David Liddell

A self-centred tattoo artist’s fixation on getting a selfie with a famous client embroils him in a bizarre and dangerous game.

미망인인 홀리는 10대 딸 벳지가 깊은 깨달음을 경험하고 자신의 육체는 더 이상 자신의 것이 아니라 어떤 큰 힘에 좌지우지 되는 것 같다는 이야기에 깊은 고민에 빠진다. 이런 공포심에 빠진 벳지는 먹는 것을 거부하지만 이상하게도 체중은 줄지 않는다. 사랑과 두려움 사이에서 갈팡질팡하는 고통스러운 딜레마 속에서, 홀리는 그녀 자신의 신념의 경계에 맞설 수 밖에 없다.

When a man refuses to get out of his car after running someone over, justice takes a very strange form.

Schooled in Fife, coming of age in a rock ’n’ roll band, then finding her forte was directing temperamental actors, Cora Bissett is no stranger to theatrical Scottish swearing. So who better to present a celebration of Caledonian cursing? This documentary sees Cora sing, swear and scrutinise why Scotland swears so well. Cora begins with the first hurdle – how does one discuss swear words on the BBC? Aunty Beeb is the institution that has been historically priggish about language - always bleeping words and apologising for those that slipped through. So Cora runs a list past BBC Scotland’s head of editorial standards to see what she can get away with.

Two adult sisters exist dysfunctionally, each limited by illnesses affecting both body and mind — one physically and the other psychologically.

An account of the reign of Herod the Great, king of Judea under the rule of the Roman Empire, remembered for having ordered, according to the Gospel of Matthew, the murder of all male infants born in Bethlehem at the time of the birth of Jesus, an unproven event that is not mentioned by Titus Flavius Josephus, the main historian of that period.

In the first century, after the death of Herod the Great, Judea goes through a long period of turbulence due to the actions of the corrupt Roman governors and the internal struggles, both religious and political, between Jewish factions, events that soon lead to the uprising of the population and a cruel war that lasts several years and causes thousands of deaths, a catastrophe described in detail by the Romanized Jewish historian Titus Flavius Josephus.

A young man, Stevie, awakes on a wasteland overlooking Bradford, still bleeding from a brutal attack that has left him with severe memory loss. Recent events are a total blank; his more distant memories are a blur. He slowly begins to piece together his identity: his name, his home, his family. At first it appears he returns to his former self but through a series of painful flashbacks and encounters, he comes to learn of the dark and disturbing events that led to his beating. Ashamed to learn of the person he has become – and the dangerous world he became mixed up in – Stevie realises he will have to pay. But at what price?

Siri wakes to find herself trapped inside a brutalist candy-coloured dreamhouse. Despite the cutesy decor, the place is far from benign, and she and her inmates are encouraged to compete for survival while being watched over by surveillance cameras, 24/7. Presiding over the group is an authoritarian diva who speaks entirely with the voice of Kenneth Clark from the 1960s BBC series Civilisation. As she forces the women to go head-to-head in a series of demeaning tasks, Siri, with the help of fellow inmate Alexa, starts subverting the rules and soon reveals the sinister truth that underpins their world.

When Anna discovers an unwelcome intruder in her home, she enlists the help of a mild mannered neighbor. Frank enters into Anna's strange and chaotic world and finds himself well removed from his comfort zone. Amusingly awkward social challenges follow and an unlikely relationship is formed.

Follows two strangers who share a brief, yet profound exchange that evokes sympathy, understanding, recognition and hope. Within our busy lives, within our cosmopolitan cities with their mix of cultures, humanity still connects.

Ryan moves from one village to the next with a merry-go-round. It isn't easy to keep finding new friends.

Sophie and Megan's game of Mummies and Daddies, reveals an awful lot about Mummy and Daddy.

As humanity bears witness to the first manned mission to Mars, an astronaut faces up to the prospect of being left behind.

An elderly retired Modernist Architect called Clive, In his attic, Clive builds a model of a modernist Utopian City.

A psychological portrait of two lovers who have grown to hate one another, who are well beyond breaking point and who must separate. Taking inspiration from aspects of Marilyn Monroe and Arthur Miller's fated marriage, as a springboard for content and style,

A contemporary interpretation of the art of Baroque, inspired by the Italian painters of the period. Commissioned by Milan's Festival Delle Lettere and based on a letter about beauty, by Italian actor Vittorio Gassman.

Greer is a girl on the cusp of womanhood. Like some curious fabled creature she lives in a remote, rundown woodland farmhouse with her Dad, Ivan, a former gamekeeper whose mind has been ravaged by chronic mental illness. Father and daughter are suspected and ostracized by the nearby village. Greer spends her working days tending to elderly, failing residents of the local care-home and the rest of her time looking after her dad. But despite her loving devotion to Ivan, Greer imagines life beyond the narrow confines of her own and is troubled by the heavy burden she bears. Greer romanticises about a life lived in colour. The impossibly glamorous Francoise and Seamus crash into the care-home to visit his mother. Greer is entranced. They seem to epitomize everything she's dreamt of: beauty, success, sophistication and access to the world in all its glory. She attaches herself to them, flattered by their awareness of her and enraptured by the atmosphere of decadence they inhabit.

A hopeless waitress and a melancholy neon sign maker are on separate paths and struggle through the everyday alone. Their thoughts for each other collide with magnetic force, can fate under the guise of a cupid cowboy and a band of coffee bean ants connect the lost souls?