어느 대도시의 덥고 폭풍우 치는 여름 밤, 새벽이 올 때까지의 시간에 남자들과 여자들, 그리고 아이들의 욕망과 감정이 보여진다.
Writer
Samy Szlingerbaum made his film Dakh-Brisel (Brussels-Transit) in 1980, thirty years after any Yiddish feature film had been produced. Szlingerbaum felt that the only way he could relate the story of his family’s search for refuge after World War II was in Yiddish. This Belgian-based filmmaker, deeply impacted by New York experimental cinema, gives us a masterful blend of powerful drama and stark documentary to tell the story of postwar European Jewry. Home, as it had been, no longer exists, and all that Samy’s family wants is a place in which to sink new roots.
Director
Samy Szlingerbaum made his film Dakh-Brisel (Brussels-Transit) in 1980, thirty years after any Yiddish feature film had been produced. Szlingerbaum felt that the only way he could relate the story of his family’s search for refuge after World War II was in Yiddish. This Belgian-based filmmaker, deeply impacted by New York experimental cinema, gives us a masterful blend of powerful drama and stark documentary to tell the story of postwar European Jewry. Home, as it had been, no longer exists, and all that Samy’s family wants is a place in which to sink new roots.
Director
N°113
Reel 12 of Gérard Courant's on-going Cinematon series.
Cinematography
Symphonie mixes fiction with reality. The author, Romain Schneid, tells the story of his own claustrophobia in front of the camera when, when he was 12 years old, hiding as a Jew during the German occupation, he could not leave a tiny apartment. He tells and he plays alone all the characters in his drama. He invents, deforms, imagines another end. He is at the same time the author, the narrator and the actor (the actors). Did he really experience what he's talking about, or did all that happen in his head? Are we facing a testimony or a delusion?
Sound
칩거 중인 소녀 ‘나’는 집에서 가구들을 옮기고, 바닥에 드러 누워 설탕을 퍼 먹으며 ‘너’에게 편지를 쓴다. 부치지 못한 편지들을 찢어버리고 거리를 방황하던 ‘나’는 트럭 운전사 ‘그’를 만나 욕망에 관한 얘기를 나눈다.
Writer
핀란드에서 파리로 온 크리스가 방에 홀로 앉아 외부자로서 겪은 자신의 경험에 대해 이야기한다.
Director
핀란드에서 파리로 온 크리스가 방에 홀로 앉아 외부자로서 겪은 자신의 경험에 대해 이야기한다.
