Jean Pierre Reguerraz
출생 : 1939-01-01, Buenos Aires, Argentina
사망 : 2007-11-02
약력
From Wikipedia, the free encyclopedia
Jean-Pierre Reguerraz (1939 – November 2, 2007) was an Argentine stage and film actor noted for his deep bass voice. Born in Buenos Aires, Argentina, in 1939 of French parents, he studied acting in Europe before returning to Argentina in 1960 for various stage roles. He performed at the Teatro Payro in Marathon, Rayuela, and Ivanov.
He appeared in 35 films, mostly in supporting roles, including the critically acclaimed El Armario in 2001. In the 2006 Oscar-entry film Family Law, which was distributed in the United States, he played "Uncle Eduardo", a shady attorney. Movie critic Ty Burr of The Boston Globe said Family Law "gets a lift" from Reguerraz' portrayal. Other films include El Amor y la ciudad (2006) and Garage Olimpo (1999), as "Juan Carlos". His last film appearance was in Luisa, filmed in mid-2007.
Reguerraz died at age 68 on November 2, 2007, after what was described as a "long illness".
Franco kills a tango singer, and the weight of his guilt pushes him to search for information about his victim. His quest leads him into an unknown and fascinating world, a true and deep place where the tango is still alive, habitat of the last real and authentic bohemian artists in Buenos Aires.
Esteban
의학적 호기심으로부터 알렉스를 보호하기 위해 아르헨티나를 떠나 우루과이의 외딴 어촌마을로 들어온 알렉스의 부모는 딸로 키워온 알렉스가 사춘기에 이르자 아이의 미래를 결정해야 되는 고민에 빠지게 된다. 그리고 성형외과 의사인 친구 부부와 그들의 아들, 알바로가 알렉스의 수술검토를 위해 이 가족을 방문하게 된다. 알렉스는 어느 한 성의 선택을 강요받는 분위기 속에서 압박감을 느끼고, 알바로와의 섹스를 시도한다. 부모들은 부모들대로 자식의 이익을 위해 최선을 다하려 하지만 무엇이 최선인지를 알 수 없다. 한편 아이들도 아이들 나름대로 자신의 정체성을 찾고 스스로를 보호하기 위해 혼란의 과정을 겪는다.
Man in Drugstore
A young man becomes obsessed with a gardening student who is about to leave for Switzerland.
Otto Dietrich
Borges falls in love with Beatriz Viterbo, a high-class young woman, who decides to marry a government official who makes Borges strongly suspect him, speculating that he is a sadist who is slowly poisoning Beatriz. To save Beatriz Borges, he decides to turn to a detective, who becomes the hinge of an unthinkable story.
A retiree who is thrown out of the lodging where he lives with a closet, his only belonging, meets a girl from the street and will keep each other company
David's father
An actor returns to Moisés Ville, the first Jewish colony installed in Argentina
Castembacher
Marcos (Gustavo Garzon), an existentially bored university lecturer, gets a grant to return to his birthplace to carry out biochemical research. There he meets old buddy Raul (Leo Masliah), who is now a priest. The story opens out to bring in their schooldays 20 years earlier, during Argentina’s politically active ’70s, when Raul was going out with Tamara (Victoria de Elizalde), who now lives in Paris with husband Paul (Ginger Poujoulet). The mature Tamara (Laura Melillo) returns to be with her sick mother, and Marcos unwittingly stumbles across some high-level politico-economic corruption on the part of the lab’s owners, led by Dr. Castembacher (Jean Pierre Reguerraz). In a piece in which perfs win out over plot, Garzon is satisfyingly nuanced as the disillusioned Marcos. Technically, pic’s restricted budget makes itself felt.
Gedalio Álvarez
A 16-year-old young man, is fond of weapons and the manufacture of explosives. He participates in robberies and is persecuted by the Police, so his group of friends dissolves and he goes to live in another neighborhood and starts working in a bookstore. Dissatisfied, without expectations and full of resentment, Silvio tries to set the place on fire and flees through the city
Laszio Ungari
Set in 1960, the story follows the efforts of the Mossad, the Israeli Secret Service, to find former SS Colonel Adolf Eichmann, who ran from Germany to Argentina and took the name Ricardo Clement. He was wanted for the murders of both Europeans and Jews during the Holocaust. Learning of Eichmann's living in Argentina, the Mossad sends a team to capture him, led by agent Peter Malkin. The standing order: bring Eichmann back alive to Israel for trial.
Two guys as different as a watchmaker and a television editor have to free Carlos Gardel's soul from a strange pact with the devil, who has it trapped. To break the spell, these fans of El Morocho del Abasto, and improvised exorcists, need to find a mythical figure of such popular force as Gardel: the great Diego Maradona.
Deckes
Deep within Buenos Aires's labyrinthine subway system, a train mysteriously disappears along with its 30 passengers. The subway officials are greatly troubled and call in topographer Daniel Pratt to help them find it. Unfortunately, the tunnels are so vast and complex, that Pratt needs his mentor Hugo Mistein to help him. Unfortunately, he too has vanished.
Gustavo
아르헨티나의 젊은 시인 올리베리오(Oliverio: 다리오 그란디네티 분)는 삶과 죽음, 그리고 여자와 복잡하게 얽힌 삶 속에서 시를 쓰며, 보헤미아적인 나날을 살아가는 오늘의 젊은이다. 시를 쓰는 것만으로는 생활이 어려운 그는 가끔 떠오르는 아이디어를 광고회사에 팔고는 하지만, 그렇게 들어온 돈은 곧 또 창녀에게로 간다. 올리베리오는 사랑의 환희로 허공에 떠올라, 함께 나르는 여자를 찾아 평생을 살아왔다고 해도 과언이 아니다. 그러던 그가 부에노스 아이레스를 떠나, 몬테비데오에 갔을때, 우연히 한 창녀를 만난다. 안나(Ana: 산드라 발레스테로스 분)라는 이름의 그 창녀는, 올리베리오를 안은채 하늘을 나를 수 있는 여자였다. 그러나, 여지껏 그가 여자들을 날지 못한다는 이유로 버렸듯, 이번에는 안나가 올리베리오를 버린다. 올리베리오가 아무리 발버둥을 쳐도, 안나는 눈하나 깜짝하지 않는다. 마침내, 안나는 올리베리오를 뒤에 남긴 채 떠나버린다.
A viceroy and an archbishop take their posts in Mexico. A local nun, Sor Juana Inés de la Cruz (1651-1695), intrigues them. The viceroy and his wife find her brilliant and fascinating. The prelate finds her a symbol of European laxity. He engineers the election of a new abbess, severe and ascetic. The virreina visits Sor Juana often and inspires her to write passionate poetry that the archbishop finds scandalous. The viceroy protects her. After he is replaced and returns to Spain with his wife, Sor Juana faces envy and retribution. A bishop betrays her, her confessor humbles her. Plague, a tribunal, and her confession as "the worst of all" end the great poet's life.
A new patient mysteriously appears in a psychiatric ward. He claims to come from another planet to study humans and their behavior. The alien is gentle but criticizes humans for their harsh treatment of each other. The assigned psychiatrist is himself unhappy, and affected by the patient's insight. But he is ordered to treat the patient according to institutional procedure.
The dialogue of a woman with herself split into two unknown opposites.
