Asaf Korman

Alex, a young woman aged 18, lives with her mother in Arad, a small town in the middle of the desert near the Dead Sea. One day her mother disappears without a word of explanation. Abandoned, Alex must now get by alone. But when she creeps into the houses at night, it's not so much to steal money but to appropriate the intimacy of others and their lives.

Rachel, 27, is raising her mentally retarded sister Gabby, 24, all by herself. When the social worker finds out she leaves her sister alone in the house while at work, she is forced to place her in a day-care center. For the first time in her life she shares the upbringing of her dear sister with someone else, her daily routine collapses and the huge void, left by her sister's absence, makes room for a man in Rachel's life. That man, Zohar, tears another crack in the symbiotic relationship of the two sisters. Rachel hangs on to his love as if it was a life belt. But her inability to lead a normal, intimate and emotional relationship with anyone but her sister, forces them into a twisted threesome, where boundaries between love, sacrifice, nurturing and torturing – are broken.

Rachel, 27, is raising her mentally retarded sister Gabby, 24, all by herself. When the social worker finds out she leaves her sister alone in the house while at work, she is forced to place her in a day-care center. For the first time in her life she shares the upbringing of her dear sister with someone else, her daily routine collapses and the huge void, left by her sister's absence, makes room for a man in Rachel's life. That man, Zohar, tears another crack in the symbiotic relationship of the two sisters. Rachel hangs on to his love as if it was a life belt. But her inability to lead a normal, intimate and emotional relationship with anyone but her sister, forces them into a twisted threesome, where boundaries between love, sacrifice, nurturing and torturing – are broken.

Between the years 1950-51 close to 130 thousand Jews left Iraq. The most ancient community in the world ceased to exist.

이스라엘의 한 마을에서 소녀 둘이 잔인하게 살해당하고 머리 없는 시신만 발견된다. 자신이 저지른 실수 때문에 주요 용의자를 잡았다 풀어 주고 일까지 잃은 형사는 용의자 납치를 계획하지만 예상치 못한 자에게 방해를 받는다. 소녀 연쇄살인마에 의해 잔인하게 희생된 딸의 복수를 노리는 아버지, 범인의 입을 열기 위해서라면 폭력과 납치도 불사하는 형사, 그리고 연쇄살인마로 추정되는 용의자, 세 남자의 이야기가 잔인하면서 유머러스하게 펼쳐진다. 과연 세 남자의 운명은 어떻게 될 것인가?

Rules must be followed. For the "supervisors" of the Bat Yam neighbourhood in Israel, this means ensuring that women are dressed appropriately, that people respect Shabbat, or that Arabs from Jaffa don't enter the neighbourhood with music blaring from their cars. Avi, Kobi and Yaniv are young and know how to fight. They want to force their neighbours to become religious, without hesitating to be violent in the name of God. The inhabitants admire the gang and are afraid of them at the same time. One day a new girl, Miri, arrives. She is not familiar with the strict rules of modesty. The gang's leader Avi is going to be torn between his feelings for Miri and his dedication to the gang.

Tamar, an attractive single mother, lives alone in a small village with her two daughters. Unsatisfied, she attempts to fill her many voids through meaningless sexual rendezvous.

Romantic drama about a young woman discovering herself through the art of acting.

Amos lives alone with his schizophrenic teenage son, whom he refuses to intern in the psychiatry ward - he knows only too well how they treat their patients there. One day, Amos brings home a Thai young woman, an illegal alien called Bena. Amos hopes to find some "normality" through this female presence, but things do not work out as he expected.

In the city of Jaffa; a young girl plans to run away with her secret lover, when a tragedy forever changes the course of their lives. Jaffa is a mixed Arabic - Jewish seaside city near Tel Aviv, where Reuven Wolf (Moni Moshonov) has a garage for repairing cars. His wife Ossi (Ronit Elkabetz), a vain, self-centered woman, just makes everybody's life difficult. The couple's daughter, Mali Wolf (Dana Ivgy), has secretly fallen in love with her childhood friend, the young Toufik (newcomer Mahmud Shalaby), a hard-working youth who has come as a helping hand to his Israeli-Arab father Hassan, a long-time mechanic working for Reuven.

Autumn 1996. Avner, a highly-regarded Professor of Arts and his young wife, Ilana, come to visit the family farm run by Rachel and Shouki, (his children from a first marriage) and Menahem (the brother of his deceased first wife). Avner is in pain and needs a doctor. Rachel calls up Joel a physician and a friend of the family. Joel and Ilana are having a secret relationship that began during a previous visit to the farm. Menahem is in love with Ilana and Rachel with Joel. They are unaware of the love affair between Ilana and Joel. Avner came this time to the farm with a proposition to sell the farm. This brings all the latent conflicts in the family to break loose. The movie, inspired by Tchekovs "Oncle Vania", is above all an Israeli story. It depicts the weariness, the frustrations and pain of large segments of Israeli society, their love to the land and to one another, their dreams and their hope.

The film depicts the day where Yosi (73), the father of the Korman family, redeems the family dog Shula from agonized dying of numerous diseases by putting her to sleep. Yosi decides to take Shula's inanimate body with him and bury it in the sands, nearby home. The participants in the film (the director himself, and the members of his family) play themselves in a cinematic story based on true event.

The film depicts the day where Yosi (73), the father of the Korman family, redeems the family dog Shula from agonized dying of numerous diseases by putting her to sleep. Yosi decides to take Shula's inanimate body with him and bury it in the sands, nearby home. The participants in the film (the director himself, and the members of his family) play themselves in a cinematic story based on true event.

The film depicts the day where Yosi (73), the father of the Korman family, redeems the family dog Shula from agonized dying of numerous diseases by putting her to sleep. Yosi decides to take Shula's inanimate body with him and bury it in the sands, nearby home. The participants in the film (the director himself, and the members of his family) play themselves in a cinematic story based on true event.

The film depicts the day where Yosi (73), the father of the Korman family, redeems the family dog Shula from agonized dying of numerous diseases by putting her to sleep. Yosi decides to take Shula's inanimate body with him and bury it in the sands, nearby home. The participants in the film (the director himself, and the members of his family) play themselves in a cinematic story based on true event.

The film depicts the day where Yosi (73), the father of the Korman family, redeems the family dog Shula from agonized dying of numerous diseases by putting her to sleep. Yosi decides to take Shula's inanimate body with him and bury it in the sands, nearby home. The participants in the film (the director himself, and the members of his family) play themselves in a cinematic story based on true event.

An Israeli village, a cheerful holiday and a young woman seeking redemption.