Lucia Sardo

Set in the late 1960s, the film explores the issues of immigration, community values and family devotion through the eyes of a young girl, Lucia, who is left behind with her grandmother while her parents emigrate to France to find work. Lucia pains to be with her family as she struggles to learn her role in the tiny, traditional village under the watchful guidance of her stern grandmother.

In the northeast of Italy, the workers of a lingerie factory are about to be fired. Not far away, a handful of nuns, skilled in the art of embroidery and devoted to the Blessed Armida, risk being removed from their beloved convent. To oppose a destiny already marked, workers and nuns join forces and start a "business" outside the rules in the hopes that a miracle will help them keep the convent and the factory.

In the late 1980s, Amedeo Letizia, a young 20 something Italian, leaves his hometown of Casal di Principe to pursue a career in acting in Rome. While he's making his debut, his younger brother Paolo is kidnapped by armed men. Amedeo comes back, this return being an infernal descent into his past and his region's contradictions.

A mafia killer accepts to take the identity of his last victim in order to redeem his past. Two games of chess - one with his victim, the other with his boss - will stress the turning points of this change. The killer meet his victim on a ship that carries back together in Sicily 40 years after their departure. Only one will arrive in Sicily, but he'll chose to change his life and complete the destiny of the other one.

Davide is different from the other teenagers. Something makes him look like a girl. Davide is fourteen when he runs away from home. His intuition leads him to choose Villa Bellini, a park in Catania, as a refuge. The park is a world in itself, a world of the marginalized, to which the rest of the city turns a blind eye. But one day the past catches up and Davide has to face the most difficult choice, this time alone.

Three very different women who are hiding a secret are forced to work together to save their own skin.

6th January 1975, in an infant nursery in Palermo (Italy), for a mysterious reason, a male nurse exchanges the labels of baby number 7 and 8. Thirty-one years later Tommaso (7) and Daniele (8) meet each other by accident.

Riccardo, a southern man of solid principles and good feelings, decides to go and visit his daughter Aurora, who has been living in Barcelona for some time. There, however, a surprise awaits him: Aurora has married a woman. Indignant, Riccardo hastily returns to Italy, determined never to see her again. But perhaps destiny has decided otherwise.

Salvatore is a young orphan, living in Sicily with his little sister and his grandmother; after loosing his father in a tragic way he quits school and starts working as a fisherman and a farmer in order to support his little family. The Social Services soon discover the situation and resolve to put Salvatore in an orphanage, parting him from his family. Only a young, idealistic teacher (Enrico Lo Verso) tries to help him, going everyday after school to his house, to teach him the lessons he misses in the morning and to work with him in his greenhouse or on his fishing boat.

Maria Callas, one of the most talented opera singers of her time, seemed to have it all. Coming from humble origins, she always felt slighted by her mother's preference for her sister. She grew up in an unhappy environment, until her career in the operatic world took off. Aristotles Onassis also came from a poor Greek family. His ambition took him places where others dare not go and became a shipping magnate whose great wealth bought his entry into an international society he didn't ever dreamed of entering. These two powerful personalities were so much alike that their own passion served to destroy them.

In the '70s, young Màrja leads a hippie lifestyle in Finland. During a peace march, she meets Fortunato, a young Sicilian, and falls in love with him. They marry and start a family, happily raising two daughters. However, times become hard and Fortunato suggests they move to his old town, where he can find work easily. Màrja accepts, but she'll have to clash with a close-minded and malicious environment as a foreigner in Southern Italy.

Ettore, a young boy in Sicily in the 50's, is surrounded by women and is always surprised by what is happening around him. In Milan a few years later Ettore is once again the center of attention and the hip crowd.

Seven people in a therapy group are forced to find new ways of coping with their problems when their therapist dies in the middle of a session.

시실리섬의 치니시는 마약 거래의 중간 거점이다. 페피노는 치니시의 마피아 대부의 집에서 백 발자국 떨어진 곳에서 태어나 그들과 가족처럼 어울려 지낸다. 아버지처럼 따르던 마피아 대부가 암살당하자 페피노는 스스로 범인을 잡겠다고 평소 마피아에 반대해온 공산주의자 화가를 찾아간다. 그러나 화가의 화실에서 마주친 그림들은 그의 인생 행로를 뒤바꿔놓고, 세월이 흘러 열혈 좌파 청년으로 자라난 페피노는 마을을 지배하는 마피아와 정면대결을 선포하는데

무솔리니 정권의 이탈리아, 한 시골마을에 사는 주인공 소년 레나토(주세페 술파로)는 마을에서 가장 아름다운 여인 말레나(모니카 벨루치)에 한눈에 반한다. 레나토의 라틴어 선생(피에트로 노타리안니)의 딸인 말레나는 전쟁으로 남편을 잃고 혼자 살고 있었다. 레나토는 빼어난 미모 때문에 온 마을 사내들의 정욕에 찬 시선과 아낙네들의 따돌림을 감내해야 하는 말레나를 늘 안타깝게 지켜본다. 어느 날 말레나의 남편 스코르디아(가에타노 아로니카)의 전사소식이 전해지고, 독일군이 점령한 마을에서 생계를 잃은 말레나는 창녀가 된다.

This film depicts three episodes in the life of the highly eccentric, unabashedly homosexual Italian filmmaker Per Paolo Pasolini. Pasolini was best known to Americans for his film The Gospel According to St. Matthew. However, in his native Italy, he was at least as well known for his writing and poetry as for his filmmaking. In the first episode, Pasolini (Marco Cavicchioli) waxes poetic about the beauty of young men during a visit to Sicily. The second and more interesting segment concerns a meeting with a young man who visits Pasolini thinking that though he is an old has-been, Pasolini may be able to do him a favor. Pasolini twigs to the boy's intentions, and a sparring session ensues. The final episode shows him picking up a young man at Rome's train station and the events that led to his beating death in 1975.

Scenes from the lives of 7 hookers. Five are women. One is a man, and one is a transvestite.

Set in Sicily in the 1930's, Aurelio Grimaldi's feature debut chronicles the harsh story of twelve-year-old boy, Aclà, sold into slavery by his destitute parents to work in the underground Floristella sulfur mines. Overworked and underfed, Aclà toils from Monday to Saturday in the steamy, candle-lit labyrinths. Repeatedly beaten and abused by his "owner" and with constant threats of being raped, Aclà plots his escape to the sea...

Inspired by Giancarlo Marinelli's novel "Amori in stazione", the film talks about the fate of marginalization in the decay of a small railway station, where prostitutes, homosexuals, pimps, conscripts, immigrants, gypsies and ordinary people meet. Characters out of time and space. Artificiality is their language to get out of the rawness of the landscape.