Philippe Bellaiche

No one knows his real name; he is only known as Mr. Shoshani. He was an eternal nomad, a mad genius, who attracted disciples such as Nobel Prize winner Eli Weisel and renowned philosopher Emmanuel Levinas. Mr. Shoshani is one of the unsolved riddles of the 20th century, he is among the 10 most mysterious people of all time.

군사 점령이란 무엇인가? 아비 모그라비 감독은 군사 점령에 참여했던 군인들의 증언을 경유하여 식민주의적 점령의 작동 방식에 대한 통찰을 보여 준다. 54년간 이스라엘이 자행한 팔레스타인의 웨스트 뱅크와 가자 지구 영토 점령을 통해, 감독은 군사 점령의 매뉴얼을 그려 나간다.

In His Image focuses on reproduction after death in Israel, where posthumously harvesting sperm is legal. The film follows the bereaved parents of three sons who died during military service. Using semen collected just before, or shortly after, their sons' death, they hope to have them live on in a posthumous grandchild. But can new life cure their grief?

Lea Tsemel, a Jewish-Israeli lawyer, defends Palestinians: from feminists to fundamentalists, from nonviolent demonstrators to armed militants. As far as most Israelis are concerned, she defends the indefensible. As far as Palestinians are concerned, she’s more than an attorney, she’s an ally. «Advocate» follows Tsemel in real time, including the trial of a 13-year-old boy — her youngest client to date.

Lea Tsemel, a Jewish-Israeli lawyer, defends Palestinians: from feminists to fundamentalists, from nonviolent demonstrators to armed militants. As far as most Israelis are concerned, she defends the indefensible. As far as Palestinians are concerned, she’s more than an attorney, she’s an ally. «Advocate» follows Tsemel in real time, including the trial of a 13-year-old boy — her youngest client to date.

Lea Tsemel, a Jewish-Israeli lawyer, defends Palestinians: from feminists to fundamentalists, from nonviolent demonstrators to armed militants. As far as most Israelis are concerned, she defends the indefensible. As far as Palestinians are concerned, she’s more than an attorney, she’s an ally. «Advocate» follows Tsemel in real time, including the trial of a 13-year-old boy — her youngest client to date.

A multi-generational journey exploring the archives of the director's grandfather Ephraim Erde, an official Zionist photographer from the 30s, confronted with the director's current vision in an attempt to create an utopia of her own.

In the nearly 50 years since Israel's decisive victory in the 1967 Six-Day War, hundreds of thousands of Israeli citizens have established expanding communities in the occupied territories of the West Bank. Frequently coming into direct conflict with the region's Palestinian inhabitants, and facing the condemnation of the international community, the settlers have been viewed by some as the righteous vanguard of modern Zionism and by others as overzealous squatters who are the greatest impediment to the possibility of peace in the region.

Fantasizes an 'Old' Middle East, wherein communities were not divided along ethnic and religious lines; a Middle East in which even metaphorical borders had no place

Since 9/11, the Israeli arms industries are doing bigger business than ever before. Large Israeli companies develop and test the vessels of future warfare, which is then sold worldwide by private Israeli agents, who manipulate a network of Israeli politicians and army commanders, while Israeli theoreticians explain to various foreign countries how to defeat civil and para-military resistance. All based on the extensive Israeli experience.The film reveals The Lab, which has transformed the Israeli military occupation of Gaza and the West Bank from a burden to a marketable, highly profitable, national asset.

어느 날 텔아비브에서 홀로 말년을 보내시던 할머니의 부음이 들려온다. 먼지가 켜켜이 쌓여 있는 그녀의 유품을 정리하다 감독은 모호하면서도 거대한 역사적 사실과 맞닥뜨린다. 자신의 유대인 할아버지 할머니가 악명 높은 나치 전범 레오폴드 폰 밀덴슈타인 부부와 사이좋게 찍은 사진을 발견한 것이다. 과연 자신의 조부모는 나치의 친구였을까 아니면 적이었을까? (2012년 제9회 EBS 국제다큐영화제)

A former Israeli soldier participated in a mission of retribution in which two Palestinian policemen were killed. He seeks forgiveness for what he did. His girlfriend does not think it is so simple and raises questions that he is not yet able to cope with. The soldier willingly testifies before the camera as long as his identity is not revealed. The filmmaker, while seeking a solution to protect the identity of the soldier, questions his own political and artistic conduct.

Route 181 is the epic record of a road trip undertaken in the summer of 2002 by two filmmakers, one Palestinian and one Israeli, along sections of what had been designated as the border between Israel and Palestine by U.N. Resolution 181 in 1947.

Occupied Palestine: A serene landscape now pockmarked by military checkpoints. When a Palestinian film crew decides to avert a closed checkpoint by taking a remote side road, the political landscape unravels, and the passengers are slowly taken apart by the mundane brutality of military occupation.

Taqasim, shot in the streets of Cairo, is a voyage to the hidden treasures of Arabic music and to the participation of Jewish musicians. With stylishly shot music and unforgettable back-ally jams played by Felix Mizrachi, Zehava Ben, Abraham Salman and others, this film brings classical Arabic music raw and captivating.