Without Anesthesia (1978)
장르 : 드라마
상영시간 : 2시간 11분
연출 : Andrzej Wajda
각본 : Agnieszka Holland, Andrzej Wajda
시놉시스
A famous Polish journalist presents a problem for the powers-that-be when he displays his full political skill and knowledge on a television show featuring questions and answers on a world conference by a panel of journalists. His enemies take away his privileges when he is away. The shock of being "unwanted" parallels a deeper disappointment in his private life: his wife has an affair with a jealous young rival, and after 15 years of marriage and two daughters wants a divorce. She offers no explanations as he tries to untie these problems himself. All the moves he makes are the wrong ones. He takes on drinking heavily with students eager to attend his seminar after discovering the class has been canceled. The journalist, once suave and commanding is reduced to silence.
Andrzej Wajda's English-language film of a novella by Józef Teodor Konrad Korzeniowski, aka Joseph Conrad, about a young man in his first command as a sea captain. A series of crises prove incredibly difficult for his new authority, for the sea is curiously becalmed and the crew is weakened by feverish malaria. When the first mate's fear convinces many that the ship is haunted and cursed by the malevolent spirit of the previous captain, the young man must cope with their superstition as well as the conspicuous absence of much-needed medicine.
Set in the late '20s. A thirtyish young man, who heads a small factory, faints at the funeral of a close friend. He decides to go home to his aunt and uncle for a while, but gets involved with a family of five women who had been in love with him at one time though he had apparently loved only one, who, unknown to him, has died since his departure. The women are mainly disillusioned with life or estranged from husbands while the youngest has a crush on him.
In a Polish shtetl, two young men who have grown up together betrothe their unborn children, ignoring the advice of a mysterious traveler not to pledge the lives of future generations. Soon after, one of them dies, and the wife of the other dies in childbirth. The children grow up in different towns, without ever knowing of the betrothal, but the power of the vow leads them to meet each other when they are marriageable. The young woman, Leah, is promised to another man, but Channon, the son of the father who died, is a practitioner of mysticism, and seeks to win his bride through sorcery.
Russia, 1870. A group of young anarchist revolutionaries set out to overthrow the Czarist regime through violence. Their attacks create a climate of psychosis and mutual distrust among the population, but in reality, both revolutionaries and repressors are being manipulated by a diabolical individual.
2차 세계대전 후 프랑스 남부 아베롱의 시골 파르비크에서 사계절 내내 열심히 일하는 어느 소작농 가족의 삶을 담은 다큐멘터리. 아이들이 다시 학교에 갈 수 있다는 소식이 들리지만, 언제일지는 정확하지 않다. 낮에는 땅을 일구고, 저녁에는 가족 모두가 둘러앉아 신에게 기도를 올린다. 아버지께서 돌아가시자 장남은 가장의 역할을 맡고, 작은 아들은 돈을 벌러 대처로 나간다. 그렇게 삶은 계속된다.
The clownish security chief of a West German business is obsessed with protecting his factory from fancied and real breaches, especially from groups such as The Red Army Faction. Ferdinand's paranoia and methods can't be contained by his company. The sympathetically-drawn Ferdinand's ludicrous actions recall those of the cynical, disastrous axis between fascism and big business in 1930's Europe: satire of the rise of private security.
체르노빌 사태 이후 모든 예술 작품이 파괴된 상태에서 윌리엄 셰익스피어 주니어 5세가 예술을 복원하기 위해 다양한 사람들을 만나면서 벌어지는 이야기.
Clemente, a moneylender of few words, is a new hope for Sofía, his single neighbor, devoted to the October worship of Our Lord of the Miracles. They're brought together over a new-born baby, fruit of Clemente's relationship with a prostitute who's nowhere to be found. While Clemente is looking for the girl's mother, Sofía cares for the baby and looks after the moneylender's house. With the arrival of these beings in his life, Clemente has the opportunity to reconsider his emotional relations with people
The life of the great Bolshevik leader before the Russian revolution is chronicled in this bio-pic. Much of the tale centers on his exile in Poland where Lenin becomes friends with two peasants. The little girl has a strong belief in the nationalist cause. Later Lenin hears she was killed for withholding information about him.
Djomeh is a young Afghan man who has come to live in Iran because of family trouble. Working as a milk boy, he encounters discrimination from the Iranian villagers and disdain from Habib, a fellow Afghani to whose trust Djomeh was given. The only person who shows any friendliness to him is his employer, who Djomeh asks to intercede for him in asking a woman from the village for her hand in marriage.
Wlodek is a young man stuck in a dead-end job at the local library who lives with his harridan wife and critical in-laws in a small apartment. When Wlodek draws the interest of a library patron, the beautiful young woman encourages him to strive for better things in his life and professional career. Together, the two take off for a three-day affair, but surprises could await Wlodek upon his return home.
Once again, director Yulia Solnsteva directs a movie that her late husband Alexandre Dovchenko scripted but did not live long enough to shoot. In this wartime drama, the emphasis is on the heroics of both the civilians and the soldiers during times of severe stress in World War II. At the core of the action is one man in particular, whose sacrifices and heroics speak for a much larger group.
The life of little St. Therese of Lisieux, depicted in minimalist vignettes. Therese and her sisters are all nuns in a Carmelite convent. Her devotion to Jesus and her concept of "the little way" to God are shown clearly, using plain modern language. A sense of angelic simplicity comes across without fancy lights, choirs, or showy miracles.
As an aging woman married to a workaholic doctor by chance meets a young man who makes her feel young again. All of this is films by a director making a film about her which cuts in and out of the on camera and off camera drama.
A young circus director ends up going into television after her father, a trapeze performer, dies in a circus accident.
귀족은 아니지만 먹고 살만한 은행가 드미트리는 사십살 후반에 다 큰 자녀까지 두었지만 고집 센 아내가 싫어 바람을 피우는 낙으로 살아간다. 그는 서슴치 않고 여자를 '저급한 인종'이라고 평가하며 여자들과 있을 때만 생기가 돈다고 고백한다. 그는 무수한 엽색 행각을 벌이지만 항상 그러한 관계들에 별 미련을 두지 않고 끝을 내 버린다. 그러다가 그는 휴양 차 갔던 얄타에서 작은 개를 데리고 매일 산책을 하는 이십 대 유부녀 안나를 만나게 되는데...
Thatcherism and the Irish troubles provide the backdrop for this study of Mick, a well-meaning youth in Sheffield, who has, unlike Dickens' Pip, no expectations. Mick lives with his parents, works on his motorbike, looks for work, and every two weeks gets his check from the dole. There are no jobs. His best mate Alan joins the army to fix tanks and is sent to Belfast to quell Catholics. At a disco, Mick meets Karen, who works at a shoe shop and lives with her recently-separated mom. Karen misses her dad. She offers Mick emotional stability and a route to adulthood; Alan pitches the army. Does Mick have a future?
Chronicle of a Disappearance unfolds in a series of seemingly unconnected cinematic tableaux, each of them focused on incidents or characters which seldom reappear later in the film. Among the many unrelated scenes, there is a Palestinian actress struggling to find an apartment in West Jerusalem, the owner of the Holy Land souvenir shop preparing merchandise for incoming Japanese tourists, a group of old women gossiping about their relatives, and an Israeli police van which screeches to a halt so several heavily armed soldiers can get off the car and urinate.
19 year old Wojtek lives in a poverty stricken Polish town. He is in love with an older woman, an illegal emigrant from Ukraine. He boxes in illegal matches to get money and is spotted by a man running a security business. Accepting this man's offer means becoming a gangster, but this could allow him to a residence permit for his girlfriend Katya.
왕자를 시중들던 하녀의 딸 알리아는 왕자의 부고를 받고 10년 전 떠났던 궁전을 찾아간다. 그곳에서 알리아는 계급은 물론 성적으로도 종속되어 있던 엄마의 어두운 삶과 그로 인해 혼란스러웠던 자신의 어린 시절을 회상한다. 튀니지아가 프랑스 식민치하에서 벗어난 후 한 소녀의 성적 정체성의 혼란을 그린, 튀니지아 출신의 여성감독 무피아 틀라틀리의 첫 데뷔작. 아랍 여성 영화사에 한 획을 그은 작품으로 억압 받는 여성의 해방과 권리 찾기를 보여준다. 궁전의 제일 밑바닥 공간인 부엌은 여성들의 삶의 공간이자 자유의 공간이다. 감독은 1950년 독립 이전 프랑스의 속국이었던 튀니지의 이국적인 정취와 무슬림 전통을 매력적으로 담아내면서 페미니즘적 관점으로 여성의 위치와 남성 특권에 대해 조망한다. 1994 토론토 영화제 비평가상 수상. 1994 칸느 영화제 특별 언급.
