Asaf Korman

Alex, a young woman aged 18, lives with her mother in Arad, a small town in the middle of the desert near the Dead Sea. One day her mother disappears without a word of explanation. Abandoned, Alex must now get by alone. But when she creeps into the houses at night, it's not so much to steal money but to appropriate the intimacy of others and their lives.

Chelli cria Gabby, sua irmã deficiente mental, sozinha. Quando a assistente social descobre que ela deixa a irmã sozinha em casa durante o horário de trabalho, Chelli se vê obrigada a colocá-la em uma casa de cuidados, e o vazio deixado pela ausência da irmã abre espaço para um homem em sua vida. Seu relacionamento com Zohar provoca outra rachadura na relação simbiótica entre as duas irmãs, enquanto os três são lentamente arrastados para um estranho triângulo no qual as fronteiras entre amor, sacrifício, carinho e possessividade são rompidas.

Chelli cria Gabby, sua irmã deficiente mental, sozinha. Quando a assistente social descobre que ela deixa a irmã sozinha em casa durante o horário de trabalho, Chelli se vê obrigada a colocá-la em uma casa de cuidados, e o vazio deixado pela ausência da irmã abre espaço para um homem em sua vida. Seu relacionamento com Zohar provoca outra rachadura na relação simbiótica entre as duas irmãs, enquanto os três são lentamente arrastados para um estranho triângulo no qual as fronteiras entre amor, sacrifício, carinho e possessividade são rompidas.

Between the years 1950-51 close to 130 thousand Jews left Iraq. The most ancient community in the world ceased to exist.

Uma série de assassinatos brutais coloca as vidas de três homens em rota de colisão: O pai da vítima mais recente agora em busca de vingança, um detetive da polícia que trabalha fora dos limites da lei, e o principal suspeito dos assassinatos - um professor de estudos religiosos preso e liberado devido a um erro técnico da polícia.

Rules must be followed. For the "supervisors" of the Bat Yam neighbourhood in Israel, this means ensuring that women are dressed appropriately, that people respect Shabbat, or that Arabs from Jaffa don't enter the neighbourhood with music blaring from their cars. Avi, Kobi and Yaniv are young and know how to fight. They want to force their neighbours to become religious, without hesitating to be violent in the name of God. The inhabitants admire the gang and are afraid of them at the same time. One day a new girl, Miri, arrives. She is not familiar with the strict rules of modesty. The gang's leader Avi is going to be torn between his feelings for Miri and his dedication to the gang.

Tamar tem a sua rotina. Um homem atrás do outro. Ela é também mãe de duas crianças, Mika e Noa, mas já não procura a redenção, pelo menos até à chegada de Shai, um homem que regressa aquela localidade para tratar da propriedade da mãe, recentemente falecida. Shai não conhece o comportamento de Tamar, mas rapidamente percebe os fatos. Ele não quer saber disso, pois crê que a pode salvar da vida promiscua. E apaixonam-se e juntos tentam mudar a sua maneira de ser.

Romantic drama about a young woman discovering herself through the art of acting.

Amos lives alone with his schizophrenic teenage son, whom he refuses to intern in the psychiatry ward - he knows only too well how they treat their patients there. One day, Amos brings home a Thai young woman, an illegal alien called Bena. Amos hopes to find some "normality" through this female presence, but things do not work out as he expected.

In the city of Jaffa; a young girl plans to run away with her secret lover, when a tragedy forever changes the course of their lives. Jaffa is a mixed Arabic - Jewish seaside city near Tel Aviv, where Reuven Wolf (Moni Moshonov) has a garage for repairing cars. His wife Ossi (Ronit Elkabetz), a vain, self-centered woman, just makes everybody's life difficult. The couple's daughter, Mali Wolf (Dana Ivgy), has secretly fallen in love with her childhood friend, the young Toufik (newcomer Mahmud Shalaby), a hard-working youth who has come as a helping hand to his Israeli-Arab father Hassan, a long-time mechanic working for Reuven.

Autumn 1996. Avner, a highly-regarded Professor of Arts and his young wife, Ilana, come to visit the family farm run by Rachel and Shouki, (his children from a first marriage) and Menahem (the brother of his deceased first wife). Avner is in pain and needs a doctor. Rachel calls up Joel a physician and a friend of the family. Joel and Ilana are having a secret relationship that began during a previous visit to the farm. Menahem is in love with Ilana and Rachel with Joel. They are unaware of the love affair between Ilana and Joel. Avner came this time to the farm with a proposition to sell the farm. This brings all the latent conflicts in the family to break loose. The movie, inspired by Tchekovs "Oncle Vania", is above all an Israeli story. It depicts the weariness, the frustrations and pain of large segments of Israeli society, their love to the land and to one another, their dreams and their hope.

The film depicts the day where Yosi (73), the father of the Korman family, redeems the family dog Shula from agonized dying of numerous diseases by putting her to sleep. Yosi decides to take Shula's inanimate body with him and bury it in the sands, nearby home. The participants in the film (the director himself, and the members of his family) play themselves in a cinematic story based on true event.

The film depicts the day where Yosi (73), the father of the Korman family, redeems the family dog Shula from agonized dying of numerous diseases by putting her to sleep. Yosi decides to take Shula's inanimate body with him and bury it in the sands, nearby home. The participants in the film (the director himself, and the members of his family) play themselves in a cinematic story based on true event.

The film depicts the day where Yosi (73), the father of the Korman family, redeems the family dog Shula from agonized dying of numerous diseases by putting her to sleep. Yosi decides to take Shula's inanimate body with him and bury it in the sands, nearby home. The participants in the film (the director himself, and the members of his family) play themselves in a cinematic story based on true event.

The film depicts the day where Yosi (73), the father of the Korman family, redeems the family dog Shula from agonized dying of numerous diseases by putting her to sleep. Yosi decides to take Shula's inanimate body with him and bury it in the sands, nearby home. The participants in the film (the director himself, and the members of his family) play themselves in a cinematic story based on true event.

The film depicts the day where Yosi (73), the father of the Korman family, redeems the family dog Shula from agonized dying of numerous diseases by putting her to sleep. Yosi decides to take Shula's inanimate body with him and bury it in the sands, nearby home. The participants in the film (the director himself, and the members of his family) play themselves in a cinematic story based on true event.

An Israeli village, a cheerful holiday and a young woman seeking redemption.