Maisa Demetillo

참여 작품

How to Disappear Completely
Cinematography
A young girl from the countryside dreams of disappearing. She plays a lonely game of hide-and-seek while her mother quotes the Bible and her father relishes in alcohol and history. She decides to put on a stage play based on an old Filipino film about a family who disappears in the mountains during the war. But soon after the performance, she vanishes from the car, prompting her parents to look for her in the woods. One by one, they all start to disappear.
Requiem
Cinematography
Circus hijinks surround the barangay of Sta. Maria in the midst of an international murder sensation. Swanie, Sta. Maria’s barangay chair and a distant relative of the killer, tries to gain political points by staging a wake for the criminal-turned-celebrity. Meanwhile in faraway Manila, Joanna, Swanie’s runaway son, navigates his way through labyrinthine bureaucracy, to give a neighbor a proper burial. With these two unrelated deaths, estranged mother and son each bury the dead long shelved in their hearts. Amidst these unspoken family burials, the neighborhoods’ penchant for funeral fiestas, gossip and secrets, bizarre social events and the sheer mix of scandal and inebriation complete the picture of dying the Pinoy way.
Next Attraction
Cinematography
Purports to document the production of a short about a young man’s first sexual experience while doubling as a coming-out film and a multiply layered making-of movie.
A Short Film About the Indio Nacional
Cinematography
What follows is a black-and-white silent film set in the 1890s during the brewing Filipino revolution against Spanish colonialism. A series of tragic and comic sequences tells the Three Ages of an Indio (“common man”) as he progresses from boy bell ringer in a village church to teenage revolutionary to adult theater actor rehearsing a popular Spanish play.
Piso Dalawang Piso
Assistant Camera
A wounded activist ends up in a toilet and meets two members of the oppressed masses whose only reality is living on toilet fees.
No Left Turn
Director
An oil pastel animation which explores different subjects, mostly focusing on the Philippine environment.
Johnny Veggie
Production Design
Juan shared his food to a man. But the man wants more and steals his food while he was asleep.