Katia Forbert

Although at first sight this might look like a simple ‘making of DANCER IN THE DARK’, the later developments in the film reveal the whole drama of Lars von Trier’s inner life during the shooting process. All his doubts and insecurities in collaborating with the crew and actors - especially actresses - are exposed. The biggest drama started when Björk walked off the set. Nobody knew whether she would be back or not. Admitting that he feels threatened by women, who can ‘make him feel embarrassed’, the director gives this documentary the nature of a personal diary. When he discusses the importance, purpose and beauty of the use of a hundred cameras in a certain sequence or the meaning of the Dogma 95 rules, the audience is witnessing the process of the artist’s search. Is the pain that the director went through during the shooting really visible in the final result, as Lars von Trier claims in this film? (from: http://www.idfa.nl/)

Directed by Cristina Perincioli.

서독의 프리랜서 언론 사진가인 34살의 에다는 본인의 수입으로 딸을 돌보는 데 턱도 없다. 그녀가 속한 여성사진가 그룹은 베를린 시로부터 기금을 받아 베를린의 이미지를 담은 전시 프로젝트를 추진하려고 하지만, 비용과 성차별 등 많은 제약이 존재한다.

Freetown Christiania, also known as Christiania, is an intentional community and commune of about 850 to 1,000 residents, covering 7.7 hectares (19 acres) in the borough of Christianshavn in the Danish capital city of Copenhagen. Christiania has been a source of controversy since its creation in a squatted military area in 1971. Its cannabis trade was tolerated by authorities until 2004. Since then, relations between Christiania and Danish authorities have been strained.

A middle aged married woman suffers from depression. Her husband suggests she get a dog, but instead she gets a job. Treatment of the women workers leads her into a hilarious fantasy in which roles are reversed and bearded men sit behind typewriters worrying about their looks and what to buy for dinner. She gets involved in a strike and loses her job, but has found some friends and a more positive attitude to life.