Himself
Haunted by uncanny similarities between Nazi stage techniques and the showmanship employed by modern entertainers, a filmmaker investigates the dangers of audience manipulation and leader worship.
Lighting Artist
It's no exaggeration to say this might be the most intense and groundbreaking 45-minute performance in the history of rock. Jimi Hendrix's debut American set at 1967's Monterey Pop Festival is generally considered one of the most radical and legendary live shows ever. Virtually unknown to American audiences at the time, even though he was already an established entity in the UK, Hendrix and his two-piece Experience explode on stage, ripping through blues classics "Rock Me Baby" and Howlin' Wolf's "Killing Floor," interpreting and electrifying Bob Dylan's "Like a Rolling Stone," debuting songs from his yet-to-be-released first album and closing with the now historic sacrificing/burning of his guitar during an unhinged version of "Wild Thing" that even its writer Chip Taylor would never have imagined. Hendrix uses feedback and distortion to enhance the songs in whisper-to-scream intensity, blazing territory that had not been previously explored with as much soul-frazzled power.
Chip Monck
В данной музыкальной постановке известный ныне всем актёр Брюс Уиллис предлагает вниманию зрителя несколько песен, несколько музыкальных постановок, где сам исполняет песни, веселится и радует публику, перевоплощаясь то в рэп-исполнителя, то в рокера или даже блюзмена.
Self - Master of Ceremonies
Три дня счастья посреди грязи в 1969 году, свыше полумиллиона человек на маленькой ферме на севере штата Нью-Йорк собрались, чтобы жить, любить и слушать музыку в Вудстоке. Съёмочная группа находилась в центре событий и записала живые выступления многих величайших музыкантов той эры.
