Ines Thomsen

참여 작품

영화관을 말하다
Director of Photography
영화 원제인 ‘Komm mit mir in das Cinema’(영화관으로 가자)는 사랑을 영화 속에서 찾을 수 있다고 썼던 엘제 라스커쉴러의 1937년도 시에서 가져온 것이다. 영화를 둘러싼 여러 담론과 관점에 있어서 전후 독일영화의 역사를 크게 확장시킨 에리카와 울리히 그레고어가 함께할 수 있었던 것은 바로 영화에 대한 사랑 덕분이었다.
Sandgirl
Director of Photography
To Make a Comedy Is No Fun
Camera Operator
Documentary feature about Czech director Jiří Menzel, featuring Menzel himself as well as Miloš Forman, Emir Kusturica, István Szabó and others.
Parrot at the Milk Bar
Director of Photography
A humorous observation in Barcelona’s immigrant neighbourhood El Raval. Four barber shops, four places of remembrance, strange time and space capsules inhabited by people who left their home to find a better one, while the Spaniards are about to leave their own country themselves.
Parrot at the Milk Bar
Writer
A humorous observation in Barcelona’s immigrant neighbourhood El Raval. Four barber shops, four places of remembrance, strange time and space capsules inhabited by people who left their home to find a better one, while the Spaniards are about to leave their own country themselves.
Parrot at the Milk Bar
Director
A humorous observation in Barcelona’s immigrant neighbourhood El Raval. Four barber shops, four places of remembrance, strange time and space capsules inhabited by people who left their home to find a better one, while the Spaniards are about to leave their own country themselves.
You All Are Captains
Director of Photography
A European director is making a film with children from a social center in Tangiers. Because of his methods, his relationship with the children during shooting degenerates and transforms the evolution of the project.
Eleven Uncle
Director of Photography
Roots Germania
Additional Camera
Her search for identity began with an extremely brutal hate song by the neo-Nazi band "White Aryan Rebels", which called for murder against the black German Mo Asumang: "The bullet is for you, Mo Asumang". Fortunately, the Nazi poison works like a motor for Mo, which in her debut film takes her across Germany and into Africa, and in which Mo talks to her mother and father about belonging for the first time. Roots Germania is a search for the roots, a search for her own identity. The film is also a spiritual journey to African and Germanic ancestors and cult places.
Mañana al Mar
Director of Photography
Imagine the beach of Barcelona in winter. A deserted place, sometimes tough-winded, on the edge of the vibrating city, an open plane to the sea. Waves are coming and going. As are these few citizens, maybe called upon by the waves. Or is it them, who render visible something untimely and eternal in this fluid flux and reflux?
Mañana al Mar
Writer
Imagine the beach of Barcelona in winter. A deserted place, sometimes tough-winded, on the edge of the vibrating city, an open plane to the sea. Waves are coming and going. As are these few citizens, maybe called upon by the waves. Or is it them, who render visible something untimely and eternal in this fluid flux and reflux?
Mañana al Mar
Director
Imagine the beach of Barcelona in winter. A deserted place, sometimes tough-winded, on the edge of the vibrating city, an open plane to the sea. Waves are coming and going. As are these few citizens, maybe called upon by the waves. Or is it them, who render visible something untimely and eternal in this fluid flux and reflux?