Following over two dozen different people in the almost wordless atmosphere of a dark night in a Brussels town, Akerman examines acceptance and rejection in the realm of romance.
Writer
Это один из первых бельгийских фильмов, снятый на идиш. В авангардистской манере он повествует о том, как во время войны родители режиссёра эмигрировали в Бельгию, но так там и не прижились. Зрителя впечатлит оригинальность, с которой задуман и снят этот эмоционально насыщенный сюрреалистический рассказ об одиночестве семьи на чужбине.
Director
Это один из первых бельгийских фильмов, снятый на идиш. В авангардистской манере он повествует о том, как во время войны родители режиссёра эмигрировали в Бельгию, но так там и не прижились. Зрителя впечатлит оригинальность, с которой задуман и снят этот эмоционально насыщенный сюрреалистический рассказ об одиночестве семьи на чужбине.
Director
N°113
Reel 12 of Gérard Courant's on-going Cinematon series.
Cinematography
Symphonie mixes fiction with reality. The author, Romain Schneid, tells the story of his own claustrophobia in front of the camera when, when he was 12 years old, hiding as a Jew during the German occupation, he could not leave a tiny apartment. He tells and he plays alone all the characters in his drama. He invents, deforms, imagines another end. He is at the same time the author, the narrator and the actor (the actors). Did he really experience what he's talking about, or did all that happen in his head? Are we facing a testimony or a delusion?
Sound
A woman suffers a subdued psychological breakdown in the wake of a devastating breakup.
Writer
On a wet August 15th, with time on hold, Chris, a young Finnish woman recently arrived in Paris and taken in by one of Chantal Akerman's friends, confides herself. On the one hand, her long, non-stop monologue of trivialities pours a non-expressed angst. On the other hand, her portrait in fixed shots captures her gestures. - Doclisboa
Director
On a wet August 15th, with time on hold, Chris, a young Finnish woman recently arrived in Paris and taken in by one of Chantal Akerman's friends, confides herself. On the one hand, her long, non-stop monologue of trivialities pours a non-expressed angst. On the other hand, her portrait in fixed shots captures her gestures. - Doclisboa
