Roberto Giussani

Ugo Fantozzi was resurrected from the company where he worked because of a crisis, how it will end?Tenth and final chapter of the film series of Fantozzi character.

In three vignettes, two exes, a tour guide and a married couple struggle to overcome a series of misadventures during their vacations.

Luigi, a middle-aged engineer who, getting increasingly worried about the rising crime rate in his surroundings, follows the advice and example of his sleazy drinking cronies to arm himself with the titular weapon; the problem is that he starts carrying – and, occasionally, brandishing – it with him everywhere.

Napoli spara! (internationally released as Weapons of Death and Naples shoots) is a "poliziottesco" film directed by Mario Caiano in 1977. It is an unofficial sequel of Napoli violenta, of which reprises the character of Gennarino (still played by Massimo Deda).

Philippe Noiret plays a rich, Parisian banker whose daughter, Carolina, is kidnapped by a ruthless organization. They threaten to have her abused by the sadistic clients of a brothel they run if Father doesn’t pay the ransom on time.

A highly stylized surreal farce about the events leading up to Custer's Last Stand anachronistically reenacted in an urban renewal area in modern Paris.

제퍼슨 역에서 출발한 역마차 한 대가 길라 벤드라는 마을 근처를 지나던 중에 현상금 사냥꾼들에 의해 저지당한다. 이 현상금 사냥꾼들은 살인죄로 현상금 3천 달러가 걸린 필립 버미어라는 인물을 찾는 데 혈안이 돼 있다. 역마차에 타고 있던 전직 보안관 클레이튼은 숨어 있던 필립을 가장 먼저 찾아내 도주하도록 돕는다. 필립이 가는 곳마다 현상금 사냥꾼들이 들이닥치지만, 필립은 번번이 클레이튼의 도움을 받아 목적지인 색슨 시로 향한다. 필립은 자신이 죽인 걸로 판결이 난 색슨을 결단코 죽이지 않았으며, 단지 자신의 아버지를 살해한 범인에게 복수하고 싶을 뿐이라는 속내를 털어놓는다. 색슨 시로 가는 길에 클레이튼은 자신이 색슨 살인사건의 진범을 알고 있다고 주장한다. 하지만 색슨의 아들들은 오로지 필립을 제거하고 필립의 아버지가 찾은 은을 손에 넣는 데 혈안이 돼 있다. 진범은 따로 있다는 클레이튼과 필립의 주장은 받아들여지지 않고, 결국 색슨의 아들들과 클레이튼, 그리고 필립의 운명을 결정할 최후의 총격전이 벌어진다.

Caustic satire on bureaucracy of the Vatican authority and a simple Italian who wants to achieve the audience with the Pope.

Satirical film in four episodes about family and marriage.

Riccardo, an unhappily married middle aged Italian working for a shoe factory, goes to America on a four day business trip.

The Magnificent Cuckold is about a hat tycoon who is ecstatically, if not hungrily, in love with his youthful wife. It is all blissful, that is, until our man, middle-aged and somewhat of a square among his blasé, upper-class friends to whom cuckoldry is a common practice, is seduced by one of them. At this point doubts and suspicions, like conscience, begin to plague him. If he could succumb to extramarital confections, why not his gorgeous mate? Quickly his love for his spouse degenerates beyond obsessive, into the realm of maniacal. He becomes madly concerned that his wife is cheating on him --even though she is not being unfaithful. When he looks at her it becomes obvious to him that she is a very attractive woman. And, all the men around her must be dying to be with her. Gnawed by jealously, he will imagine variations on nabbing her and her lover in flagrante delicto.

A forty-year-old employee marries a seemingly quiet girl who turns into a mantis after the wedding.