Jeroen Goeijers

Twenty years after Allard brought back the relationship with his mother to a minimum, the police calls him. They found her in a completely dishevelled house where she can no longer take care of herself. He decides not to abandon her in this state and takes responsibility for her care. Eventually, she ends up in a closed psychiatric ward. In this documentary, she blames her son for everything and wants him to behave like a good son.

In a quiet forest, a sign warns of radiation hazard. “Is this the past or the future?” muses the masked figure who appears like a kind of ghost in nuclear disaster areas. At a time when nuclear power may be re-emerging as an alternative to fossil fuels, this calmly observed and compelling tour takes us to places that may serve as a warning.

The Mangaung Prison opened in 2001 as South Africa’s first privately run penitentiary. Its operator, the multi-billion-dollar British security firm G4S, promised the most humane treatment and the best facilities for its nearly 3,000 prisoners—and naturally at the lowest cost. Testimonials from whistleblowers and former prisoners, and the findings of investigative journalist Ruth Hopkins expose the reality of prison privatization. Guards are underpaid, overworked and fear every day for their lives. Prisoners are a source of income, so rehabilitation isn’t a priority. Prison for Profit shows how this profit maximization system works, and what happens when governmental tasks like detention are outsourced to powerful international corporations. And what are the negative consequences for society at large?

The Mangaung Prison opened in 2001 as South Africa’s first privately run penitentiary. Its operator, the multi-billion-dollar British security firm G4S, promised the most humane treatment and the best facilities for its nearly 3,000 prisoners—and naturally at the lowest cost. Testimonials from whistleblowers and former prisoners, and the findings of investigative journalist Ruth Hopkins expose the reality of prison privatization. Guards are underpaid, overworked and fear every day for their lives. Prisoners are a source of income, so rehabilitation isn’t a priority. Prison for Profit shows how this profit maximization system works, and what happens when governmental tasks like detention are outsourced to powerful international corporations. And what are the negative consequences for society at large?

랑팡은 중국에서 가장 공기 오염이 심한 도시 중 하나다. 랑팡 지역 환경보호국의 관심과 이해관계는 지역 산업의 이해와 정면으로 충돌하고 동시에 정치적 압력에도 시달리고 있다. 대기오염에 맞서는 중국의 노력을 보여주는 하나의 케이스 스터디.

랑팡은 중국에서 가장 공기 오염이 심한 도시 중 하나다. 랑팡 지역 환경보호국의 관심과 이해관계는 지역 산업의 이해와 정면으로 충돌하고 동시에 정치적 압력에도 시달리고 있다. 대기오염에 맞서는 중국의 노력을 보여주는 하나의 케이스 스터디.

The film DAYMOHK tells the story of Chechen dance star and choreographer Ramzan Ahmadov, whose dance group Daymohk has found refuge with Chechnya’s current president Kadyrov. Momentarily postponing the extinction of this age-old folk dance. But the sacrifice this move takes, is great: in an attempt to save his country’s tradition, Ramzan collaborates with the authorities and sacrifices what he loves the most.

The film DAYMOHK tells the story of Chechen dance star and choreographer Ramzan Ahmadov, whose dance group Daymohk has found refuge with Chechnya’s current president Kadyrov. Momentarily postponing the extinction of this age-old folk dance. But the sacrifice this move takes, is great: in an attempt to save his country’s tradition, Ramzan collaborates with the authorities and sacrifices what he loves the most.

In postwar Liberia Clarice Gargard searches the truth concerning her father's dubious connection to warlord Charles Taylor.

About 10 years ago, filmmaker Ton van Zantvoort got to know Stijn, an idealist with a cheerful, relaxed nature. Stijn is one of the last remaining Dutch shepherds working in the traditional way. We see the shepherd, his sheep and his three loyal dogs crisscrossing nature reserves and farmlands so the herd can graze the land in an eco-friendly way. But nowadays, little remains of the romance and peace that we associate with the centuries-old tradition of sheepherding. Tenders are increasingly hard to acquire—competition from big companies, cheap East European shepherds and smart machinery make Stijn the expensive choice.

여전히 혼란스런 도시 카불에서 버스를 운전하는 아바스는 테러리스트의 공격을 받을까 늘 조마조마하다. 십대소년 아프신과 동생 벤자민은 군인신분이던 아버지가 위협을 피해 이란으로 떠나면서 집안의 가장역할을 맡아야 한다. 먼지구름들이 가라앉은 카불에서 살아가는 사람들 이야기.

스페인 남쪽의 어느 작은 해안가. 고운 모래와 둥근 모래 언덕이 인상적인 이곳은 잊혀진 도시가 모래 아래 잠들어있다는 전설이 있다. 19세기 말까지만 해도 탐험가들의 모험 장소였던 이곳은 현재 어부를 비롯한 소수의 사람들이 조용히 삶을 꾸리고 있다. 땅에 깃든 기억과 이 땅의 사람들의 삶이 이룬 조화를 관찰하는 아름다운 다큐멘터리.

스페인 남쪽의 어느 작은 해안가. 고운 모래와 둥근 모래 언덕이 인상적인 이곳은 잊혀진 도시가 모래 아래 잠들어있다는 전설이 있다. 19세기 말까지만 해도 탐험가들의 모험 장소였던 이곳은 현재 어부를 비롯한 소수의 사람들이 조용히 삶을 꾸리고 있다. 땅에 깃든 기억과 이 땅의 사람들의 삶이 이룬 조화를 관찰하는 아름다운 다큐멘터리.

Haunted by his violent past, the ambitious lawyer Anuol returns to his homeland, South Sudan, committed to serve his country and hold accountable those who are responsible. But his quest, led by the rules of law, hits a wall when he is confronted with his countrymen’s reluctance to reconcile with history.

Haunted by his violent past, the ambitious lawyer Anuol returns to his homeland, South Sudan, committed to serve his country and hold accountable those who are responsible. But his quest, led by the rules of law, hits a wall when he is confronted with his countrymen’s reluctance to reconcile with history.

A fascinating look into the changing inner lives of young Orthodox Christians as they leave the safety of high school and fly out into the world.

Producer Oscar Holleman (Within Temptation an Krezip) instantly recognizes 21 year old Sharon Kovacs as a talented singer. Even comparing her voice to Amy Winehouse. The movie is a documentation of them recording during two very hectic years.

In nature only one rule counts; eat or be eaten. WILD BOAR is a poetic, and visually arresting documentary about the curious relationship between man and the rise of the wild boar. The film tells a story about confusion, despair and opportunity amidst the invasion of unruly creatures that won’t abide by manmade rules and laws. From the dark woods where it originates, this almost uncontrollably dangerous creature goes deeper and deeper into our villages and cities but at the same time tickles our imagination and inspires us. WILD BOAR is an exploration of a society conflicted with nature and a reflection of the curiosity of human nature itself. Will we eat them or will they eventually devour us?

In nature only one rule counts; eat or be eaten. WILD BOAR is a poetic, and visually arresting documentary about the curious relationship between man and the rise of the wild boar. The film tells a story about confusion, despair and opportunity amidst the invasion of unruly creatures that won’t abide by manmade rules and laws. From the dark woods where it originates, this almost uncontrollably dangerous creature goes deeper and deeper into our villages and cities but at the same time tickles our imagination and inspires us. WILD BOAR is an exploration of a society conflicted with nature and a reflection of the curiosity of human nature itself. Will we eat them or will they eventually devour us?

A year after the euphoria on Tahrir Square, the demonstrators' goals have not even come close to being reached. The country is ruled with an iron fist and there is still no democracy. The 'eye of the world' has moved elsewhere. How things have been in Egypt since 25 January 2011 is explained using five portraits of people from various walks of life.

A woman answers the phone at night. She learns something terrible has happened to her boyfriend David in Phuket. Her world collapses. Stilte na de storm visualises that single brief moment between the nocturnal phone call and the confirmation of the dreaded message. In a stream of consciousness, emotions, memories and reality sweep through her like a storm, before she realises she has lost David. Only silence remains.

A woman answers the phone at night. She learns something terrible has happened to her boyfriend David in Phuket. Her world collapses. Stilte na de storm visualises that single brief moment between the nocturnal phone call and the confirmation of the dreaded message. In a stream of consciousness, emotions, memories and reality sweep through her like a storm, before she realises she has lost David. Only silence remains.

Wherever war breaks out, men with guns rape. During the decades of conflict in the Democratic Republic of Congo possibly hundreds of thousands of women and girls were brutally raped. In WEAPON OF WAR military perpetrators unveil what lies behind this brutal behavior and the strategies of rape as a war crime. An ex-rebel explains how he raped. Like for many ex-soldiers, starting a normal life again is a struggle filled with trauma. In an attempt to reconcile with his past, he decides to meets one of his victims in an attempt to obtain forgiveness. Captain Basima is working as a priest in Congo's army and confronts perpetrators of rape. He urges them to change. Just like he did.

Two Dutch filmmakers travel to the Iranian city of Bam to chronicle the aftermath of a December 2006 earthquake that claimed 43,000 lives and left 60,000 homeless. Survivors reflect on the catastrophe in voice-over narration that's accompanied by images of a wrecked metropolis fighting to pull itself back together. The gripping documentary received its North American premiere at the 2006 Tribeca Film Festival.

Director Entrop follows Lalla Weiss for a year, the spokeswoman of the national Sinti and Roma organisation. Weiss emphasises that the Roma and Sinti have been denied a place in our culture for seven hundred years, and that this is only recently and gradually changing. She herself is the living proof of the fact that things can change: she is married to Kees, a civilian, and as his wife she takes the lead in the traditional male dominated Roma and Sinti societies.

Director Entrop follows Lalla Weiss for a year, the spokeswoman of the national Sinti and Roma organisation. Weiss emphasises that the Roma and Sinti have been denied a place in our culture for seven hundred years, and that this is only recently and gradually changing. She herself is the living proof of the fact that things can change: she is married to Kees, a civilian, and as his wife she takes the lead in the traditional male dominated Roma and Sinti societies.

Short film in which an elderly couple takes leave of each other after fifty years of loving and living. His dementia is becoming more and more serious and today she will take him to a nursing home. This morning is the last time when they rise together, sit in the kitchen in their robes and look forward to the new day. Memories of years gone by come back to them.