Harry Gordon

A dramatization of the famous 1893 Massachusetts trial of the woman accused of murdering her father and stepmother with an ax.

A Harvard-educated, big-city lawyer moves to a small Arizona town to set up practice. His first case is defending a beautiful socialite accused of murdering her husband. This is the pilot TV movie for what would become the Petrocelli TV series.

While searching for a small fortune of embezzled money, an ex-con, a small-time bandleader, his doting wife and a kooky drifter find themselves being followed. Their chase takes them to trailer camps, bingo halls, laundromats and ultimately, a showdown with a group of unconventional bad guys.

A commercial-jet captain (Chuck Connors) has ghosts on board from stones of an English abbey being shipped overseas.

A racist officer is put in charge of an all-black squad of troops charged with the mission of blowing up an important hydro-dam in Nazi Germany. Their failure would delay the Allies' advance into Germany, thus prolonging the war. These African-Americans have little military training, but Captain Beau Carter has no choice. He leads the rag-tag and they turn out to be heroic.

Loosely based biography of 1930s star Jean Harlow as she begins her climb to stardom. One of two "Harlow" film biographies that appeared in 1965, this one stars Carol Lynley in the title role that begins as Jean Harlow, a bit player in Laurel and Hardy comedies, is invited to test for director Jonathan Martin for the lead in Howard Hughes's "Hell's Angels." She is an instantaneous sensation, and in a series of films devoted more to her body than her talent, she becomes Hollywood's "Platanum Blonde."

A teenager whose father is a millionaire radio station owner secretly records a song and plays it on one of his father's stations. It becomes a hit.

Randall and his sidekick Manny (Frank Yaconelli) played horse traders battling a greedy and unscrupulous rival (Tom London). When some of his stock disappears, Jack follows the trail to a ranch belonging to Harriet Morgan (Marin Sais) and her young niece, Ann (Phyllis Ruth). A white stallion is accused of luring the Morgan mares astray but the horses are in reality being rustled by the ever-present London and his henchman (Charles King).

Bob Evans' Arabian stallion is stolen and Bob, with his friend Shag Williams starts on the trail that takes them to the horse ranch owned by Kimball and his daughter Ann, where the stallion is running wild. Baker, the ranch's crooked foreman, is utilizing the stallion as a decoy and, with his henchmen, Raymer and Winton, corrals the mares that follow the stallion in a hidden corral, intending to sell them across the state line.

Bob rides into a border town where he runs into trouble with Lambert and his gang. Herb arrests him claiming he is the outlaw El Diablo. But it was just to save him from Lambert's gang and the two now plan to trap the outlaws.

A young Chinese woman, working in the kitchen at a London dance club, is given the chance to become the club's main act.

The luminous Maria Corda stars as the eponymous Tesha, a celebrated Russian dancer who marries an Englishman (Thomas). The couple long for a child but after five years of happy marriage, remain childless. On a trip to Southampton Tesha succumbs to a brief fling with a stranger (Cavanagh), unleashing a barrage of unforeseen consequences and emotional turmoil. The superb cinematography is by the great German cinematographer Werner Brandes who worked on dozens of prestige British productions in the 1920s. Originally shot silent, sound was added in 1929.