Jerzy Radziwiłowicz

The film was inspired by one of the most important documentaries shot by Krzysztof Kieślowski, Talking Heads (1980). The director asked his interlocutors seemingly simple questions, such as “Who are you?” and “What do you want?”.

In 1979, a revolution in Iran. In 1980, a revolution in Poland. The fall of the Shah, the “King of Kings,” in Iran. Mass strikes and the foundation of Solidarność (Solidarity) in Poland. What was in the minds of the young women and men who fomented revolution in their own country? What did they think when their revolution was quelled, or – as in Iran – an authoritarian regime was instituted under the name of an “Islamic Republic”?

Two brothers are trying to find out the truth from years ago. The whole town is against them.

This is not a love story though it is full of love. It is not a comedy though the characters often say funny things. It is not a detective story even though the hero is trying to solve a murder. It is not a nature drama though it shows the splendid colours and customs of the countryside. It is not a musical though Lubica expresses her longing in a passionate dance. Nor is it a film about ghosts though a ghost does ask the hero for a favour. A few draughts of Strawberry Wine are enough to take us into a magical world in the true centre of Europe, where love, crime and penitence are just as much a part of life as the changing of the seasons, the migration of birds or the flowing of a mountain stream.

마흔살 시계 제조공 줄리앙은 파괴적인 성격의 소유자다. 줄리앙은 마담 X가 그의 옛 애인 마리에 관한 위험한 비밀을 갖고 있다는 것을 모른 채 훔친 골동품을 거래하는 부유한 마담 X를 협박하기로 결심한다. 아름다우면서도 비밀스러운 소녀 마리는 진정한 감정을 느끼기에 불가능해 보이고 줄리앙은 그녀를 자유롭게 해 주고자 무한한 사랑이 지배하는 장소로 도망 친다. 누벨바그 세대의 상징적 필력가이자 여전히 왕성한 현재의 작가인 자크 리베트의 13번째 영화 의 상영시간은 다소 긴 150분이다. 물리적 지속시간의 누적 위에서 예술의 연계와 사유의 연장을 말하는 자크 리베트의 영화답게 는 긴 시간 동안 천천히 전진한다. 현실 같은 꿈과 모호한 현실 사이를 헤매는 듯한 몽롱함이 시종 영화를 지배한다. 자크 리베트의 영화적 동지인 이론가 출신 파스칼 보니체르가 각본을 썼으며, 자크 리베트의 가장 최근작인 에서도 보여진 그의 연극적 특성이 잘 드러난 소품이다. 마치 영화와 연극, 상상과 현실을 오가는 것 같은 는 죽은 자와 산 자가 동거하는 기이한 철학적 미스테리를 던진다. 그렇게 죽음과 삶의 공존 상태라고 하는 철학적 주제가 드러난다. 는 죽은 자와 산 자가 함께하는 판타지다. (EBS)

Pawel Markowicz suffers from Stendhal syndrome and it is to Dr.Giordano that he tells his secret.

An exhausted militant wants to take a break from the incessant frenzy surrounding him. His country’s dictatorship is on its last legs and chaos reigns. His wife Sylvie leaves their country for France. She writes about the new democracy struggling to be born back home. His daughter Joyce must hide out in the deserted childhood home in the solitude and infinity of the Black Beach. Several adversaries – the militia of a hazy regime in his native land and the Paris police – wage a strange game of chess in which he is the pawn. Threats abound and he’s haunted by his past, his fears, dead friends. He has three allies: his wife, his daughter, and an old girlfriend from his fighting days.

The story of a doctor named Tomasz who questions his beliefs, faith and morality as his end is near, so he makes all efforts to find dignity in his imminent death.

젊은 생리학자인 실비는 남동생인 폴로부터 5년 전 아버지의 죽음이 자살이 아니라 그의 오른팔이던 와슬러에게 살해된 것이라는 얘기를 듣고 혼란에 빠진다. 실비는 동생의 주장을 완전히 확신하지 못하면서도 복수를 하기로 결심한다. 그녀는 동생을 보호하기 위해 모든 일을 혼자서 계획한다. 하지만 그녀는 곧 자신이 욕망과 음모의 덫 안에 말려들었음을 알게 된다. (2016 한국시네마테크협의회 - 자크 리베트 회고전)

A drama set in the year 1516 in Tuscany. Niccolo Machiavelli, stripped of office, remains in exile awaiting his return to favor by the new duke. When this moment finally arrives, Machiavelli discovers himself to be the victim of a plot hatched by the duke.

In Russia, in 1907, a rich lenient husband of a loose unfaithful woman is brutally murdered. She and her two lovers are suspects, but what about the stranger she met just before the murder? With no friends left, she and the stranger bond.

An expressionist biography of Edith Stein, who converted from the Jewish faith to the Catholic one and became a Carmelite sister. She would die in a German concentration camp.

One night Jorge will meet with a Japanese industrialist, who will allow him to abandon his teaching position and resume his chemical work. However, when he gets home he finds a person there.

Russia, 1870. A group of young anarchist revolutionaries set out to overthrow the Czarist regime through violence. Their attacks create a climate of psychosis and mutual distrust among the population, but in reality, both revolutionaries and repressors are being manipulated by a diabolical individual.

Anna, a nurse, meets her wartime lover Marcel in 1951. Learning that he has been sentenced to death for his role in the Home Army, she hides him in her cellar for five years. She gets pregnant with his child and has the baby out of the wedlock. Despite the hardships and gossip she holds much better than he. In 1956 when the political climate changes, he resurfaces and is arrested, but then acquitted by the court.

1982, Poland. A translator loses her husband and becomes a victim of her own sorrow. She looks to sex, to her son, to law, and to hypnotism when she has nothing else in this time of martial law when Solidarity was banned.

레흐 바웬사를 앞세운 자유 노조가 집권에 성공한 즈음, 폴란드 영화감독 예르지는 프랑스에서 TV 영화를 만든다. 명화들을 재현하는 이 영화는 예산을 초과하고, 영감마저 바닥난 듯 보이는 예르지는 지지부진하게 연출 작업을 한다. 한나는 영화 스태프들이 묵는 호텔 주인이다. 그녀는 공장을 운영하는 미셸과 함께 사는데, 미셀은 공장에서 일하던 이자벨을 해고한다. 한나와 이자벨은 예르지에게 끌리고, 호텔 메이드들은 영화 엑스트라가 되기 위해 일을 그만둔다.

Set during the German occupation of Poland during WWII. A priest in a small village meets a revolutionary who is on an assignment to kill a supposed Nazi collaborator.

Godard constructs a lyrical study of the cinematic and creative process by deconstructing the story of his 1982 film Passion. “I didn’t want to write the script,” he states, “I wanted to see it.” Positioning himself in a video editing suite in front of a white film screen that evokes for him the “famous blank page of Mallarmé,” Godard uses video as a sketchbook with which to reconceive the film. The result is a philosophical, often humorous rumination on the desire and labor that inform the conceptual and image making process of the cinema.

When his father dies a young man has the choice to continue the farmwork of his old man who suffered because of the hard labour and all the regulations.

이 영화는 1980년대 말 폴란드의 공산정권을 붕괴시킨 거대한 자유노조운동에 대한 이야기이다. 속편에 등장했던 다큐멘터리 감독 아그니에츠카(크리스티나 잔다 분)가 다시 모습을 드러내는데 그녀는 폴란드 노동자의 영웅이었던 비르쿠트의 아들 마테우시(예르지 래드지빌로빅츠 분)의 아내가 되어있다. 마테우시는 1980년 그단스크에서 발생한 파업에서 자유노조운동에 앞선 주동자로, 지식인들이 노조에 가입하도록 설득한다. 영화는 가까운 미래의 화면과 그단스크의 새로운 파업을 교차로 보여줌으로써 결과에 대한 예상과 함께 기대를 하게 한다.

Set in 1905. The story focuses on a young and inexperienced man in a revolutionary execution squad. He does his killing job out of idealism, and for the love of a woman. The young student murders a Russian spy and is afterwards arrested by the police. Much to his surprise he is released after a session with the traitor-judge, hinting at some leaks in the organisation. Student reports his suspicions back to the organisation, but in response is given a new hit mission.

A video derived from footage Godard kept from his 1981 visit to Francis Ford Coppola's Zoetrope Studios at the time he was making Passion.

In 1974 a group of students declares what they plan to be in 1980, and the series follows their lives during those six years.

Barbara is a forty-year-old woman of Polish origin living in Budapest. She is a biologist, a wife and a mother. The death of her woman friend opens her eyes to the fact that she is lonely, unable to find her place.

A famous Polish journalist presents a problem for the powers-that-be when he displays his full political skill and knowledge on a television show featuring questions and answers on a world conference by a panel of journalists. His enemies take away his privileges when he is away. The shock of being "unwanted" parallels a deeper disappointment in his private life: his wife has an affair with a jealous young rival, and after 15 years of marriage and two daughters wants a divorce. She offers no explanations as he tries to untie these problems himself. All the moves he makes are the wrong ones. He takes on drinking heavily with students eager to attend his seminar after discovering the class has been canceled. The journalist, once suave and commanding is reduced to silence.

The house of a family of five is to be demolished due to the expansion of the city. The residents who are waiting to move are surprised by the progressive paralysis of their son.

Man of Marble is a Polish film about a student making a film about a bricklayer who was once idolized. She interviews people who knew him and finds old footage that lead to an unfolding mystery that causes her producer to cancel the project.

Dagny Juell was the doctors daughter who left Kongsvinger for Berlin to study music, and became famous painter Edvard Munchs mistress and model. Than she ran into August Strindberg. They had a brief affair but after a couple of weeks Dagny left him for Stanisław Przybyszewski.

An old man appears in Samuel's inn and seek revenge on the owner.