Ines Thomsen

Filmes

Come With Me to the Cinema – The Gregors
Director of Photography
From the 1950s onwards, Erika and Ulrich Gregor brought countless film historical milestones to Berlin and shaped cinema discourse in post-war Germany. A look at the life and work of the couple without whom Arsenal and the Forum wouldn’t exist.
Sandgirl
Director of Photography
To Make a Comedy Is No Fun
Camera Operator
Documentary feature about Czech director Jiří Menzel, featuring Menzel himself as well as Miloš Forman, Emir Kusturica, István Szabó and others.
Parrot at the Milk Bar
Director of Photography
A humorous observation in Barcelona’s immigrant neighbourhood El Raval. Four barber shops, four places of remembrance, strange time and space capsules inhabited by people who left their home to find a better one, while the Spaniards are about to leave their own country themselves.
Parrot at the Milk Bar
Writer
A humorous observation in Barcelona’s immigrant neighbourhood El Raval. Four barber shops, four places of remembrance, strange time and space capsules inhabited by people who left their home to find a better one, while the Spaniards are about to leave their own country themselves.
Parrot at the Milk Bar
Director
A humorous observation in Barcelona’s immigrant neighbourhood El Raval. Four barber shops, four places of remembrance, strange time and space capsules inhabited by people who left their home to find a better one, while the Spaniards are about to leave their own country themselves.
You All Are Captains
Director of Photography
A European director is making a film with children from a social center in Tangiers. Because of his methods, his relationship with the children during shooting degenerates and transforms the evolution of the project.
Eleven Uncle
Director of Photography
Roots Germania
Additional Camera
Her search for identity began with an extremely brutal hate song by the neo-Nazi band "White Aryan Rebels", which called for murder against the black German Mo Asumang: "The bullet is for you, Mo Asumang". Fortunately, the Nazi poison works like a motor for Mo, which in her debut film takes her across Germany and into Africa, and in which Mo talks to her mother and father about belonging for the first time. Roots Germania is a search for the roots, a search for her own identity. The film is also a spiritual journey to African and Germanic ancestors and cult places.
Mañana al Mar
Director of Photography
Imagine the beach of Barcelona in winter. A deserted place, sometimes tough-winded, on the edge of the vibrating city, an open plane to the sea. Waves are coming and going. As are these few citizens, maybe called upon by the waves. Or is it them, who render visible something untimely and eternal in this fluid flux and reflux?
Mañana al Mar
Writer
Imagine the beach of Barcelona in winter. A deserted place, sometimes tough-winded, on the edge of the vibrating city, an open plane to the sea. Waves are coming and going. As are these few citizens, maybe called upon by the waves. Or is it them, who render visible something untimely and eternal in this fluid flux and reflux?
Mañana al Mar
Director
Imagine the beach of Barcelona in winter. A deserted place, sometimes tough-winded, on the edge of the vibrating city, an open plane to the sea. Waves are coming and going. As are these few citizens, maybe called upon by the waves. Or is it them, who render visible something untimely and eternal in this fluid flux and reflux?