Adriaan Ditvoorst

참여 작품

The Ditvoorst Domains
Self (archive footage)
Documentary about the Dutch film director Adriaan Ditvoorst.
White Madness
Screenplay
A heroin-addicted artist (Thom Hoffman) hugs his self-imposed isolation. While he was in an empty factory to painting, he heroin syringe. He dreams that he is like an eagle above the people flies out. When his mother becomes disabled after a failed suicide attempt, she asks him. He is looking for her for the first time in twelve years again. Together they take a radical decision.
White Madness
Director
A heroin-addicted artist (Thom Hoffman) hugs his self-imposed isolation. While he was in an empty factory to painting, he heroin syringe. He dreams that he is like an eagle above the people flies out. When his mother becomes disabled after a failed suicide attempt, she asks him. He is looking for her for the first time in twelve years again. Together they take a radical decision.
Lucifer
Director
Registration of Joost van den Vondel's classic stage play, performed by the Publiekstheater.
The Mantle of Love
Writer
De Mantel der Liefde is a bizarre, over the top and at times hilarious settling of scores with the Catholic Church, commercial movie culture and 1970's petit bourgeois Dutch culture in general.
The Mantle of Love
Director
De Mantel der Liefde is a bizarre, over the top and at times hilarious settling of scores with the Catholic Church, commercial movie culture and 1970's petit bourgeois Dutch culture in general.
Flanagan
Director
Paul Flanagan is released from jail after serving for 8 years. He only has two things on his mind. First: to retrieve the money from the robbery he was convicted for. Secondly: to get revenge on his partners in crime (his half-brother Paul and his ex-lover Cathy), who got away Scot free and never once visited him in jail.
De blinde fotograaf
Director
A journalist has to interview a blind photographer.
Carna
Writer
Although it was actually an impersonal commissioned film, the director's style is clearly recognizable. Once again he manages to make something that is normal very strange: the dancing people in costumes are filmed in such a way that they look bizarre and absurd. Jan de Bont's camerawork shows a series of color images of dancing people, edited to the rhythm of the music. Halfway through the film, a lonely clown can be seen among the dancing crowd, accompanied by sad music. This clown is played by Ditvoorst himself.
Carna
Producer
Although it was actually an impersonal commissioned film, the director's style is clearly recognizable. Once again he manages to make something that is normal very strange: the dancing people in costumes are filmed in such a way that they look bizarre and absurd. Jan de Bont's camerawork shows a series of color images of dancing people, edited to the rhythm of the music. Halfway through the film, a lonely clown can be seen among the dancing crowd, accompanied by sad music. This clown is played by Ditvoorst himself.
Carna
Director
Although it was actually an impersonal commissioned film, the director's style is clearly recognizable. Once again he manages to make something that is normal very strange: the dancing people in costumes are filmed in such a way that they look bizarre and absurd. Jan de Bont's camerawork shows a series of color images of dancing people, edited to the rhythm of the music. Halfway through the film, a lonely clown can be seen among the dancing crowd, accompanied by sad music. This clown is played by Ditvoorst himself.
Paranoia
Writer
A man is under the illusion he is a wanted war criminal.
Paranoia
Director
A man is under the illusion he is a wanted war criminal.
That Way to Madra
Writer
A conscript is given leave to visit his wife who has been admitted to hospital after a road accident. Dutch student film in the vein of the French Nouvelle Vague, praised at the time by directors like Godard and Bertolucci.
That Way to Madra
Director
A conscript is given leave to visit his wife who has been admitted to hospital after a road accident. Dutch student film in the vein of the French Nouvelle Vague, praised at the time by directors like Godard and Bertolucci.