Director
«Наши отношения с Бьорк похожи на брак. Все начинается с массы эмоций, творческого настроя и т. д., а заканчивается борьбой за власть. До начала этой борьбы кажется, что вы читаете мысли друг друга. И ты чувствуешь себя обиженным, если твой партнер не читает твои мысли.» – Ларс фон Триер
Writer
Cinematography
Directed by Cristina Perincioli.
Director of Photography
Edda Chiemnyjewski, a freelance press photographer and single mother living in 1970s West Berlin, is confronted with the fact that "a cook has no time for affairs of state". She also fails to find a market for the project she has been working on with her women′s photography group that seeks to document the city. While from today′s perspective the city, which becomes one of the film′s protagonists, looks like post-war Berlin, little has actually changed as regards the precarious existence of free-lancers. With a heavy dose of self-irony Helke Sander, who also plays the leading role, tells of a divided life in a divided city.
Camera Operator
Freetown Christiania, also known as Christiania, is an intentional community and commune of about 850 to 1,000 residents, covering 7.7 hectares (19 acres) in the borough of Christianshavn in the Danish capital city of Copenhagen. Christiania has been a source of controversy since its creation in a squatted military area in 1971. Its cannabis trade was tolerated by authorities until 2004. Since then, relations between Christiania and Danish authorities have been strained.
Director of Photography
A middle aged married woman suffers from depression. Her husband suggests she get a dog, but instead she gets a job. Treatment of the women workers leads her into a hilarious fantasy in which roles are reversed and bearded men sit behind typewriters worrying about their looks and what to buy for dinner. She gets involved in a strike and loses her job, but has found some friends and a more positive attitude to life.
