Jerzy Stuhr

The film was inspired by one of the most important documentaries shot by Krzysztof Kieślowski, Talking Heads (1980). The director asked his interlocutors seemingly simple questions, such as “Who are you?” and “What do you want?”.

조산아로 태어나 자폐 진단을 받은 그제고즈는 자신만의 세계에서 살고 있다. 그의 유일한 취미는 집안에 있는 오래되고 고장난 피아노를 두드리는 것 뿐이다. 그가 15세가 되던 해 생일, 그는 자신의 고립이 사실 자폐증이 아니라 청각 장애였다는 사실을 알게 된다. 스카진스키 교수의 도움 덕에 인공 와우를 장착한 그제고즈는 말하기, 듣기 능력과 함께 음악적 재능을 발견하게 되고, 피아니스트가 되어 콘서트 홀에서 베토벤의 월광 소나타를 연주할 수 있기를 꿈꾼다.

Threatened by creditors, a newly unemployed man agrees to work for a debt collector, but soon discovers his deal with the devil has unexpected costs.

Polish Legends about courage, strength, ambition, empathy, cleverness, pride. About Us.

An attempt at depicting the life of a generation born and raised in communist Poland; a generation that lived through all the stages of that system and made it to democracy. Throughout his life, the film's protagonist has always tried to be active, but something always got in his way, either through an absurd coincidence, as a result of his own lack of ability, or due to the unpredictable nature of certain events in our recent history.

An attempt at depicting the life of a generation born and raised in communist Poland; a generation that lived through all the stages of that system and made it to democracy. Throughout his life, the film's protagonist has always tried to be active, but something always got in his way, either through an absurd coincidence, as a result of his own lack of ability, or due to the unpredictable nature of certain events in our recent history.

An attempt at depicting the life of a generation born and raised in communist Poland; a generation that lived through all the stages of that system and made it to democracy. Throughout his life, the film's protagonist has always tried to be active, but something always got in his way, either through an absurd coincidence, as a result of his own lack of ability, or due to the unpredictable nature of certain events in our recent history.

An attempt at depicting the life of a generation born and raised in communist Poland; a generation that lived through all the stages of that system and made it to democracy. Throughout his life, the film's protagonist has always tried to be active, but something always got in his way, either through an absurd coincidence, as a result of his own lack of ability, or due to the unpredictable nature of certain events in our recent history.

An anthology film following different stories around the theme of invisibility in the modern world.

교황의 급사로 새로운 교황을 선출한다. 새로운 교황 멜빌은 선언 연설(HABEMUS PAPAM)을 거부하고, 바티칸 교황청서 도망친다. 당황한 교황청 대변인은 경비병에게 교황 행세를 대신하게 한다. 잃어버린 시간을 찾아 나선 교황은, 진실한 소망과 소명의 참다운 가치를 발견한다. 전세계인들이 고대해 온, 진정한 휴머니티와 감동이 이제 시작된다!

Mary is a young girl, daughter of shepherds, promised in marriage to Joseph, a widower with two children, living in the nearby village of Nazareth, in the Galilee of two thousand years ago. Grown up in love and respect for the little ones, Mary, after leaving her home, soon sees the distortions of the patriarchal world surrounding her, starting with her husband's family. Here he reads the oldest brother of Joseph, Mordecai. The sunny and determined attitude of the girl, protective of children, arouses the indignation of the head of the family and those who are convinced of the need to give them punishment, discipline and submission.

Lazowski, an expelled university student, investigates the supposed suicide of the famous artist Witkacy and tries to prove that the artist is in fact still alive.

A morality tale that starts from answering a mysterious passenger's mobile phone left on a train, and intertwines the lives of student Bartek, who leads an immoral life, and several strangers.

A morality tale that starts from answering a mysterious passenger's mobile phone left on a train, and intertwines the lives of student Bartek, who leads an immoral life, and several strangers.

A morality tale that starts from answering a mysterious passenger's mobile phone left on a train, and intertwines the lives of student Bartek, who leads an immoral life, and several strangers.

B급 영화의 프로듀서인 브루노 보노모는 차기작의 제작비를 마련하는 데 어려움을 겪고 있다. 경제적인 파산과 가정문제로 곤경에 처해있던 브루노는 한 젊은 감독이 쓴 시나리오를 읽고, 거기에 빠져든다. 처음에 브루노는 평범한 스릴러라고 생각했지만, 곧 거기에 베르루스코니 정부에 대한 비평적인 폭로가 내재되어 있음을 알게 된다.

A Polish ambassador (Zbigniew Zapasiewicz) finds his life falling into ruin following the death of his wife.

Maria Zmarz-Koczanowicz directed this insightful TV documentary (2005) tracing the Polish filmmaker's career. Former classmates reminisce about Kieslowski's happy beginnings at the Lodz film school and how his dissatisfaction with some of his early documentaries prompted the dramatic work and stylistic experimentation that led to his monumental series of films The Decalogue (1989). Wim Wenders, Agnieszka Holland, and Juliette Binoche are among the many admirers weighing in on his hard-driving work methods and preoccupation with the ephemeral. In Polish, French, and German with subtitles.

A drama about a doctor Arje who discovers his illness and decides to go to Israel in order to meet Sonya - the love of his life.

A man, after having abandoned his family to live in a monastery, goes back into the world after 17 years.

A man, after having abandoned his family to live in a monastery, goes back into the world after 17 years.

A man, after having abandoned his family to live in a monastery, goes back into the world after 17 years.

The plot is set in modern Moscow, in the 1990s, with "New Russians", Hummer H1 SUVs, bribery, violence, truck fulls of tinned stew as a dowry, etc.

The apparently quiet lives of four milanese bourgeois couples become intertwined

Left behind by a circus, a camel wanders to the house of a simple middle-aged couple in a Polish village. Although the wife is initially bewildered by the strange and unexpected animal, her husband immediately adopts it as a pet.

Left behind by a circus, a camel wanders to the house of a simple middle-aged couple in a Polish village. Although the wife is initially bewildered by the strange and unexpected animal, her husband immediately adopts it as a pet.

Jerzy Stuhr wrote, directed, and starred in this drama about a man sworn to uphold the law who applies a very different moral code to himself than he does to others. As Adam Borowski, Stuhr plays a government lawyer prosecuting a variety of cases, including smuggling, theft, child abandonment, and racially motivated assault. However, Adam's own life is hardly a model by which to live. He's overextended himself financially and is trying to figure out how to avoid paying the hospital bills for his terminally ill mother. Adam is married, but he's been having an affair for some time, and, while he breaks off his relationship with his mistress, he's easily tempted into other liaisons. His wife wants to adopt a handicapped child; Adam would prefer not to have another child in the house, and he uses his influence to slow up the paperwork. And in order to reduce his tax bill, Adam has involved himself in a charitable donation scheme of dubious legality.

Jerzy Stuhr wrote, directed, and starred in this drama about a man sworn to uphold the law who applies a very different moral code to himself than he does to others. As Adam Borowski, Stuhr plays a government lawyer prosecuting a variety of cases, including smuggling, theft, child abandonment, and racially motivated assault. However, Adam's own life is hardly a model by which to live. He's overextended himself financially and is trying to figure out how to avoid paying the hospital bills for his terminally ill mother. Adam is married, but he's been having an affair for some time, and, while he breaks off his relationship with his mistress, he's easily tempted into other liaisons. His wife wants to adopt a handicapped child; Adam would prefer not to have another child in the house, and he uses his influence to slow up the paperwork. And in order to reduce his tax bill, Adam has involved himself in a charitable donation scheme of dubious legality.

Jerzy Stuhr wrote, directed, and starred in this drama about a man sworn to uphold the law who applies a very different moral code to himself than he does to others. As Adam Borowski, Stuhr plays a government lawyer prosecuting a variety of cases, including smuggling, theft, child abandonment, and racially motivated assault. However, Adam's own life is hardly a model by which to live. He's overextended himself financially and is trying to figure out how to avoid paying the hospital bills for his terminally ill mother. Adam is married, but he's been having an affair for some time, and, while he breaks off his relationship with his mistress, he's easily tempted into other liaisons. His wife wants to adopt a handicapped child; Adam would prefer not to have another child in the house, and he uses his influence to slow up the paperwork. And in order to reduce his tax bill, Adam has involved himself in a charitable donation scheme of dubious legality.

Jurek Kiler (see the prequel to this movie, "Kiler") has become a VIP - sponsoring the Polish government, playing tennis with the President, and stuff. He must oversee a transfer of a substantial amount of gold. However, in his past activities, he has made enemies. Mighty ones. And thus Jurek Kiler's next adventure begins as he has to face attempts at kidnapping, assassinations, and problems in his love life...

An innocent cab driver is mistaken for a contract killer and imprisoned. Soon, he is sprung by a mob boss who needs "Killer" for a few more jobs.

Jerzy Stuhr scripted, directed and plays four roles in this Polish comedy about four men -- an army officer, a college instructor, a priest, and a drug dealer -- and their relationships with four females. An attractive student (Dominika Ostalowska) puts the teacher in an awkward spot when she reveals her love for him. An 11-year-old (Karolina Ostrozna) informs the priest that she's his daughter. The army officer is pleased when confronted by a past lover (Irina Alfiorowa). The drug dealer, taken prisoner, must decide whether or not to trust his wife (Katarzyna Figura) with his hidden loot. In the wrap-up, the elderly accountant (Jerzy Nowak) passes judgment on all four men. Stuhr acted in films by the late Krzysztof Kieslowski, who had some input here by offering advice to Stuhr on this screenplay. Shown at the 1997 Venice Film Festival, this film is also known as Love Stories.

Jerzy Stuhr scripted, directed and plays four roles in this Polish comedy about four men -- an army officer, a college instructor, a priest, and a drug dealer -- and their relationships with four females. An attractive student (Dominika Ostalowska) puts the teacher in an awkward spot when she reveals her love for him. An 11-year-old (Karolina Ostrozna) informs the priest that she's his daughter. The army officer is pleased when confronted by a past lover (Irina Alfiorowa). The drug dealer, taken prisoner, must decide whether or not to trust his wife (Katarzyna Figura) with his hidden loot. In the wrap-up, the elderly accountant (Jerzy Nowak) passes judgment on all four men. Stuhr acted in films by the late Krzysztof Kieslowski, who had some input here by offering advice to Stuhr on this screenplay. Shown at the 1997 Venice Film Festival, this film is also known as Love Stories.

Barbara leads a stable life, is fulfilled professionally and has a loving family. Her foster daughter Alicja, who learns that she is adopted, decides to find her biological mother. When Alicja finds the real mother, the life of the main characters changes, and the positive relationships that linked them become blurred.

Jerzy Stuhr Poland s most beloved actor wrote and directed this charming comedy that caters to his image as an innocent caught in a cynical world. Stuhr stars as Gustav, a Krakow professor who is roped into showing a visiting Swedish professor around town. The randy Swede soon tires of Gustav s dull dissertations on Polish heroes and suggests looking for female companionship, but the task proves beyond the skills of the shy academic. Eventually, Gustav calls Isa, an old girlfriend from his distant past who was writing a dissertation on the mating habits of geese the last time they spoke. While Isa is not what the Swede had in mind, Gustav sees his old flame through the rose-colored glasses of time.

Jerzy Stuhr Poland s most beloved actor wrote and directed this charming comedy that caters to his image as an innocent caught in a cynical world. Stuhr stars as Gustav, a Krakow professor who is roped into showing a visiting Swedish professor around town. The randy Swede soon tires of Gustav s dull dissertations on Polish heroes and suggests looking for female companionship, but the task proves beyond the skills of the shy academic. Eventually, Gustav calls Isa, an old girlfriend from his distant past who was writing a dissertation on the mating habits of geese the last time they spoke. While Isa is not what the Swede had in mind, Gustav sees his old flame through the rose-colored glasses of time.

Jerzy Stuhr Poland s most beloved actor wrote and directed this charming comedy that caters to his image as an innocent caught in a cynical world. Stuhr stars as Gustav, a Krakow professor who is roped into showing a visiting Swedish professor around town. The randy Swede soon tires of Gustav s dull dissertations on Polish heroes and suggests looking for female companionship, but the task proves beyond the skills of the shy academic. Eventually, Gustav calls Isa, an old girlfriend from his distant past who was writing a dissertation on the mating habits of geese the last time they spoke. While Isa is not what the Swede had in mind, Gustav sees his old flame through the rose-colored glasses of time.

폴란드 남자미용사인 카롤은 아내 도미니크한테 이혼을 당한다. 이혼 사유는 성적 욕구 불만. 모든 것을 잃게 된 카롤은 조국 폴란드로 돌아간다. 공산주의가 붕괴되고 자본주의화 되어가던 그곳에서 카롤은 도미니크와의 재결합을 위해 돈벌이에 혈안이 된다. 웬만큼 돈벌이에 성공한 카롤은 모든 것을 도미니크에게 양도한다는 유언장과 함께 거짓으로 죽는다. 연민과 속죄의 눈물을 감추며 장례식에 참석한 도미니크는 지친 몸으로 호텔에 돌아온 그는 침실에서 기다리던 카롤을 발견하고 깜짝 놀라는데...

A parliament member's sixteen year old daughter Agatha falls in love and runs away with a convicted young tramp, while her father uses his friends in the government and police to brutally break their happiness.

The story of catholic saint Maximilian Kolbe (1894-1941), who volunteered to die in place of a stranger in the Nazi concentration camp of Auschwitz.

The Prohibition years. Chicago bootleggers suffer losses due to their betrayal by one Mick Nich - Mikita Nichiporuk. The mob decides to execute the traitor, who escaped to Odesa, USSR, and organized his own bootleg business there. The hitman, Pollack, arrives in Odesa, and realizes how hard it is to make the hit here, as compared to a civilized country like USA.

예르지와 아르투르 형제는 아버지가 돌아가신 후 우표 컬렉션을 유산으로 받는다. 이후 이 우표들이 기대 이상의 가치를 가진 물건이란 사실을 알게 된 형제는 무리를 해서라도 컬렉션을 마저 완성시키려 한다.

This film is a sequel to Munk's Zezowate Szczescie and it's much the same, only more so. The film begins in a cinema, where the last scenes of Zezowate Szczescie are being shown. Born unlucky, a victim of the errors and distortions of Stalinism, he is released in 1956. He meets a politically feverish woman, her influential parents, and finally becomes the father of her child. But bad luck, or perhaps an unlucky era, will not let him forget.

도서관 지하실에는 난쟁이 왕국이 있다. 이들을 지배하는 사람은 대령이라고 불리우는 독재자로서 그는 철통같은 비밀경찰을 손아귀에 쥐고, 난쟁이들에게는 증산을 강요하면서, 자신은 소위 킹사이즈라고 불리는 인간세계에 나가, 난쟁이들에게는 존재하지 않는 여자를 즐기고 있다. 난쟁이가 인간처럼 커지기 위해서는 "킹사이즈"라는 특수약물을 필요로 한다. 이 약은 난쟁이 세계의 몇몇 과학자들의 손으로 조제되지만, 이들조차 각자 자신이 만들어내는 성분만을 파악하고 있을뿐 전체적인 배합은 하지 못하고 있었다. 대령은 자신이 킹사이즈로 변해야할때 이 약물을 쓰는 것이외에 난쟁이 세계의 과학적인 진보를 파악하기 위해, 혹은 인간세계의 물자를 구입하기 위해 난쟁이 중의 엘리트를 인간세계로 파견할 때 킹사이즈 약물을 사용하여 난쟁이를 인간의 크기로 확대하곤 하였다. 주인공 올로도 인간세계의 문물을 난쟁이 세계에 도입하라는 명령과 함께 킹사이즈로 확대된 인간이다. 인간세계에서 인간들의 생활을 경험해본 올로는, 특히 여자를 품에 안아본 후로는 난쟁이 세계로 돌아가지 않겠다는 결심을 하게 된다. 올로는, 함께 확대되어진 과학자 "아담"으로 하여금 독자적으로 킹사이즈의 개발에 착수하도록 요청하고 오랜 연구 끝에 아담은 약물 배합에 성공하게 된다. 하지만 그 약물을 올로에게 전하는 과정에서 난쟁이 세계의 비밀경찰에게 습격을 받고 체포되어 다시 난쟁이 세계로 끌려간다. 인간 세계에 혼자 남겨진 올로는 아담이 체포되기 전에 빼돌린 킹사이즈를 전해 받은 알리스를 찾아가 이야기를 나누던중 알리스 또한 난쟁이의 후예라는 사실을 알게된다. 알리스의 아버지도 난쟁이였으나 대령의 독재에 반대한다는 이유로 도끼로 변화시켜 버렸다는 것이다. 올로는 알리스의 안내로 대령의 독재에 항거하는 비밀조직을 만난다. 이들은 난쟁이 세계로 쳐들어가 대령을 없애고 모든 난쟁이들에게, 난쟁이로 남든지 킹사이즈가 되던지 스스로 판단하도록 자유를 준다. 모든 것이 끝나고 알리스와 함께 영원한 킹사이즈가 된 올로가 행복에 겨워하는

Zbigniew Gasior, a thirty year old singer, is a youth idol. Despite fame, money and success with the ladys, he can't neglect the emptiness in his life. The shattered dreams of his friends are not really a help, to ease his existential pains.

Lavish romantic melodrama, obsessively concerned with sex. Maryska's husband is off to war. He soon is reported missing, and she does not protest much when is seduced by the husband's friend, a seedy professor with sickly wife and other mistresses on the side. However, the love of Maryska's life turns out to be a shy 17-year old, son of friends with whom she goes to stay.

Teenager pretends to be mentally ill to get away from a reformatory.

A young woman is bitten by the acting bug after seeing Marilyn Monroe in "Some Like It Hot". She patterns herself after MM and after finishing high school goes for screen tests to the Film Academy. Rejected because of her crooked teeth she takes a job of selling beer on a train and starts writing to Billy Wilder, trying to be casted in his next movie. At the trains station she meets a would-be cinematographer who is color blind. They become friends sharing their dreams of going to Hollywood. One day she finds a goldfish trapped in a beer bottle: she sets her free and makes three wishes, not for herself but for her friends. To her surprise all of them come true. As a reward she gets a long awaited call from Billy Wilder. Written by Polish Cinema Database

우연한 사건의 한 인간의 삶에 엄청난 영향을 끼칠 수 있다는 이 영화의 철학적 암시는 암시의 명확성만큼이나 보편적이다. 하지만 이 영화는 영화를 특별하게 만드는 중심 인물에 대한 키에슬로브스키 감독의 진지한 접근방식을 보여준다. 1980년대와 90년대 폴란드의 상징적인 배우인 보그스와브 린다가 연기하는 주인공은 세 가지 다른 양상의 인생 속으로 내동댕이쳐진다. 하지만 주어진 상황과 무관하게 주인공은 항상 정직하고 선한 태도를 보인다. 키에슬로브스키 감독은 도덕의 상대주의를 피하고, 처한 상황에 따라 인간의 행동이 좌우되기보다는 그 인간이 가진 원래의 본성이 인간의 행동을 좌우하는 가장 중요한 요인이라는 점을 강조한다.

Made in 1982, shelved for five years. Story opens with Lucja Krol's husband under the tram. She gives birth to her fourth son on the floor of their new apartment. Neighbor Wiktor, a communist intellectual, befriends the poverty-stricken family but is soon arrested and sent to jail. During the war Lucja narrowly escapes a Nazi roundup at the black market. Her sons hold ardent Communist meetings in their apartment, with her blessing. Lucja works hard, but without complaint. After the war, Klemens is inexplicably arrested, accused by the new regime of being a collaborator. Wiktor, now a high-ranking party member, trying to defend him, himself falls into disgrace. Klemens is tortured to "confess" and dies in jail, a Communist to the end. Lucja is never told about his fate.

In the 21st century, prisoners aboard penitentiary space ships explore unknown worlds. Scope, one of the prisoners is sent on a planet though to be lifeless, until he found "Humans" on it.

Story of four people in Sopot in 1933, mysteriously brought together to an old villa to reenact a murder that took place 36 years earlier

Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.

에밀리와 그녀의 노모는 적군파에 의해 해방된 폴란드의 난민이다. 그들은 미국 전쟁포로의 생사확인을 위해 파견된 연합군 위원회의 운전병 노만을 만나게 된다. 말이 통하지 않음에도 불구하고 노만과 에밀리는 첫눈에 사랑에 빠진다. 노만은 에밀리와 그녀의 어머니를 미국으로 데려가려 하지만, 유일한 방법은 국경을 넘어 불법탈출하는 것이다. 에밀리는 노만이 준 돈으로 안내자를 구하지만 병약한 어머니는 탈출을 시도하기엔 이미 너무 쇠약한 상태다. 딸의 앞길에 방해가 되지 않기 위해 어머니는 몰래 목숨을 끊는다. 어머니의 장례식 후, 에밀리는 어머니가 자신을 위해 희생했다는 사실을 알게 되고 결국 서베를린에서 기다리는 노만을 버려 둔 채 이 곳에 남기로 결심한다. 수년이 흐른 뒤 에밀리는 또 다른 여행을 준비한다.

여성만이 지배하는 미래 사회, 50년 만의 동면에서 깨어난 두 남자 만이 살아남은 유일한 남성의 표본. 그들은 곧 이 사회에서 “정상적”인 존재로 탈바꿈해야 한다는 사실 – 즉 여성이 되어야 한다는 사실을 깨닫게 된다. 두 주인공은 자신들의 그것(!)을 지키기 위하여 고군분투한다.

Film opens on December 18, 1999, just a few days before the dawn of the new century. A local reporter, Iron Idem, announces that the Martians have landed. Shortly after that his program loses its independence: he is given the script telling the crowds how to welcome the invaders.

This heroic story follows the life of Karol Wojtyla, a Polish Roman catholic who ascends the throne of St. Peter as Pope John Paul II. As a young boy, Karol is a bright and talented student. Archbishop Sapieha recognizes the very special, moving qualities Karol possesses and encourages him to consider the priesthood. Although determined to study Polish literature, Karol turns to the church; he is ordained and studies in Italy, France, and Belgium. Torn by fear and repression in post-Stalin Eastern Europe, Karol becomes a poisonous thorn in the communists' side. His deer reverence and commitment return him to Poland as Pope John Paul II.

This is psychological drama by Tomasz Zygadlo begins as a straightforward story. Jan (Roman Wilhelmi) is the host of a nightly talk show in which he counsels people who call in with their problems. He is dedicated to helping these lonely souls but becomes increasingly disturbed when his co-workers and supervisors at the radio station do not appreciate his program; they seem unable to grasp the importance of what he is doing. Aside from that, Jan's private life is frayed around the edges. His wife is a heavy drinker and his mistress has no comprehension about who he is or what he is doing. Jan's frustration over this lack of recognition builds to an explosive level, threatening to upset the balance of his daily life.

감옥에서 출소한 주인공 안토니 그라락은 연인의 배신과 가족의 부재에도 불구하고 갓 얻은 자유로 순수한 열정과 기대에 부푼다. 새 인생을 시작하고 싶었던 그는 건설 현장에서의 새로운 일자리와 결혼으로 인생의 안정기에 접어든다. 그러던 어느 날 자신이 일하던 현장에서 절도 사건이 발생하며 그의 인생은 새로운 국면을 맞이한다. 부패한 현장소장은 그라락과 동료들을 범인으로 지목하지만 이에 대응하기 위해 파업한 동료들은 오히려 그라락이 자신들을 밀고했다고 오해한다.

감옥에서 출소한 주인공 안토니 그라락은 연인의 배신과 가족의 부재에도 불구하고 갓 얻은 자유로 순수한 열정과 기대에 부푼다. 새 인생을 시작하고 싶었던 그는 건설 현장에서의 새로운 일자리와 결혼으로 인생의 안정기에 접어든다. 그러던 어느 날 자신이 일하던 현장에서 절도 사건이 발생하며 그의 인생은 새로운 국면을 맞이한다. 부패한 현장소장은 그라락과 동료들을 범인으로 지목하지만 이에 대응하기 위해 파업한 동료들은 오히려 그라락이 자신들을 밀고했다고 오해한다.

Jerzy Stuhr plays a high school teacher with a sensitive outlook on life and a soft spot for students who like art and literature as passionately as he does. His adversary is a possessed sports instructor, gaining growing control over the students and authorities. His methods are questionable and his influence dangerous, but the handball team's prospects look good and the school needs success...

Filip buys an 8mm movie camera when his first child is born. Because it's the first camera in town, he's named official photographer by the local Party boss. His horizons widen when he is sent to regional film festivals with his first works but his focus on movie making also leads to domestic strife and philosophical dilemmas.

Filip buys an 8mm movie camera when his first child is born. Because it's the first camera in town, he's named official photographer by the local Party boss. His horizons widen when he is sent to regional film festivals with his first works but his focus on movie making also leads to domestic strife and philosophical dilemmas.

A famous Polish journalist presents a problem for the powers-that-be when he displays his full political skill and knowledge on a television show featuring questions and answers on a world conference by a panel of journalists. His enemies take away his privileges when he is away. The shock of being "unwanted" parallels a deeper disappointment in his private life: his wife has an affair with a jealous young rival, and after 15 years of marriage and two daughters wants a divorce. She offers no explanations as he tries to untie these problems himself. All the moves he makes are the wrong ones. He takes on drinking heavily with students eager to attend his seminar after discovering the class has been canceled. The journalist, once suave and commanding is reduced to silence.

An ironic look at a climber who decides to do anything, including throwing mud at his best friend, to get a job he thinks will launch him into a better career.

An ironic look at a climber who decides to do anything, including throwing mud at his best friend, to get a job he thinks will launch him into a better career.

사회 대변동의 시기가 도래한 1970년, 한 마을에 화학 공장이 새로 지어질 예정이다. 그러나 공장 관리자와 주민들의 갈등은 계속되고, 건설 실무를 맡은 스테판은 고민에 빠진다. 그는 마을 주민들이 모두 만족할 수 있는 방법을 찾으려 하지만 아내와의 갈등을 포함해 크고 작은 사건이 계속 이어진다. 1976년 폴란드영화제 심사위원 특별상 수상. (한국시네마테크협의회) 1970년, 대규모의 화학공장을 건설할 장소를 결정 하기 위해 난상토론과 밀실에서의 타협이 이루어지고 장소가 결정된다. 고지식한 당원인 베드나츠가 이 건설의 책임을 맡게 되면서, 좋지 않은 기억으로 남아있는 옛 고향을 다시 찾게 된다. 베드나츠는 옛 고향을 사람들이 평화롭게 어울려 사는 곳으로 만들고 싶어하지만 그의 신념은 마을 사람들의 탐욕스러운 욕구와 충돌하고 결국 포기하게 된다. 기록영화작업을 꾸준히 하던 키에슬로프스키의 첫 장편영화로 좌파 세력의 위선적인 모습을 대단히 미묘하지만 효과적으로 보여준 작품. 키에슬로프스키 감독은 이 영화로 모스크바영화제 대상을 수상하며 `도덕적 불안의 영화` 세대의 지도자로 국내외에서 확실한 주목을 받았다. (2007년 제1회 서울충무로국제영화제)

A short making-of from the set of Kieslowski's feature film "Blizna", which uses a lot the word "Action!" and the slate.

Based on a pre-war murder case of the Malisz couple. They end up committing a petty robbery and a sordid murder. He is an illustrator who is not used by a climbing architect. His folks don't like his wife and keeping both of them around as they float from one petty job to another. They finally try to rob a mailman of a bogus money order they have cooked up and end up killing an old, invalid couple with whom they have roomed.