Daniel Cohn-Bendit

Jean-Luc Godard is cinema, its quintessence. Just turned 91, he has made more than 140 films. We hate him as much as we worship him. Where does his aura come from? From legendary films of course, but also from Godard himself. He is a public figure as much as a man shrouded in mystery. Everything and its opposite, he has taken all possible paths. It is not easy to seize such a legendary, enigmatic giant. Godard’s itinerary follows one direction only: a constant renewal of his art. He sees the creative act as a necessary act of criticism and deconstruction.” I always start from the negative. I am a positive man who starts from the negative”. The artist reinvents himself tirelessly, and inevitably destroys himself. This portrait wants to take us beyond the clichés of a myth that has sometimes become caricatural, to meet a man more sentimental than it seems, a man inhabited, sometimes surpassed, by his art. Because yes, Godard is human. Not just a machine who thinks and creates images.

"We are all German Jews" was one of the student slogans in May '68. More than five decades later, Daniel Cohn-Bendit, one of the leaders of the movement, takes a free, uninhibited and unprejudiced look at the situation in Israel and the Occupied Territories. During a daring and unexpected journey, the "troublemaker" does not fail to confront the complex issue of his relationship with Zionism and the Palestinian cause.

"We are all German Jews" was one of the student slogans in May '68. More than five decades later, Daniel Cohn-Bendit, one of the leaders of the movement, takes a free, uninhibited and unprejudiced look at the situation in Israel and the Occupied Territories. During a daring and unexpected journey, the "troublemaker" does not fail to confront the complex issue of his relationship with Zionism and the Palestinian cause.

About the Gabriel Matzneff affair and pedophilia in French culture and society from the 1950s to the present day. "It was not very difficult to know who Matzneff was at the time." Vanessa Springora denounces thus, in an interview with the Parisian , the support which benefited the writer Gabriel Matzneff , in the years 1970 and 1980. The author fifties then maintains an affair with the young girl, aged 14 years. A relationship under control that the editor tells in Le Consentement (éd. Grasset), published Thursday. "After having analyzed the work " , the Paris public prosecutor's office announced Friday January 3 the opening of an investigation for "rapes committed on the person of a minor of 15 years".

West Germany in the 1970s. Many artists, journalists and intellectuals were branded as sympathizers of Baader-Meinhof's left-wing terrorism. The parents of the director, too: Margarethe von Trotta and his stepfather, Volker Schlöndorff. With extensive archive materials and film clips as well as Margarethe von Trotta's private diaries the film portrays one German family and the society of the time.

68혁명 이후 50년이 지난 시점에서 다니엘 콩방디와 로맹 구필은 프랑스를 횡단하는 여행을 떠나기로 한다. 그들은 이 로드 무비에서 때론 어리둥절해하며 프랑스 공화국의 이곳저곳을 답사한다. 1968년의 사태를 지나 어느덧 늙어버린 혁명의 아이들은 나라의 현 세태를 관찰, 토의 그리고 발견해 나간다.

A serious crisis has shaken Spain since the referendum on self-determination and the proclamation of the independence of Catalonia by the government of Carles Puigdemont, bold actions firmly fought by the Spanish government by applying the constitutional article that allows it to place a region under guardianship. While Spain is on the verge of implosion, Europe is holding its breath.

This documentary charts 20 years of the French national soccer team, Les Bleus, whose ups and downs have mirrored those of French society.

40 years of "Apostrophes". Hours and historical meetings, Pierre Assouline has composed an anthology of the best extracts presented in the form of a primer, which he had commented on by a surprised Bernard Pivot.

A documentary that focuses on the making of Rainer Werner Fassbinder's "The Marriage of Maria Braun".

From the inner workings of the RAF. Former RAF-member Peter-Jürgen Boock reveal the many secrets and myths about the Baader-Meinhof gang a.k.a. RAF - Rote Armee Fraktion.

On December 21, 1975, six terrorists from the Revolutionary Cells, led by Carlos 'The Jackal' forced their way into the conference room of the OPEC headquarters in Vienna and took seventy ministers hostage. A gun battle with the police ensued, and three people were killed. One terrorist was seriously wounded. The terrorists managed to escape to Algiers with a few hostages and the wounded man. There the hostages were released. The wounded terrorist was Hans-Joachim Klein. At the moment that Klein arrived in Algiers, he decided to quit terrorism.

FOREIGNERS OUT! SCHLINGENSIEFS CONTAINER is a thrilling, insightful, funny chronicle and reflection of one of he biggest public pranks and acts of art terrorism ever committed. Austria 2000: Right after the FPÖ under Jörg Haider had become part of the government, the first time an extreme right wing party became state officials after WW2, infamous German shock director Christoph Schlingensief showed a very unique form of protest. Realising public xenophobia and the new hate politics in the most drastic ways possible, he installed a public concentration camp right in the middle of Vienna's touristic heart, right beside the picturesque opera where hundreds of tourists and locals pass by daily. And it was no concentration camp you had ever feared to return from the old times, but one that cynically reflected our new multimedia culture. Satirising reality TV shows, "Big Brother" especially, a dozen asylum seekers were surveilled by a multitude of cameras, could be fed and watched by.

"Klein, a German Case" - The inside story on international terrorism related by an ex-terrorist Hans Joachim Klein. Through interviews, archive footage and reconstitution that clarify certain events, Klein reveals the workings of international terrorism : the underground networks, his participation in the OPEC bombing in Vienna, training camps, the manipulating role played by certain governments and the cynicism of those underground shadows that terrorized the world for 20 years.

1991 drama film.

1991 drama film.

Winner of a Best Documentary Academy Award, Marcel Ophuls' riveting film details the heinous legacy of the Gestapo head dubbed "The Butcher of Lyon." Responsible for over 4,000 deaths in occupied France during World War II, Barbie would escape--with U.S. help--to South America in 1951, where he lived until a global manhunt led to his 1983 arrest and subsequent trial.

어느 집단이 있다. 집단 구성원들은 모두 제각각이다. 힐데는 역사 선생이고, 루돌프는 음반 가게에서 판매원으로 일하며, 페트라는 은행장과 결혼했고, 수잔느는 페터의 비서로 일하고, 에드가는 이따금 작곡가로 활동하지만 아버지의 돈으로 산다. 아프리카에서 돌아온 킬러가 집단에 들어온다. 군대서 탈영한 군인 두 명도 가담한다. 하지만 "작전"에 참가하게 되는 사람은 그들 중 꼭 한 명뿐이다. 그러다가 킬러가 경찰에 피살되자 흥분한 집단은 지하조직에 가입한다. 은행을 습격하여 집단은 외국으로 도망갈 비용을 훔친다. 페트라도 경찰에게 피살되자 집단은 자신들 속에 배신자가 있다는 것을 알게 된다.

Filmmaker William Klein documents the Paris student riots that occurred in May of 1968.

고랭과 고다르의 본격적인 공동작업이 시작된 작품. 서부영화의 장르적 관습을 모델로 하여 전통적인 부르주아 영화의 테크닉과 내용을 조직적으로 해체하면서 그 뒤에 숨어 있는 억압적인 이데올로기를 노출시키는 영화. 이미지와 사운드의 관계에 대한 정치적 질문이 몽타주의 전통적 개념을 전복시키는 형식 실험과 동일하게 진행된다.

고랭과 고다르의 본격적인 공동작업이 시작된 작품. 서부영화의 장르적 관습을 모델로 하여 전통적인 부르주아 영화의 테크닉과 내용을 조직적으로 해체하면서 그 뒤에 숨어 있는 억압적인 이데올로기를 노출시키는 영화. 이미지와 사운드의 관계에 대한 정치적 질문이 몽타주의 전통적 개념을 전복시키는 형식 실험과 동일하게 진행된다.

Documentary film by Günther Hörmann.

"Society is a carnivorous flower" - About activists in the student revolt in May 1968. Archive footage shows police entering the Sorbonne, street fighting, meetings and demonstrations. Many interviewees testify to police violence and abuses.