John Erdman

고고학자와 무기 디자이너가 네게브 사막의 고고학적 발굴 현장에서 만나, 사랑과 전쟁에 관한 토론을 시작하고 그들의 대화는 이스라엘 베르셰바에서도 이어진다. 마치 춤과 같은 이야기가 아테네, 베를린, 홍콩 그리고 상파울루로 관객들을 데려간다.

죽음과 의식, 인간 관계를 아우르는 주제들에 대한 냉소적인 독백. 마지막 도시의 속편이며 음울하면서 대립적이고 풍자적이다.

A film director confides in his interlocutor. He talks about the working process, about creative blocks, about artistic crises and expressive forces. At some point, the idea takes hold that this conversation could be turned into a film. And this is the very film we’re watching the two of them in.

After Roy's demise, five friends try to reconstruct his life by reading through the late editor's notebooks - only to face some very personal demons. The Holy Bunch is a modernist melodrama: beyond-Antonioni in its images, decisively Dreyerian in its spirituality. One of German cinema's few modern (or Modernist) masterpieces.

Not to be confused with Luc Besson's film of the same title from the same year. Documentarian Andrew Horn's second narrative feature.

Agatha is an international lawyer, Jo a filmmaker. The two women are lovers. While Jo is on the road showing her films, Agatha discovers and reads her diaries. Problems ensue as Agatha's transgressions lead to jealousy and a spiraling cycle of sexual obsession.

A comedy about New York and its eccentric inhabitants. A french filmmaker comes to New york to show her film at MOMA. Fascinated by the city, she decides to stay.

Stylized, black and white biography of Frances Farmer by author Lynne Tillman and Sheila McLauglin.

Rainer’s landmark film is a meditation on ambivalence that plays with cliché and the conventions of soap opera while telling the story of a woman whose sexual dissatisfaction masks an enormous anger.

이 작품은 두 여인 사이에서 딜레마에 빠져 있는, 그리고 그녀들을 고통스럽게 만드는 한 남자를 관찰하고 있다. 이 작품은 원래 이본느 라이너의 무용 퍼포먼스의 한 부분이기도 하다.