Wellington Abreu

참여 작품

O Espaço Infinito
The Pastor and the Revolutionary
Tenente
O Pastor e o Guerrilheiro is a Brazilian feature film inspired by a true story, which takes place in the 1960s and 1970s and at the turn of the millennium - in the last days of 1999.
New Life S.A.
Fábio Jr.
A young architect embarks on an ambitious real state development project in Brasília, convinced that he could actually help transform people’s lives and build a new form of society. But his utopia begins to fall apart when his dreams get in the way of corporate corruption and personal interests.
Por Que Você Não Chora?
Strong and feminine, "Why don't you cry?" addresses the delicate topic of suicide. Jessica is very closed, Barbara is a time bomb. The two meet when, at the stage of the faculty of psychology, Jessica meets Barbara. The coexistence leads Jessica to question her empty and meaningless life.
Algoritmo
Agente 0568 (off)
The totalitarian government from a dystopian future controls the information flow and people start to mysteriously disappear. The algorithm is capable to investigate citizens digital lives, steal their data and set up warnings to potentially subversive people. Nicole, a 18-year old vet student, has her life investigated by this Algorithm.
Mascarados
A court order obliges the masked persons of the Festa do Divino to leave with an identification number. Not satisfied, a group of them tries to invade the city hall.
Eu Sinto Muito
A filmmaker is producing a documentary on personality disorders. He follows three people with some crisis or emotional instability, whom all have difficulties on maintaining personal relationships.
Escola Sem Sentido
Chicão is a passionate history teacher in a private school. A student records his classes and shows the film to her parents, who denounce the teacher for ideological indoctrination. The case gains unprecedented proportions in the school.
Cano Serrado
Esteves
A history of vendetta and redemption occurs in the vicinity of a road, when the trajectory of a young policeman from the Capital intersects with a sergeant.
Viagem Sem Volta 2
Censurado
Zé Jorge
Two censors from the military dictatorship watch and discuss a film at work.
Once There Was Brasília
WA4
In 1959, disgraced intergalactic agent WA4 receives a mission: to come to the Earth and kill the president Juscelino Kubitschek on the day of Brasília's inauguration. But his ship is lost in time and lands in 2016 in Ceilândia — a Black suburb of Brasilia — on the verge of Dilma Rousseff's impeachment.
Comeback
Amador is a retired and ostracized gunman. Alone and bitter, he collects newspaper clippings of his old crimes in an album. After several humiliations, he will react with violence to the world’s hostility that surrounds him while also trying to get back to action.
O Homem que Não Cabia em Brasília
Doido
A homeless man struggles to get by in the utopian city of Brasília.
Hood Movie: Is the City One Only?
Zé Bigode
The city of Brasilia hoped to become, from its very architecture, the expression of modern urban conception and an egalitarian society. However, neither the workers hired to pursue this project, nor the constant migratory flow that took place from the beginning, fitted in the government’s plan. In 1971, it began what was known as the “Campaign to Eradicate Invaders”. Together with other locals, the director reflects on the history, the transformations and the future of this place where the hypocritical official jingle “A cidade é uma só!” is no longer heard.
Fora de Campo
Production Director
A documentary about football players in the low divisions of Brazilian football.
Dias de Greve
Art Direction
The struggle of a small group of blacksmiths trapped between keeping a long going strike with claims for better fees and the necessity of getting back to work when there's no money left for basic necessities.
Dias de Greve
The struggle of a small group of blacksmiths trapped between keeping a long going strike with claims for better fees and the necessity of getting back to work when there's no money left for basic necessities.