Daisuke Asakura

Kurinosuke Furui (Ryu Morioka) grew up at an orphanage. He now works as a private detective. One day, he receives a request. The request is to collect money which was stolen by a woman who killed herself. During Kurinosuke Furui's investigation he uncovers a shocking truth.

This surrealistic comedy follows the life of Haruo Maekawa, a young man who makes a living catching squid. Haruo is obsessed with catching a legendary giant squid rumored to live in Tokyo Bay. Haruo's uncle Takashi, fallen on hard times, comes to stay with his nephew until he can get back on his feet. Uncle Takashi is addicted to energy drinks, and seduces any woman in sight, including Haruo's girlfriend Rika. While praying at a Shintō shrine, Uncle Takashi is bitten in the scrotum by a poisonous snake and dies. The uncle is destined to spend the afterlife in Hell unless his nephew and girlfriend can rescue him from the King of Hell.

Yasuko and Shizuka, friends and coworkers, come to be so much more after a terrible incident involving Shizuka’s boyfriend. After an intense fight that left Shizuka with a black eye, she takes her revenge by bludgeoning her boyfriend in the head, leaving his lifeless body on the bathroom floor. Yasuko pledges her support to Shizuka and tells her its all going to be ok, and that she will help take care of the body. The two women share a bed while staying with Yasuko’s sister, and things start to get hot and heavy.

Sex Machine tells of the affable but simple Hiroshi, who during one sweltering summer in a small, parochial town, moves in with his girlfriend, Haruka. Their lovemaking is as athletic as it is bizarre but a dark storm comes looming when Haruka's ex boyfriend comes knocking at the door.

Miki has a good job and works in an office. She's been dating Ryosuke and they're happy together... except for the fact that Miki is also in a relationship with her college professor Tanaka. Tanaka is trying to break up with Miki because of his wife, but Miki won't hear of it. Ryosuke is also unfaithful, and he has a one-night stand with Chihiro, who also has a boyfriend. The plot thickens when both girls discover they are pregnant, and don't know who to name as father. This romantic drama about relationships is proof that love can also come in squares.

키가 작은 것이 콤플렉스인 복화술사 다이스케. 핸디캡을 해학적으로 극복하려는 다이스케의 목소리에 반해 팬 레터를 주려고 분장실에 들어간 시각장애인 히카리. 그리고 키가 큰 다이스케의 제자 요이치. 이 세 사람의 이상한 만남이 시작된다. 다이스케는 히카리에게 사랑을 느끼지만 콤플렉스로 인해 솔직해질 수가 없다. 제자를 대역으로 히카리와의 데이트를 즐기지만 다이스케는 어쩔 수 없는 참담함에 흐느낀다.

볼링장에서 일하면서 프로 볼러를 꿈꾸는 아이코는 악연으로 만난 우체부 요시오와 사랑에 빠진다. 그녀는 매일같이 헌신적으로 도시락을 만들고 심신을 다 바쳐 그를 위해서 봉사한다. 그런 아이코에게 진절머리가 난 요시오는, 같은 직장동료와 관계를 갖게 되고 마침내 아니코와의 관계를 청산하자고 한다. 갑작스런 이별 통보에 영문을 알 수 없는 아이코는 그 누구도 예측할 수 없는 복수를 감행하고 결국은 충동적인 결말로 치닫는다.

Yuji and Akiko are newlyweds. Yuji dreams of being a movie star. He lands the lead role in a Pink Eiga soft-core sex film. The director requires him to have sex with the actress. Akiko goes to her high school reunion and is raped by a drunken guy, and then hooks up with her ex-high school love. A dark and comedic look at contemporary relationships and the pitfalls of married life. The story was written by Locarno International Film Festival, Golden Leopard Prize Winner, Masahiro Kobayashi. (Pink Eiga)

Asaka Ai is a budding starlet waiting for her big break to make it into the limelight. Under the dedicated tutelage of her manager Bando she shuffles from one photo shoot to the next, most often resulting in her image being used on various advertising posters. With the help of a catchy tune, Ai and Bando anticipate she will finally break out of merely poster appearances and into television commercials and from there, real stardom. The song is entitled "If this is a Dream Wake Me" (Yume Nara Samete) and was written by Ai's friend Hiromi just prior to Hiromi jumping headlong off a tall building. But as things started to go well, a stalker shows up knowing anything and everything about Ai...

A pale-looking man, Kazuhiko, is being questioned by the police following the extremely bloody murder of a young woman. He begins his story with the day that two sisters, Akiko and Mayuko, moved into the house across from his. After helping the pair move in, he starts talking with the younger sister, and soon they become intimate. The relationship continues for a while, but one day the sisters suddenly pack up and disappear, but not before sharing their secret with Kazuhiko. What kind of secret could have caused him to commit such a murder? Or did he?

Murakami's partner Mayumi has gone missing. He fears that she could have run off with another guy or gotten into difficulty by involving by herself with a 'telephone relationship club', a solution which hooks up strangers trying to find easy, anonymous sex, no concerns asked.

Takao escaped from prison to take revenge on his wife who had informed him of his crimes. Along the way, I met Izumi, a high school girl who had been dating a middle-aged man, and spent the night. Takao appears in front of his wife with a gun in his hand ... The protagonist and the sexually unrestrained school girls, who have revenge but cannot give up their feelings for their wives, dramatically gloss various sexual forms.

만성췌장염으로 입원 중임에도 불구하고 불륜상대인 다나베를 만나기 위해 병원을 뛰쳐나온다. 그러나 그가 만나주지 않자 전화방에서 만난 샐러리맨 히로유키와 하룻밤을 보낸다. 그리고 격한 감정에 휩싸여 그를 죽이게 된다. 며칠 후, 노리코는 용의자로 조사를 받게 되고 주요 목격자인 가즈아키는 그녀에게 유리한 거짓 증언을 한다. 어두운 과거를 짊어지고 있는 두 사람은 서로의 상처를 핥아주듯 몸을 포갠다. 그리고 두 사람은 앞으로 일어날 참극을 조용히 준비하기 시작하는데

Based on the world of Taiyo Matsumoto's manga "Tekkonkinkreet" this film sublimates the story of a young girl crow and a seagull living a free and unrestrained life into a mythological tale. In the mysterious futuristic landscape of the waterfront subcenter when there were few leisure facilities, the film powerfully depicts the struggles and battles of the vital life force that pervades the city.

A conceptual pinku film by renowned experimental artist Hiroyuki Oki, which is conceived of 60 shots which all are 60 seconds long and represent an absurdist take on the narrative and stylistic schemes of erotic cinema.

A fugitive man and woman (Kawase, Kawana) come to an island to retrieve their son (Iwasaki), who the woman has given to a foster family, but the son's foster parents are policemen (Ito)... The suspense surrounding the retrieval of the son is made unusual by the location shooting on the vast and desolate Miyakejima Island and leads to an allegorical drama about the essential desires of human beings. This was Kawase Yota's first appearance in a Zeze film, and he has since become a regular actor. The title of the film at the time of its first release was Sukebe Tenkomori.

Cult director Hisayasu Sato explores the sexual exploits of several women through the adventures of a young girl, who's fled her sexually abusive father, and an unhappy housewife. Looking for a fresh start, the women find each other, steal a bag of money and try to escape their pasts. In their flight, they encounter everything from adult babies to sword-wielding madams.

Takeshi, an alienated young man spends his lonely days obsessively following total strangers. He is employed to observe the movements of a beautiful but disturbed doctor, whose behavior is causing concern. As Takeshi continues to track her, a bond begins to grow between them, a bond which can only end in tragedy...

A convicted rapist, Ikuo is released from prison and goes in pursuit of the woman he raped, Mieko. So obsessed is he with revenge he sees her in every woman he meets. After carrying out vicious attacks on a prostitute and a young girl he finally comes face to face with her.

A boy, abandoned by the whole family - torn apart by obsessions, perversions and problems of every kind-start looking at everything around him through the eye of the camera, so that nothing can seem flat and keep up hope. The meeting between these two lonely souls will bring unexpected consequences.

　A mother, daughter, and their fiancé are enjoying a vacation at a villa near the ocean when suddenly a trio of people - a middle-aged man, a woman, and a young man - break in. Three outsiders and three ordinary people feel what it means to "live" through abnormal behavior. All of them are antisocial. Although the outlaws seem to be repeating antisocial acts, the film makes you feel the emptiness of such acts and the director's appeal to call it a "comedy".

A former Self-Defense Force officer who returns to his hometown with his comrades to fight for his life. A woman who comes to trace the trail of her husband, who has been missing for seven years. A woman who wants something stimulating in her boring village. A man and his daughter who left his wife without giving a reason and drifted to a fishing village in the north to live in seclusion. The lives of these five people intersect for a moment and are eventually dismantled again.

Erotic drama set in an underground Tokyo club called The Bedroom, where the female clientele are drugged into a trance-like state and are subjected to different styles of bizarre, fetishistic sex by the male clientele.

　A sequel to "Destroy the Evil", it follows the protagonist of the previous film, who is pursued by the yakuza and moves to a rural town in Chiba. The story concludes with a tragic ending, but as the title "Keep running, keep running!" At the end of the film, there is an image shot of the protagonists who continue to run, as the title suggests, and this is a strong statement to the director himself and to the audience.

Shinji, who has been writing a screenplay that is not going to be made into a movie, has a girlfriend who is a model. One day Shinji receives a call from the husband of his old lover Yoko, and goes to see her. When he meets Yoko again after five years, he cannot resist embracing her. A sensual film of love and jealousy, directed by and starring Kazuhiro Sano.

Lesbian-themed tale of a schoolgirl who entices her gullible (not to mention slightly warped) female teacher by positing that they are predestined to dance together on the day the world ends.

A road movie about three persons traveling in a campervan on their way to Tokyo, Hamamatsu, and Kyoto. The film is based on the story of the heroine, a young girl named Momo, who was a member of the "21 Faces of Kaijin" gang involved in the Glico Morinaga Incident, and the film's ideas are remarkable, including the use of a tape recording of the actual incident.

An abusive psychologist enjoys torturing and abusing his wife. After rough sexual session of pain and dominance she decides to leave her husband. Then her masochistic twin sister arrives and of course plenty of kinky sexual torture and bondage happens next.

Three bad high school students who are preparing for the graduation ceremony are caught up in a battle with Yakuza after encountering a Korean in Japan and Yuki Yappa who has been married to him. A youth adventure drama with a powerful depiction of "Japan" and "Asia" that emerges from various nationalities.

Japanese cult filmmaker Hisayasu Sato took a crack from his constant climb toward respectability with this particular kinky pinku-eiga entry aimed at the latex and rubber fetish set. A medical center nurse dealing with a patient for amnesia finds out that he is the serial slayer whom has been wandering the city armed with a metal baseball bat. The story is really an excuse for many softcore couplings offering rubber gloves as well as the like. an usually downbeat wallow in the perverse, perhaps offering evidence that while one can take the filmmaker out of the slum, the reverse is often untrue. Maya Shiraki movie stars with the omnipresent Takeshi Ito and Yoko Fujita.

Erotic horror film directed by Shuji Kataoka.

When the all-girl gang, The Bombers, kidnap a man to use as their personal sex slave, S&M Hunter accepts the mission to infiltrate The Bombers' hideout and show them the ropes.

A female got viciously raped and killed. Aya, the publisher of a popular journal, and the professional photographer Kajii hurry to the location of the murder to make some photos for the news. The picture is awful as the murderer had cut the genitals out of his woman’s body. Aya get a tip from a photograph published in the journal, that was used by the fifteen years old person. Kajii prospects Shun to be the killer and starts following him with the help of his girlfriend. A couple of days later the maniac hits again. A new victim is Makiko, with whom Aya had lesbian sex and relationship. Their investigation for finding the killer leads them to a playground in which the first slay has had place. But who may be this High Noon Slasher and why is killing innocent girls.

아내를 버리고 바람을 피우는 장남, 남편에게 버림받고도 가족을 돌보지만 스스로 새디즘에 빠지는 며느리, 윤락업주와 결혼하는 딸, 형수를 넘보는 차남 등 윤리적 가치관으로는 이해되지 않는, 결코 평범하지 않은 콩가루 집안의 이야기가 여기에 있다.

아다치 마사오가 팔레스타인으로 가기 전에 만든 마지막 극영화. 삶을 마감한 젊은이들의 유서와 고등학생 남녀 4인조의 매춘 행위를 소재로, 성 문제 등을 실천적이면서도 관념적으로 풀어내는 작품. 전공투 운동이 퇴조하고 도시가 급격히 변해 가는 시대에, 풍경론 이후 영화의 가능성을 제시하였다.

Pinku from 1971.

The roaming outlaw Okayo, also known as Benten due to the prominent tattoo of the Buddhist Goddess of Love emblazoned across her back. On the run from her persecutors, who seek to claim the tattoo and its skin canvas as a bounty, Okayo finds a safe haven in the arms of the mysterious shakuhachi (bamboo flute) playing Seigaku, himself tattooed with the image of Kisshoten, the Goddess of Prosperity.

Mari is playing her white guitar on a high ground in the wilderness . She came to visit the grave of her mother, but the grave has been removed. She is watched by Kuro through the finder of a rifle. Kuro, a former member of the Kuwata gang, is mute after his tongue had been cut out by Kuwata’s men in a lynch. He came to the wilderness to take revenge. He captures Mari and handcuffs her with a string from her guitar...

유명한 주식 투자가가 주가폭락으로 2,000만 엔의 빚을 상환해야 하는 곤경에 처한다. 수단과 방법을 가리지 않은 고리대금 업자 후지이 미츠구는 상환 기일 연장을 거절한다. 그러나 주식 투자가의 아내와 하룻밤을 보내게 해주면 기간을 연장해주겠다고 제안을 하고, 아내는 이런 제안을 받아들이며 희생하기로 결심한다. 하지만 후지이는 그 아내에게 또다시 미치광이 아들과의 관계를 요구하며 상환연장을 협상 하는데…

보스인 나카에게 고용된 청부 살인업자 쇼는 5년 동안이나 칼던지기의 명인인 코를 노리고 있었다. 3시의 대결을 앞두고 여자를 안으며 망상에 잠긴 쇼에게 코의 일행이 습격해온다. 그들을 향해 쇼는 총을 겨누지만 이미 총알은 여자가 모두 빼버린 상태였다. 쇼의 몸에는 일행들이 던진 칼이 날아와 꽂힌다. 쇼가 죽은 후 나카는 또 다른 청부 살인업자를 데려온다. 보스는 그에게 더치와이프라는 여자를 안아보라고 넌지시 얘기하는데...

Pinku from 1965.

LEAD TOMBSTONE tracks the progress of a young sociopathic rake who had, immediately post-WW2, rescued his country farmer mother from rape by stabbing the offending American soldier in the back with a pitchfork. Once grown, the boy continues his violent life as a hoodlum on the run, repaying an outlaw couple who have sheltered him by raping the wife, then, at his boss’s behest, murdering the husband. He’s also not above strangling a girl in her bathtub for kicks. The one spot of normalcy in his life is his shop girl girlfriend, an innocent who, once she discovers his other life, confronts his boss… (from OUTLAW MASTERS OF JAPANESE CINEMA by Chris D)