class and generational differences of postcolonial India while celebrating the hopes of a society in transition.
Story
Played out in real time, several complex family dramas intersect in the landscape of the Himalayan foothills, allowing the Bengali auteur to examine the class and generational differences of postcolonial India while celebrating the hopes of a society in transition.
Producer
Played out in real time, several complex family dramas intersect in the landscape of the Himalayan foothills, allowing the Bengali auteur to examine the class and generational differences of postcolonial India while celebrating the hopes of a society in transition.
Director
Played out in real time, several complex family dramas intersect in the landscape of the Himalayan foothills, allowing the Bengali auteur to examine the class and generational differences of postcolonial India while celebrating the hopes of a society in transition.
Original Music Composer
'Teen Kanya' is an anthology film based upon short stories by Rabindranath Tagore, as a tribute on the author's centenary. The title means "Three Daughters", and the film's original Indian release contained three stories, with three central female characters linking the stories together. 'The Postmaster' concerns an orphan girl who grows attached to the postmaster she is caring for after he teaches her to read and write. 'Monihara' is a supernatural tale about a woman obsessed with the jewels her husband buys for her. 'Samapti' follows a young man who falls for an unconventional girl from his new village instead of his arranged bride, the daughter of a respectable family. The international release did not include 'Monihara', and was released as 'Dui Kanya', or "Two Daughters".
Screenplay
'Teen Kanya' is an anthology film based upon short stories by Rabindranath Tagore, as a tribute on the author's centenary. The title means "Three Daughters", and the film's original Indian release contained three stories, with three central female characters linking the stories together. 'The Postmaster' concerns an orphan girl who grows attached to the postmaster she is caring for after he teaches her to read and write. 'Monihara' is a supernatural tale about a woman obsessed with the jewels her husband buys for her. 'Samapti' follows a young man who falls for an unconventional girl from his new village instead of his arranged bride, the daughter of a respectable family. The international release did not include 'Monihara', and was released as 'Dui Kanya', or "Two Daughters".
Director
'Teen Kanya' is an anthology film based upon short stories by Rabindranath Tagore, as a tribute on the author's centenary. The title means "Three Daughters", and the film's original Indian release contained three stories, with three central female characters linking the stories together. 'The Postmaster' concerns an orphan girl who grows attached to the postmaster she is caring for after he teaches her to read and write. 'Monihara' is a supernatural tale about a woman obsessed with the jewels her husband buys for her. 'Samapti' follows a young man who falls for an unconventional girl from his new village instead of his arranged bride, the daughter of a respectable family. The international release did not include 'Monihara', and was released as 'Dui Kanya', or "Two Daughters".
Screenplay
Docudrama about the life of Rabindranath Tagore, Indian polymath—poet, writer, playwright, composer, philosopher, social reformer and painter, who reshaped Bengali literature and music as well as Indian art, becoming in 1913 the first non-European and the first lyricist to win the Nobel Prize in Literature. The film was released during Tagore's birth centenary year.
Narrator (voice)
Docudrama about the life of Rabindranath Tagore, Indian polymath—poet, writer, playwright, composer, philosopher, social reformer and painter, who reshaped Bengali literature and music as well as Indian art, becoming in 1913 the first non-European and the first lyricist to win the Nobel Prize in Literature. The film was released during Tagore's birth centenary year.
Director
Docudrama about the life of Rabindranath Tagore, Indian polymath—poet, writer, playwright, composer, philosopher, social reformer and painter, who reshaped Bengali literature and music as well as Indian art, becoming in 1913 the first non-European and the first lyricist to win the Nobel Prize in Literature. The film was released during Tagore's birth centenary year.
Producer
19세기 중엽 인도, 부유한 시골지주는 그의 아들이 콜카타로 공부하러 떠난 사이에 그의 며느리가 여신 칼리의 환생이라고 믿게 되는데.....
Screenplay
19세기 중엽 인도, 부유한 시골지주는 그의 아들이 콜카타로 공부하러 떠난 사이에 그의 며느리가 여신 칼리의 환생이라고 믿게 되는데.....
Director
19세기 중엽 인도, 부유한 시골지주는 그의 아들이 콜카타로 공부하러 떠난 사이에 그의 며느리가 여신 칼리의 환생이라고 믿게 되는데.....
Producer
부모를 모두 저 세상으로 떠나 보내고 어른이 된 아푸는 캘커타의 기찻길 옆에 있는 허름한 하숙집에서 살며 작가로서 이름을 알리기 위해 애쓰고 있다. 그의 친구 풀루는 작은 벵골 마을에서 열리는 누이의 결혼식에 그를 초대하나 신랑감이 정신적 결함이 있다는 사실이 드러나면서 잔치는 엉망이 되며, 만약 신부가 정해진 시간에 결혼하지 않으면 신부는 지독히 치욕적인 입장에 처하게 된다. 아푸는 당황하여 저항도 해보았지만 결국 강제로 그녀와 결혼하게 되고 십 대의 신부를 도시의 오두막으로 데려가며, 모든 불리한 상황에도 불구하고 그들의 결혼생활은 행복한 1년이 지난 후 아파르나는 아기를 출산하러 고향으로 돌아가 그녀가 아기를 낳다 죽었다는 전갈이 온다. 너무나 절망한 아푸는 자기 아들조차 만나려 하지 않고, 5년 후 탄광에서 일하고 있는 아푸를 찾아낸 풀루는 돌아와서 거칠게 자라 다루기 힘들어진 아들을 책임지라고 그를 설득하며, 처음에 아이는 자기가 아빠라고 하는 낯선 사람을 맹렬히 거부하지만 차츰 둘 사이에 조심스러운 신뢰가 자라나고 마침내 아푸는 아들을 어깨에 태우고 도시의 세계로 돌아간다. 사티야지트 레이의 이름과 인도영화를 세계에 알린 '아푸 삼부작'의 완결편이다.
Screenplay
부모를 모두 저 세상으로 떠나 보내고 어른이 된 아푸는 캘커타의 기찻길 옆에 있는 허름한 하숙집에서 살며 작가로서 이름을 알리기 위해 애쓰고 있다. 그의 친구 풀루는 작은 벵골 마을에서 열리는 누이의 결혼식에 그를 초대하나 신랑감이 정신적 결함이 있다는 사실이 드러나면서 잔치는 엉망이 되며, 만약 신부가 정해진 시간에 결혼하지 않으면 신부는 지독히 치욕적인 입장에 처하게 된다. 아푸는 당황하여 저항도 해보았지만 결국 강제로 그녀와 결혼하게 되고 십 대의 신부를 도시의 오두막으로 데려가며, 모든 불리한 상황에도 불구하고 그들의 결혼생활은 행복한 1년이 지난 후 아파르나는 아기를 출산하러 고향으로 돌아가 그녀가 아기를 낳다 죽었다는 전갈이 온다. 너무나 절망한 아푸는 자기 아들조차 만나려 하지 않고, 5년 후 탄광에서 일하고 있는 아푸를 찾아낸 풀루는 돌아와서 거칠게 자라 다루기 힘들어진 아들을 책임지라고 그를 설득하며, 처음에 아이는 자기가 아빠라고 하는 낯선 사람을 맹렬히 거부하지만 차츰 둘 사이에 조심스러운 신뢰가 자라나고 마침내 아푸는 아들을 어깨에 태우고 도시의 세계로 돌아간다. 사티야지트 레이의 이름과 인도영화를 세계에 알린 '아푸 삼부작'의 완결편이다.
Director
부모를 모두 저 세상으로 떠나 보내고 어른이 된 아푸는 캘커타의 기찻길 옆에 있는 허름한 하숙집에서 살며 작가로서 이름을 알리기 위해 애쓰고 있다. 그의 친구 풀루는 작은 벵골 마을에서 열리는 누이의 결혼식에 그를 초대하나 신랑감이 정신적 결함이 있다는 사실이 드러나면서 잔치는 엉망이 되며, 만약 신부가 정해진 시간에 결혼하지 않으면 신부는 지독히 치욕적인 입장에 처하게 된다. 아푸는 당황하여 저항도 해보았지만 결국 강제로 그녀와 결혼하게 되고 십 대의 신부를 도시의 오두막으로 데려가며, 모든 불리한 상황에도 불구하고 그들의 결혼생활은 행복한 1년이 지난 후 아파르나는 아기를 출산하러 고향으로 돌아가 그녀가 아기를 낳다 죽었다는 전갈이 온다. 너무나 절망한 아푸는 자기 아들조차 만나려 하지 않고, 5년 후 탄광에서 일하고 있는 아푸를 찾아낸 풀루는 돌아와서 거칠게 자라 다루기 힘들어진 아들을 책임지라고 그를 설득하며, 처음에 아이는 자기가 아빠라고 하는 낯선 사람을 맹렬히 거부하지만 차츰 둘 사이에 조심스러운 신뢰가 자라나고 마침내 아푸는 아들을 어깨에 태우고 도시의 세계로 돌아간다. 사티야지트 레이의 이름과 인도영화를 세계에 알린 '아푸 삼부작'의 완결편이다.
Screenplay
벵갈의 부유한 영주 비스왐바르 로이. 하지만 그에게 더 이상의 추가 수입은 전무하고, 강의 범람으로 토지는 점차 줄어들고 허물어진다. 그럼에도 사치스런 생활을 지속하며, 저택에서 가장 화려하게 꾸민 ‘뮤직룸’에서 음악을 즐기고, 연주회를 열던 로이는 쇠락해가는 현실을 직시하지 못하고 옛 영광만을 추억한다.
벵갈의 가난한 소년 아푸의 일생을 연대기적으로 그린 ‘아푸 3부작’으로 인도영화의 선구자는 물론 세계적 거장으로 자리매김한 레이는 ‘아푸 3부작’과 마찬가지로 네오리얼리즘적인 시선을 유지한다. 이전보다 좀 더 침울하고 애조 띤 화면은 한 시대의 우울한 몰락 과정을 감각적으로 환기시킨다.
Producer
벵갈의 부유한 영주 비스왐바르 로이. 하지만 그에게 더 이상의 추가 수입은 전무하고, 강의 범람으로 토지는 점차 줄어들고 허물어진다. 그럼에도 사치스런 생활을 지속하며, 저택에서 가장 화려하게 꾸민 ‘뮤직룸’에서 음악을 즐기고, 연주회를 열던 로이는 쇠락해가는 현실을 직시하지 못하고 옛 영광만을 추억한다.
벵갈의 가난한 소년 아푸의 일생을 연대기적으로 그린 ‘아푸 3부작’으로 인도영화의 선구자는 물론 세계적 거장으로 자리매김한 레이는 ‘아푸 3부작’과 마찬가지로 네오리얼리즘적인 시선을 유지한다. 이전보다 좀 더 침울하고 애조 띤 화면은 한 시대의 우울한 몰락 과정을 감각적으로 환기시킨다.
Director
벵갈의 부유한 영주 비스왐바르 로이. 하지만 그에게 더 이상의 추가 수입은 전무하고, 강의 범람으로 토지는 점차 줄어들고 허물어진다. 그럼에도 사치스런 생활을 지속하며, 저택에서 가장 화려하게 꾸민 ‘뮤직룸’에서 음악을 즐기고, 연주회를 열던 로이는 쇠락해가는 현실을 직시하지 못하고 옛 영광만을 추억한다.
벵갈의 가난한 소년 아푸의 일생을 연대기적으로 그린 ‘아푸 3부작’으로 인도영화의 선구자는 물론 세계적 거장으로 자리매김한 레이는 ‘아푸 3부작’과 마찬가지로 네오리얼리즘적인 시선을 유지한다. 이전보다 좀 더 침울하고 애조 띤 화면은 한 시대의 우울한 몰락 과정을 감각적으로 환기시킨다.
Original Music Composer
An underpaid middle-aged clerk finds a stone that changes iron to gold on touch.
Screenplay
An underpaid middle-aged clerk finds a stone that changes iron to gold on touch.
Director
An underpaid middle-aged clerk finds a stone that changes iron to gold on touch.
Producer
1920년, 소년 아푸와 아푸의 가족들은 고향 마을을 떠나 바라나시의 작은 아파트에 도착한다. 이곳에서 가족들은 새로운 삶의 변화를 겪고, 아푸는 어른들의 다양한 모습을 보며 조금씩 청년으로 성장한다. 사트야지트 레이의 ‘아푸 3부작’ 중 두 번째 작품.
Screenplay
1920년, 소년 아푸와 아푸의 가족들은 고향 마을을 떠나 바라나시의 작은 아파트에 도착한다. 이곳에서 가족들은 새로운 삶의 변화를 겪고, 아푸는 어른들의 다양한 모습을 보며 조금씩 청년으로 성장한다. 사트야지트 레이의 ‘아푸 3부작’ 중 두 번째 작품.
Director
1920년, 소년 아푸와 아푸의 가족들은 고향 마을을 떠나 바라나시의 작은 아파트에 도착한다. 이곳에서 가족들은 새로운 삶의 변화를 겪고, 아푸는 어른들의 다양한 모습을 보며 조금씩 청년으로 성장한다. 사트야지트 레이의 ‘아푸 3부작’ 중 두 번째 작품.
Producer
인도의 거장 사티야지트 레이의 데뷔작. 벵갈의 한 가난한 마을에 사는 소년이 늙은 노모와 누이의 죽음을 겪으면서 정신적으로 성장하는 과정을 그린 작품이다.
Screenplay
인도의 거장 사티야지트 레이의 데뷔작. 벵갈의 한 가난한 마을에 사는 소년이 늙은 노모와 누이의 죽음을 겪으면서 정신적으로 성장하는 과정을 그린 작품이다.
Director
인도의 거장 사티야지트 레이의 데뷔작. 벵갈의 한 가난한 마을에 사는 소년이 늙은 노모와 누이의 죽음을 겪으면서 정신적으로 성장하는 과정을 그린 작품이다.
Assistant Director
해리엣(Harriet: 패트리시아 월터스 분)은 인도 뱅골지방에 살고 있는 사춘기의 영국인 소녀다. 강변 마을의 황마공장 책임자인 아버지는 2차대전에서 눈을 다친 사람으로, 지혜로운 아내와 맏딸 해리엣을 합쳐 모두 여섯 남매를 거느린 낙천적인 가장이다. 옆집에 사는 또 다른 영국인 존(Mr John: 아서 실즈 분) 아저씨는 아름다운 인도연인과 결혼하여 멜라니(Melanie: 라드하 분)라는 예쁜 딸을 두고 얼마안돼 아내를 먼저 떠나보낸 사람이다. 그들의 생활은 인도 현지인들과 잘 동화되어, 흐르는 강물처럼 순탄하다. 어느날 존 아저씨의 사촌이 미국에서 온다. 전쟁에서 다리 하나를 잃은 그 젊은 퇴역 대위의 이름 역시 존(Captain John: 토마스 E. 브린 분)이어서 사람들은 그를 존 대위라 부른다. 존 대위의 출현으로 해리엣과 멜라니, 그리고 해리 엣 네집에 매일 놀러오는 또 다른 영국처녀 발레리(Valerie: 안드리느 코리 분)는 갑자기 사랑의 소용돌이에 경쟁적으로 휘말린다. 그러나 자신의 불구의 몸을 추스르기도 벅찬 존 대위는 풋내 나는 소녀들의 연정에 쉽게 반응 하지 않고.
Story
Based on a story by Satyajit Ray
