During his wandering throughout Japan, Tora-san meets a suicidal man. He travels with the man to Vienna, but winds up homesick for Japan.
(uncredited)
In his travels through Japan, Tora-san meets and falls in love with a female doctor, however he is afraid of committing to a relationship.
A playboy-gambler friend of Tora-san’s dies and, abandoned by his mother, his little boy suddenly turns up in Shibamata. Searching for the boy’s mother, Tora-san meets a cosmetics saleslady and the three become a surrogate family, with Tora-san as “daddy”.
Tora-san's family's neighbor, Akemi, who had been married in Marriage Counselor Tora-san (1984), runs away from her husband, who is only interested in work. Tora-san follows her to Shikinejima, and attempts to bring her back to her home. In doing so he encounters a school-reunion group who are traveling to meet their elementary school teacher, which is a reference to the film Twenty-Four Eyes by Keisuke Kinoshita. Tora-san joins them and falls in love with the teacher.
In Nagasaki, Tora-san and an acquaintance help an old woman who has fallen and injured herself. She invites them to her home where the three share a night of eating and drinking. The old woman's health deteriorates and she dies. At her funeral, Tora-san falls in love with the old woman's daughter, but winds up acting as a go-between for her and a young law student.
Tora-san spends several days at the home of a hard-working salaryman ("salaried worker"), who abruptly disappears. When the man's wife asks Tora-san to help find him, he falls in love with her, and secretly hopes the husband will not be found.
In Shibamata, Tokyo, Tora-san's family prepares for a wedding. Meanwhile, the traveling Tora-san meets an old acqaintance in Iwate Province. Tora-san refuses to drink with him, afraid that the acquaintance, now settled and married, will again become attracted to Tora-san's wandering existence. Tora-san becomes attracted to a female barber, but must break off their relationship so that she too can live a secure life. She instead gets into an abusive relationship with a motorcyclist.
Tora-san visits brother-in-law Hiroshi's hometown to attend a memorial service for his late father. When the local temple priest becomes intoxicated, Tora-san wearing the priest's robe delivers the memorial speech, much to his family's surprise. Thinking he's found his true calling, Tora-san decides to join the order, and falls for the priest's divorced daughter.
Tora-san returns to his family home to learn that his brother-in-law cannot go to Mitsuo's (Tora-san's nephew) athletic event. Tora-san volunteers to take his place, but gets into an argument with his brother-in-law's boss and returns to the road. He meets a young woman in Niigata who, unbeknownst to him, is a popular enka singer.
Tora-san gets into an argument with his uncle and sets out on the road again. In Kyushu he meets a young woman named Keiko and the shy zoologist Saburō, and attempts to play matchmaker between the two when they all return to Tokyo.
Restaurant Maid
During his travels, Tora-san gets drunk with an old man in Kyoto. Though Tora-san never fully comprehends his importance, the old man is a Living National Treasure ceramist. At his home, Tora-san makes a good impression on the old man's maid, who apparently falls in love with Tora-san.
(uncredited)
Tora-san returns to his family's home to attend an elementary school class reunion. After he embarrasses himself by getting drunk and insulting all his ex-classmates, he resumes his travels. In Kyushu he meets an outspoken 18-year-old girl who becomes enamored of Tora-san and follows him around. One of Tora-san's old friends is terminally ill and makes Tora-san promise him to marry his wife once he is gone.
Hospital patient
Keiko Inagawa (Asami Kobayashi) pays a visit to neurologist Aizawa about her fiancé Tatsuo Tamura (Kaoru Kobayashi). A mysterious case involving the disappearance of Tatsuo’s three brothers, one after the other, is yet to be resolved and now Tatsuo, seized with the idea that he too may disappear, has had a nervous breakdown. Aizawa suggests that Tatsuo recount his dreams as a means of solving the mystery, since human beings have an instinct that foretells the near future in the form of a dream. Keiko and Tatsuo eventually discover that the three disappearances have a strange connection…
(uncredited)
When his travels bring him to Osaka, Tora-san falls in love with a local geisha. He helps her to track down her estranged brother, and informs his family that he plans to marry her. His plans are foiled when the geisha informs Tora-san that she is engaged.
After a friend and business colleague dies, Tora-san visits the man's daughter, then takes her to Tokyo so she can study for a night school exam.
"떨리는 혀"는 일본 기준 쇼치쿠(松竹)의 배급으로 1980년 11월 22일에 개봉한 상영 시간 114분의 일본 영화입니다. "미키 타쿠(三木卓)"의 동명의 소설을 원작으로 하고 있습니다. "미키 타쿠"의 원작 소설 교외의 단지에서 평온하게 살아가는 한 가정의 딸아이가 파상풍균에 감염되면서 전염의 공포에 전율하며 싸워 나가는 이야기를 그린 작품입니다.
When cabaret singer Lily writes Toraya about her illness, Tora-san rushes to Okinawa to be by her side.
Tora-san's opinions about Americans get challenged when another wandering peddler Michael Jordan stops by Shibamata.
Tora-san helps out a runaway bride.
(uncredited)
After a chance encounter with Hiroshi's father on a bus, Tora decides to get serious and reflect on the mortality of man. His plans are derailed when a beautiful lady starts working at Toraya.
(uncredited)
Tora-san leaves Shibamata once again after an argument with his family and finds himself at an inn where he meets Tomekichi, a young man who looks up to Tora-san.
Waitress
The story is about a convict released from prison for an old murder who is thinking about returning to his ex-wife and his former life. If she puts a yellow handkerchief on the window, it would mean that she wants him back at home.
Tora-san befriends the descendant of a feudal lord. The man asks Tora to locate his deceased son's wife who resides somewhere in Tokyo.
When Tora-san's infatuation with his nephew's school teacher causes family turmoil, he leaves on his travels again. When he returns, he falls in love with the teacher's mother.
Tora-san arrives in Shibamata on Mitsuo's first day of school only to find that on his account, Mitsuo was embarrassed. After a fight with his family, he goes to a bar to drink, then brings home a surly old man with a sad story, whose identity will surprise everyone. Later, Tora meets Botan, a geisha.
Tora-san is inspired to pursue an education after a visit to the grave of a woman he met years ago. When he returns to Shibamata with the intent to study, he falls for Toraya's new tenant instead.
(uncredited)
Tora-san visits Hokkaido and is reunited with Lily. Now divorced, she plans to resume her singing career and renews her unusual relationship with Tora-san.
After Torajiro's latest attempt to find a bride goes awry, he starts traveling again and runs into Utako (last seen in Tora-san's Dear Old Home), now a widow.
(uncredited)
Tora-San returns to Shibamata just before his family leaves on a trip for Kyushu. Later, he encounters an old school chum and begins to have feeling for his artist sister.
In Part I we see the young would-be swordsman setting out to achieve greatness in war, achieving nothing because fighting on the losing side, & then beginning his long period of wandering & training, with the goal always in mind of his duel with Kojiro. Part II builds toward that great duel on Ganryu Island, with considerable focus on Musashi's planning & forethought as to how to gain an advantage.
(uncredited)
When Tora-san returns to visit his family, he is surprised to find an arrogant professor occupying his room. The professor and Tora-san become rivals for the affection of Chiyo.
One day an innocent-looking girl in white clothes appears on board of a ramshackle boat The owner of the boat, Okin, decides to let Mari stay with him without asking her any questions. Turmoil ensues with the reaction of the crew when the runaway girl starts working alongside with them.
While Sakura and Hiroshi struggle to save funds to build a house, Torajiro befriends three young women on vacation during his travels.
(uncredited)
Taking a message from Hiroshi's father to heart, Torajiro attempts to give up his wandering ways.
Torajiro becomes homesick during his travels after watching a television report about his hometown and meeting a young woman that reminds him of his sister Sakura. Meanwhile, a new tenant moves into Toraya restaurant.
Ryokan employee
The story is set in 1970 during the time of the first EXPO in Japan. The film’s main figure is a miner who suddenly becomes unemployed because the mine he worked in was shut down. He decides to resettle with his whole family to Hokkaido in northern Japan and start a new life as a farmer.
After an encounter with a dying yakuza's son and at his sister Sakura's urging, Torajiro attempts to change his vagrant lifestyle and become an honest worker with a steady job.
After winning big at the races, Torajiro Kuruma wants to take his aunt and uncle on a trip to Hawaii to partly pay the great filial debt he feels he owes them, but the plan hits a snag. Also, a pretty kindergarten teacher rents a room at Toraya.
(uncredited)
Kuruma Torajiro is discovered looking around Kyoto for someone special to him.
A young female samurai comes upon a dying messenger and agrees to deliver the scroll he was carrying to its destination. However, unbeknownst to her, the scroll is actually a formula for a new kind of gunpowder. An evil clan that is planning to overthrow the Emperor is also after the scroll, and they try to take it from her.
Tora-San, an itinerant peddler who is thrown out of his father's house twenty years before but reconnects with his aunt, uncle and sister Sakura. Tora wreaks some havoc in their lives, like getting drunk and silly at a marriage meeting and ruining Sakura's chance to marry someone, as well as just being a real pain to those around him. There is a sentimental side to him also, and the best way to describe him is that he grows on you.
After an argument with his father a son leaves his home and comes back only, as an adult, many years later just to cause them problem after problem.
(uncredited)
The spaceship AAB-Gamma is dispatched from FAFC headquarters in Japan to make a landing on the planet Mars and investigate reports of UFOs in the area. As they near the red planet, they encounter a mysterious UFO that coats the ship's hull with unusual spores. Taking one of the specimens back to earth, it soon develops and grows into a giant chicken-lizard-alien monster that tramples Japan.
A group of ne'er-do-wells live happily in the slums of what is now Tokyo and have a number of adventures: they get drunk and go whoring, revenge themselves on cruel landlords, animate the corpse of a money-lender in order to frighten people. Then they assist at the marriage of a lovely girl and almost kill themselves gambling to provide her with a dowry.
One week into newlywed Teiko Uhara's marriage, her husband, Kenichi, leaves on a short business trip and never returns. Teiko travels across Japan to search for him, and along the way discovers some surprising facts about her husband's past. With only a pair of old photographs among his belongings to go off of, Teiko tries to figure out what has happened to him.
비둘기를 파는 소년을 충격적으로 묘사한 오시마 나기사 감독의 첫 데뷔작. 비둘기의 귀소본능을 이용해, 같은 비둘기를 몇번이나 팔고 있는 가난한 소년과 부르조아 소녀의 교우를 통해 현대사회의 밑바탕에 숨겨져 있는 계급적인 단절에 절망한다는 충격적인 내용이다. 특히, 소년이 비둘기를 사살한다는 강렬한 라스트 씬과 영화작가의 탄식이 스크린 곳곳에서 신음처럼 들려오는 멋진 작품.
A coming-of-age story portrayed as the loss of all youthful illusions. Sixteen-year-old Yoichi dreams of becoming a sailor. His parents are fishmongers, and Yoichi lives together with them and his four siblings in cramped living conditions. His beloved younger sister is given to a wealthy, childless uncle; his best friend moves away; the girl he fell in love with from afar is with someone else: little by little, Yoichi loses all the people that are important to him.
This drama of middle-class life in postwar Japan tells the story lower-middle-class workers in the city of Kawasaki, and their troubles and travails.
전쟁 미망인 하루코는 아타미의 여관에서 하녀로 일하며 두 아이를 훌륭하게 키우기 위해 온갖 괴로움을 마다하지 않았다. 그 결과 지금은 딸 우타코를 양재학교와 영어학원에, 아들 세이치를 도쿄의 의과대학에 보내고 있다. 하지만 하루코의 고생을 이해하지 못하는 자식들은 어머니를 차가운 눈으로 바라본다. 세이치가 유복한 의사의 양자로 들어가겠다고 하고, 우타코가 영어 교사와 눈이 맞아 도망가자, 하루코는 절망에 빠진다.
전쟁 직후의 일본 사회를 배경으로 여인의 수난을 그린 작품. 미조구치 겐지의 <밤의 여인들>에서 창부 역할을 훌륭히 소화해 낸 인기 여배우 다나카 기누요가 호연했다. 전작인 <셋방살이의 기록>이 도시 인정물의 연장선상의 희극적인 작품이었다면, <바람속의 암탉>은 패전 후의 생활고와 가혹한 현실을 다룬 작품으로 가족간의 갈등을 주로 다루었던 오즈의 작품 세계에서 전후 일본사회에서 겪는 여성의 수난을 다루었다는 점에서 특기할 만한 작품이다. 전후 일본의 동떨어진 비현실적인 묘사로 동시대의 비평가들로부터 비판의 대상이 되기도 했던 작품이지만, 오즈의 후기 영화미학으로 가는 과도기적인 작품이다. 전쟁은 끝났지만 전쟁에 나간 남편 슈이치는 돌아오지 않고 소식도 없다. 남편 없이 어렵게 가정을 꾸려가던 도키코는 아이의 병원비를 벌기 위해 몸을 판다. 그러던 중 슈이치가 집으로 돌아오고, 아내는 남편에게 매춘 사실을 고백하는데..
제2차 세계대전에서 일본이 패전한 후, 부와 명예를 누려왔던 안조가(家)는 그동안의 삶의 방식은 물론 저택마저 포기해야 하는 상황에 이른다. 안조가의 저택에서 마지막 무도회가 열리는 날, 새로운 삶을 찾아야 하는 가족은 서로 갈등을 겪는다.
1947년 패전 후 오즈가 만든 첫 작품으로, 류 치슈와 이다 조코의 호연이 돋보이는 작품. 동시대 감독들이 전쟁 체제에 대한 비판이나 반성 등을 그린 작품을 양산해내던 당시에도 전쟁 전과 마찬가지로 오즈가 선택한 첫 제재는 ‘인정’이었다. 전후 일본 사회에 대한 귀중한 다큐멘터리와 같은 이 작품은 오즈 특유의 정적인 영상 속에 인간적이면서도 감동적인 삶의 메시지를 전해 주고 있다. 도쿄의 한 거리에서 잡화상을 운영하는 다네에게 길 잃은 아이 고헤이가 억지로 맡겨진다. 사람에 대한 정과 사랑에 무심했던 다네는 고헤이를 부랑아 취급하며 귀찮은 존재로 여기지만, 소년에 얽힌 여러 일들을 겪으면서 차츰 사랑을 깨달아 간다. 그러던 중 아이를 찾는 친부모가 그녀 앞에 나타나고, 다네는 아이를 보내야만 하는 처지에 놓이게 된다.
A lawyer fights doggedly for a more just legal system to rid Japan of its draconian penal system.
