Harry Gordon

A dramatization of the famous 1893 Massachusetts trial of the woman accused of murdering her father and stepmother with an ax.

A Harvard-educated, big-city lawyer moves to a small Arizona town to set up practice. His first case is defending a beautiful socialite accused of murdering her husband. This is the pilot TV movie for what would become the Petrocelli TV series.

While searching for a small fortune of embezzled money, an ex-con, a small-time bandleader, his doting wife and a kooky drifter find themselves being followed. Their chase takes them to trailer camps, bingo halls, laundromats and ultimately, a showdown with a group of unconventional bad guys.

A commercial-jet captain (Chuck Connors) has ghosts on board from stones of an English abbey being shipped overseas.

A racist officer is put in charge of an all-black squad of troops charged with the mission of blowing up an important hydro-dam in Nazi Germany. Their failure would delay the Allies' advance into Germany, thus prolonging the war. These African-Americans have little military training, but Captain Beau Carter has no choice. He leads the rag-tag and they turn out to be heroic.

Loosely based biography of 1930s star Jean Harlow as she begins her climb to stardom. One of two "Harlow" film biographies that appeared in 1965, this one stars Carol Lynley in the title role that begins as Jean Harlow, a bit player in Laurel and Hardy comedies, is invited to test for director Jonathan Martin for the lead in Howard Hughes's "Hell's Angels." She is an instantaneous sensation, and in a series of films devoted more to her body than her talent, she becomes Hollywood's "Platanum Blonde."

A teenager whose father is a millionaire radio station owner secretly records a song and plays it on one of his father's stations. It becomes a hit.

Randall and his sidekick Manny (Frank Yaconelli) played horse traders battling a greedy and unscrupulous rival (Tom London). When some of his stock disappears, Jack follows the trail to a ranch belonging to Harriet Morgan (Marin Sais) and her young niece, Ann (Phyllis Ruth). A white stallion is accused of luring the Morgan mares astray but the horses are in reality being rustled by the ever-present London and his henchman (Charles King).

Bob Evans' Arabian stallion is stolen and Bob, with his friend Shag Williams starts on the trail that takes them to the horse ranch owned by Kimball and his daughter Ann, where the stallion is running wild. Baker, the ranch's crooked foreman, is utilizing the stallion as a decoy and, with his henchmen, Raymer and Winton, corrals the mares that follow the stallion in a hidden corral, intending to sell them across the state line.

Bob rides into a border town where he runs into trouble with Lambert and his gang. Herb arrests him claiming he is the outlaw El Diablo. But it was just to save him from Lambert's gang and the two now plan to trap the outlaws.

발레타인 윌모트(제임스 토머스)는 번화한 나이트클럽이자 레스토랑인 피카딜리 서커스의 소유자이다. 피카딜리의 스타는 윌모트가 키운 아름다운 댄서 메이블(질다 그레이)과 빅터라는 댄서 커플이다. 잘 나가던 빅터가 윌모트와의 불화로 클럽을 떠나자 메이블의 인기가 떨어지면서 클럽은 경영난을 겪게 된다. 손님의 불만으로 해고한 중국인 접시닦이 쇼쇼(아나 메이 웡)의 춤 솜씨를 보게 된 발레타인은 그녀를 댄서로 발탁하고 그녀는 큰 성공을 거두게 된다. 독일 출신 감독인 두폰트가 영국으로 건너가 연출한 이 영화는 독일 표현주의와 영국적 소재가 적절히 섞인 느와르 풍의 무성영화이다. 삼각관계 질투, 그로 인한 살인, 거짓증언, 자살 등 멜로드라마의 전형을 따르고 있다. 중국계 미국배우인 아나 메이 웡은 팜므파탈 쇼쇼로 분해 개봉 당시 큰 반향을 불러 일으켰다. 아나 메이 웡의 마지막 무성영화로 2004년 BFI에서 복원한 디지털 버전으로 상영된다. (2015 한국영상자료원 - 발굴, 복원 그리고 초기영화로의 초대)

The luminous Maria Corda stars as the eponymous Tesha, a celebrated Russian dancer who marries an Englishman (Thomas). The couple long for a child but after five years of happy marriage, remain childless. On a trip to Southampton Tesha succumbs to a brief fling with a stranger (Cavanagh), unleashing a barrage of unforeseen consequences and emotional turmoil. The superb cinematography is by the great German cinematographer Werner Brandes who worked on dozens of prestige British productions in the 1920s. Originally shot silent, sound was added in 1929.