A television dramatization based on the life and work of Florence Nightingale. The story, set in 1856, relates the incidents in her life following the war in the Crimea, where she had gained such fame that her name was virtually a household word.
These dueling one-act comedies highlight the work of playwright John Mortimer. In "The Dock Brief," an ill-prepared attorney is put to the test when his client confesses to killing his wife. In "What Shall We Tell Caroline?" a father with good intentions tries to protect his wife and daughter from the bad things in life.
파리에 체류하고 있는 작곡가 피터 보로프를 송환하기 위해 비빈스키, 브란코프, 이바노프가 파리에 파견된다. 영화음악을 맡기로 캔필드와 계약한 보로프는 끌려가지 않으려 발버둥치고, 캔필드는 보로프의 아버지가 프랑스인이라고 거짓말을 하고, 그들까지 붙잡아둔다. 일이 이렇게 되자 소련에서는 사상이 투철한 요셍코를 특파사절로 파견하나 캔필드와 사랑에 빠진 요셍코는 하루가 다르게 변해가고, 영화 시사회 날, 둘은 결혼을 약속하게 된다. 그러나 둘 사이에 갈등이 생기게 되는데...
Three stories of murder and the supernatural: A museum worker is introduced to a world behind the pictures he sees every day. When two lifelong friends fall in love with the same woman and she is killed, they are obvious suspects. Is their friendship strong enough for them to alibi each other? When a young politician is hurt by the arrogant Secretary for Foreign Affairs Lord Mountdrago, he uses Mountdrago's dreams to get revenge.
From a series of propaganda films made to raise awareness of the risks of idle gossip providing vital information to enemy spies and collaborators. This Ealing Studios production features well-known 1940s actor John Mills, playing a sailor whose girlfriend thoughtlessly blunders away vital wartime secrets. The consequences prove disastrous when his boat next leaves to cross the English Channel.
When linguistics professor Henry Higgins boasts that he can pass off Cockney flower girl Eliza Doolittle as a princess with only six months' training, Colonel George Pickering takes him up on the bet. Eliza moves into Higgins's home and begins her rigorous training after the professor comes to a financial agreement with her dustman father, Alfred. But the plucky young woman is not the only one undergoing a transformation.