Anwar Wagdi
출생 : 1904-10-11, Cairo, Egypt
사망 : 1955-05-14
약력
From Wikipedia, the free encyclopedia
Anwar was born in the Cairo district of El Daher, Cairo.[4] His father, Yehia Wagdy El-Fattal, immigrated to Egypt from Syria with his family in the 19th century for economic reasons.[citation needed] Anwar's Egyptian mother, Muhiba El-Rikaby, was from Cairo. Anwar grew up very poor and was known for his extraordinary ambition and desire to amass wealth. Anwar Wagdy was married to Egyptian actresses Elham Hussein, Leila Mourad (three times), and Leila Fawzy. He died at 51 in Sweden while seeking treatment for polycystic kidney disease.
Anwar Wagdy began his acting career as an extra in 1922 in the Youssef Wahbi Theatre Company's production of Julius Caesar. He quickly leaped to stardom and played leading roles in and/or directed 92 Egyptian films between the 1932 and 1955. He achieved particular success partnering with his wife, Egyptian legend Leila Mourad.
Youssef Wahbi directed his first film: "Defense" in 1934 and called "Anwar Wagdy" to take part in this film with him. After the failure of a film caused some financial problems for Youssef Wahbi and producer, which resulted in Anwar to join the National Force Theater, which was founded in 1935. Anwar Wagdi found that cinema is more suited to his talent and more in tune with its aspirations because of its popularity and its ability to reach a wider audience.
Throughout that period, he made "Wings of the Desert", in 1939.[8] Anwar Wagdy became a star, as directors of the exploitation of its looks handsome and soft features in the provision of the roles of the rich aristocrat indifferent to any symbol of evil. And grandfather established his production company "films Nations", and produced, directed and acted in a number of films together with his wife Laila Murad, whom he married while filming the first: "The following are the poor girl."
الضابط أحمد يسري
A young man discovers that his fiancée goes to a gang that kills women and steals their jewelry. He gets scared and calls the police after he accidentally goes to their house.
Director
The correctional officer prefers good treatment with the female inmates, while the director prefers the use of cruelty and pressure, and there are four girls admired by the officer, and without intent the four girls ignite the correctional fire and it is an opportunity to escape. A disciplinary board is set up for the officer for his negligence and inability to control them. The man of the four girls encounters and discovers that among them is a girl resembling a rich girl from an ancient family who disappeared from years and the events continued.
The correctional officer prefers good treatment with the female inmates, while the director prefers the use of cruelty and pressure, and there are four girls admired by the officer, and without intent the four girls ignite the correctional fire and it is an opportunity to escape. A disciplinary board is set up for the officer for his negligence and inability to control them. The man of the four girls encounters and discovers that among them is a girl resembling a rich girl from an ancient family who disappeared from years and the events continued.
Raouf Salah
Abdel Sabour was a thief and a smuggler known as The Beast to the people in one of the villages of upper Egypt; everyone was afraid of him, including the police. He enjoyed the protection of Redwan Pasha, who in turn used him during elections to eliminate his rivals. Officer Raouf Saleh was sent to the village with his wife and son with the assignment of arresting The Beast. However The Beast and his gang worked together from the beginning trying to dispose of the officer and his family in any way possible.
Nadia is suffering chronic depression and thinks of committing suicide. Mohamed tries to help her when he finds that she is disillusioned of causing her parent's death. He tries to help her with the assistance of his friend Hussein. As conflicts arise between Nadia and her sister.
Producer
Anwar Wagdi plays vagabond musician Alfredo, who comes across an abandoned baby in the night. He tries his best to get our heroes someone to take it and raise it. When that fails, he has no choice but to raise it on his own. He names the child, Dabab, after the beautiful woman he's encountered on the street. Years pass and Dahab grows up to be the Faryuz, who is actually cute, talented and far less grating than our Ms. Temple. Many Chaplinesque hijinks ensue as Alfredo and Dahab play music on the streets, try to scam free food wherever they can and convince the owner of a successful nightclub to let Dahab perform.
Writer
Anwar Wagdi plays vagabond musician Alfredo, who comes across an abandoned baby in the night. He tries his best to get our heroes someone to take it and raise it. When that fails, he has no choice but to raise it on his own. He names the child, Dabab, after the beautiful woman he's encountered on the street. Years pass and Dahab grows up to be the Faryuz, who is actually cute, talented and far less grating than our Ms. Temple. Many Chaplinesque hijinks ensue as Alfredo and Dahab play music on the streets, try to scam free food wherever they can and convince the owner of a successful nightclub to let Dahab perform.
Anwar Wagdi plays vagabond musician Alfredo, who comes across an abandoned baby in the night. He tries his best to get our heroes someone to take it and raise it. When that fails, he has no choice but to raise it on his own. He names the child, Dabab, after the beautiful woman he's encountered on the street. Years pass and Dahab grows up to be the Faryuz, who is actually cute, talented and far less grating than our Ms. Temple. Many Chaplinesque hijinks ensue as Alfredo and Dahab play music on the streets, try to scam free food wherever they can and convince the owner of a successful nightclub to let Dahab perform.
Director
Anwar Wagdi plays vagabond musician Alfredo, who comes across an abandoned baby in the night. He tries his best to get our heroes someone to take it and raise it. When that fails, he has no choice but to raise it on his own. He names the child, Dabab, after the beautiful woman he's encountered on the street. Years pass and Dahab grows up to be the Faryuz, who is actually cute, talented and far less grating than our Ms. Temple. Many Chaplinesque hijinks ensue as Alfredo and Dahab play music on the streets, try to scam free food wherever they can and convince the owner of a successful nightclub to let Dahab perform.
Dramatic rendition of a real life crime wave that terrorized the city of Alexandria, Egypt, between the years 1920 and 1922. Women are disappearing without a trace in what looked like the work of a serial killer. Being Egypt's first ever case of serial killings, the police is relentless and assigns the case to their best inspector. He traces the leads to sisters Raya and Sekina, but it becomes a race against time before they kill again.
Director
The film belongs to a series of films like Anwar Wagdy, with his wife Laila Murad, who promoted the idea of alienating class differences between people, especially lovers. The film is not accurate in presenting the information it provides. For example, the titles of the film show that the songs of the film are written by Hussein al-Sayyid and are composed by Riad al-Sunbati. [1] The poster shows that the composer Ahmed Sidqi participated in the composition of the film, The religious "Ya Rayehin of the dear prophet" is written by Abu al-Saud al-Abiari as the records of the Egyptian radio
Anwar
The film belongs to a series of films like Anwar Wagdy, with his wife Laila Murad, who promoted the idea of alienating class differences between people, especially lovers. The film is not accurate in presenting the information it provides. For example, the titles of the film show that the songs of the film are written by Hussein al-Sayyid and are composed by Riad al-Sunbati. [1] The poster shows that the composer Ahmed Sidqi participated in the composition of the film, The religious "Ya Rayehin of the dear prophet" is written by Abu al-Saud al-Abiari as the records of the Egyptian radio
صلاح
Darwish is a casino worker, apparently a good man, but he is originally the head of a drug trafficking gang under the nom de guerre "Tiger", and he behaves brutally with his men and his opponents. Salah the policeman is assigned the task of knowing the truth of the tiger, he disguises himself as a journalist, visits the casino and falls in love with Faten, the daughter of Tiger.
Dada Qatar An Egyptian film, produced in 1951, starring Anwar Wagdy, Shadia and Ismail Yassin, directed and produced by Anwar Wagdy
Writer
Dada Qatar An Egyptian film, produced in 1951, starring Anwar Wagdy, Shadia and Ismail Yassin, directed and produced by Anwar Wagdy
Director
Dada Qatar An Egyptian film, produced in 1951, starring Anwar Wagdy, Shadia and Ismail Yassin, directed and produced by Anwar Wagdy
Writer
A simple girl is seduced by a wealthy young man who leaves her pregnant. She works as a singer but her son dies, then the young man regrets what he did and marries her after many conflicts with the owner of the nightclub where the girl works.
Director
A simple girl is seduced by a wealthy young man who leaves her pregnant. She works as a singer but her son dies, then the young man regrets what he did and marries her after many conflicts with the owner of the nightclub where the girl works.
Directed by Anwar Wagdi.
Director
Directed by Anwar Wagdi.
Henry Barakat directed adaptation of Dumas' Count of Monte Cristo.
Writer
The hero is an Egyptian film produced in 1950, starring Tahia Karioka, Ismail Yassin and Shadia, directed by Hilmi Rafla
Writer
Hamam is a poor Arabic language teacher who gets sacked from a girls' elementary school for not being able to control mischievous students. He feels pessimistic about everything in life,but his freind,an employee working for a pasha finds him a job as a private teacher for his only daughter Laila in order to help her pass an exam. Laila treats Hamam like a friend and helps him to appreciate life and enjoy its qualities,and the man soon is drawn to her.
Wahid
Hamam is a poor Arabic language teacher who gets sacked from a girls' elementary school for not being able to control mischievous students. He feels pessimistic about everything in life,but his freind,an employee working for a pasha finds him a job as a private teacher for his only daughter Laila in order to help her pass an exam. Laila treats Hamam like a friend and helps him to appreciate life and enjoy its qualities,and the man soon is drawn to her.
Director
Hamam is a poor Arabic language teacher who gets sacked from a girls' elementary school for not being able to control mischievous students. He feels pessimistic about everything in life,but his freind,an employee working for a pasha finds him a job as a private teacher for his only daughter Laila in order to help her pass an exam. Laila treats Hamam like a friend and helps him to appreciate life and enjoy its qualities,and the man soon is drawn to her.
Anwar Wagdy
Vim Anbar is a lyrical comedy film starring Laila Murad and Anwar Wagdy with a group of stars who participated with Laila Murad in singing the song that is dear to my heart. They are Ismail Yassin, Aziz Othman, Mahmoud Shoukoko,
Fat-hi
Om Koultoum stars in this musical-drama as Fatmah, Nurse to a Pasha who falls in love with his younger brother and marries him in secret. But soon their relationship deteriorates and her husband refuses to recognize the child she expects from him.
Director
Directed by Anwar Wagdi.
Director
Directed by Anwar Wagdi.
Directed by Anwar Wagdi.
Director
Directed by Anwar Wagdi.
Dr. Helmy falls in love with a singer called Amina and marries her, but his family opposes the marriage because Amina hails from a poor family. Helmy's mother and her nieve Alia adamantaly try to separate the married couple.
Two teenagers fall in love, but their feuding families and fate itself cause the relationship to end in tragedy.
(Mounir Wagdy) A reckless reckless young man residing in Cairo with a friend like him, overburdened by debts despite the 100 pounds his uncle sends him every month. He deliberately tricks and lies to extort money from his uncle, telling him a lie that he married a girl of large families, and his debts grow. He is confined to a movable room on the roof of a large building that uses his address in his correspondence with his uncle and sent to his uncle that his wife was placed to ask for help. Uncle rejoices and comes with his sister to see the child and Munir falls into the evil of his deeds!
Abbas Omar Al-Barqi
Before his death, Mansour Pasha writes over his wealth to his two sons Omar and Othman; as the latter drowns, his wife gets a boy and claims he is Othman's son to ensure her share in the inheritance. When the boy grows older, he befriends Rashad, Omar's son, and gates of hell and vengeance open.
Wahid 'Ezzat
A woman seeks revenge on the man she thinks killed her husband but falls in love with him in the process.
ممدوح
Badawyia is a younger dancer who dreams of stardom. She meets the young doctor, Elwy, and they fall in love. A director asks her to be the star of his new movie, but when Elwy asks her to marry him, his father disapproves.
Laila is a rich rural girl raised by her aunt who succeeds in marrying her off to her son, a doctor who just returned from England. But the doctor lives a reckless life, and he looks down on Laila who turns into a beautiful modern girl after moving to Cairo.
Directed by Niazi Mostafa.
Adly
The story of Mohammed the son of a barber who has recently got his degree, his lover Fatma, his rivel Al-Etr.
كمال
The film is a look into the problems facing Egyptian men who marry foreign women, heavily portraying the women as immoral gold diggers and cheats.
The foreign girl Hilda falls for Shafik, a Bedouin young man who lives in a village in the desert. When his uncle Abdel Qader is killed, the villagers accuse Shafik of killing him and he is forced to flee into the desert with the members of a gang that he joins.
