Chip Monck

참여 작품

A Venue For The End Of The World
Himself
Haunted by uncanny similarities between Nazi stage techniques and the showmanship employed by modern entertainers, a filmmaker investigates the dangers of audience manipulation and leader worship.
Jimi Plays Monterey
Lighting Artist
It's no exaggeration to say this might be the most intense and groundbreaking 45-minute performance in the history of rock. Jimi Hendrix's debut American set at 1967's Monterey Pop Festival is generally considered one of the most radical and legendary live shows ever. Virtually unknown to American audiences at the time, even though he was already an established entity in the UK, Hendrix and his two-piece Experience explode on stage, ripping through blues classics "Rock Me Baby" and Howlin' Wolf's "Killing Floor," interpreting and electrifying Bob Dylan's "Like a Rolling Stone," debuting songs from his yet-to-be-released first album and closing with the now historic sacrificing/burning of his guitar during an unhinged version of "Wild Thing" that even its writer Chip Taylor would never have imagined. Hendrix uses feedback and distortion to enhance the songs in whisper-to-scream intensity, blazing territory that had not been previously explored with as much soul-frazzled power.
The Return of Bruno
Chip Monck
A "documentary" about the major influence that a '60s rock singer named Bruno has had on rock music, as attested to by such rock legends as Ringo Starr, Brian Wilson and the Bee Gees, among others.
우드스탁: 사랑과 평화의 3일
Self - Master of Ceremonies
1969년, 뉴욕의 시골 마을 베델에서는 50만 명에 이르는 사람들이 사흘 동안 당대의 가장 중요한 순간을 경험하였다. 규모와 영향력 면에서 전무했던 콘서트, ‘평화와 음악’이라는 공통된 목표를 가진 각양각색의 사람들이 모였다. 음악의 정수와 공연의 강렬한 에너지를 포착한 다큐멘터리.