Patricia Garza

In an attempt to solve their marriage problems, Eric and Mari take a trip to the Mexican southeast, but she disappears under mysterious circumstances. On his way back to Mexico City, Eric meets Narciso, a mysterious man, and gives him a ride. Eric describes a series of events which finally lead him to a revelation about the time he shared with Mari.

열렬한 사랑에 빠진 젊은 연인 토마스와 루이사. 하지만 둘의 관계를 송두리째 뒤흔들어 놓을 위기가 찾아온다.

A love story turned assassination against the backdrop of the 1968 student massacre whose unresolved status is finally resolved in tense life threatening conditions. The story of a stubborn journalist who undertakes the clarification and bringing to justice of the heinous murder of one student forty years later represents a dedicated effort to force a country from denial to reconciliation and closure of tragic social and political events in a country´s history. A nation cannot allow official cover-ups that seek to delete and erase from the collective memory events that prevent a nation´s march towards social justice.

Ella – well she has a name too – Luna (Patricia Garza), is actually about her much older husband and painter Alfredo (Paul Vega), and his choice of actions/reactions after she decides to leave him for a lover that he wasn’t aware of. Alberto has been going through a creative crisis and is under pressure to complete a series of paintings for a forthcoming show. It is nevertheless also plain to see that he’d been treating Luna, who’s also his model, largely as an object of desire and obsession – capturing with camera her every movement in the house when she’s not posing for him, and memorising her every physical feature, moles and warts included – he’d apparently counted twenty seven moles on her body. When Alfredo tracks down and entraps the lover she’d wanted to elope with (Rómulo Assereto), he’ll discover that they both have more in common than merely desiring the same woman…