Rainer Egger

Franz is by far the smallest in the class, has blond ringlets and gets a high-pitched squeaky voice when he gets upset. Luckily, two best friends help: Gabi and Eberhard. When Franz discovers Hank Haberer's "10 rules for a real man" for himself one day, turbulence is inevitable and the friendship of the three gets into trouble.

The film is set in the near future, in a world of perfect capitalism. Society is sustained by a class of top achievers; meanwhile, so-called minimum recipients live under sedation in Fortresses of Sleep. The great majority of top achievers view themselves as happy. An outsourced agency has been established for the rest: Life Guidance is charged with turning these individuals into optimal people as well. Alexander has internalized the system but one wrong word to his child triggers Life Guidance. He starts to rebel and encounters the horror of the system in all its brightness and affability.

Antonia is stuck in her everyday life. She oversleeps, procrastinates and searches the internet for a happy life. Spontaneously, she decides to give structure to her existence and asks her fling for a steady relationship.

1차 세계대전 직후 독일의 작은 마을, 전쟁으로 약혼자 프란츠를 잃고 슬픔에 빠진 안나. 그녀에게 자신을 프란츠의 친구라 소개하는 프랑스 남자 아드리앵이 찾아온다. 안나는 아드리앵에게 마음을 열기 시작하지만, 비밀을 간직한 아드리앵은 돌연 편지 한 통을 남기고 자신의 고향 프랑스로 돌아가는데…

When Johanna's blind grandmother Ruth tells her the secret about their Jewish past, the “sleeping dogs” of the family history awake.

오토(브렌단 글린슨)와 안나(엠마 톰슨) 부부는 군에 입대한 외아들이 전사했다는 소식을 듣고 절망한다. 그 이후 그들이 선택한 행동은 나치와 전쟁에 대한 반대이다. 두 사람은 나치에 맞서 싸워야 한다는 내용을 담은 우편엽서를 공공장소에 놓고 오는 방식으로 저항의 씨앗을 퍼뜨리려고 한다. 나치의 비밀경찰 게쉬타포는 이 사건을 이데올로기를 따지지 않는 노련한 형사 에스체리치(다니엘 브륄)에게 맡긴다. 하지만 엽서가 200장이 넘어가도록 에스체리치는 범인을 잡지 못하고 당국자들에게 두드려맞는 수모까지 당한다. 그러나 오토의 치명적 실수가 에스체리치를 기다리고 있는데...

Delving deep into the soul of one of Austria’s most infamous real-life convicts, Jack is a fascinating, unprejudiced look at the path to redemption and the obstacles that bar the way.

Another one of those stories we hear almost every day: refugees are picked up on Austria's border after a dramatic chase. And then nothing more is heard of them. The problem is apparently resolved in the usual way, through incarceration and deportation. But it's different this time: the story continues in Ghana, where everything is suddenly turned upside down.

The story of a Polish mother who is exploited as a cheap worker in Austria, and of an Austrian realtor, who fits the typical cliché of a stubborn, sexually frustrated and ugly midlife man.

A youth discovers Paul McCartney died and the public had never been informed of this fact.

17세기 이탈리아, 바이올린의 장인 부조티(이렌느 그라지올리)는 곧 아이를 얻게 될 꿈에 부풀어 있다. 그러나 평생의 반려자였던 아내는 아이를 낳다 목숨을 잃고, 절망한 부조티는 채 식지 않은 아내의 피를 받아 '레드 바이올린'을 완성한다. 사랑과 절망이 섞인, 세상 어디에도 없는 명품. 이 레드 바이올린은 소유한 사람을 파괴적인 매력으로 끌어 당기며 세계 곳곳을 떠돈다. 바이올린에 집착하던 어린 천재는 심장마비로 죽고 바이올린을 연주하며 성적인 환희를 느끼던 음악가는 자살한다. 300년 후, 레드 바이올린을 손에 넣기 위해 경매장에 모여 든 사람들은 마침내 바이올린에 얽힌 비밀을 알게 되는데...

Sophie "inherits" her uncle's preserved whale and finds out that whoever sleeps in the whale's belly with her will be granted one wish, causing chaos and hatred in the village.

Ever had an idea for a film? Ever actually visualised this film in your mind? Or even sketched out scenes and camera angles? Plenty of film buffs have. Michael Glawogger invited 12 people to talk about their ideas for a film and then shot short fragments for them. The result is a crime-story-erotic-lyrical-experimental-vampire-fantasy-horror-soap-opera-splatter-trash-road-movie-melodrama posing as a documentary!

This film is based on the actual events referred to as the "Mühlviertler Hasenjagd" (Hare-hunt in the Mühlviertel) which occurred in February 1945 around the Mauthausen concentration camp. 500 Soviet officers form death block 20 attempt to escape, but only 150 of them actually succeed. Following the tally-ho of the SS, a barbaric manhunt begins. Only very few fugitives survive. With a lot of good luck, the two young officers Michail and Nikolai reach the Karner family's farm. Frau Karner persuades her husband to hide the two escapees.

The sun blazes down from the sky with destructive power; exposing oneself to its light means death. People have transposed everyday existence to the night. In the metropolis of HALF WORLD a culture based on various languages and lifeforms has grown rampant. Everyone is looking for a way to survive.

The psychological inner life of a child that has experienced sexual violence. This film essay symbolically tells of violence and the dynamics of hurting in the language of an inoccent child.

The reality the conscientious objector Roman is confrontend with at an old-age home is something he has previously been spared: suffering, frailty, death. He has to take care of "General" Kulat, an old Wehrmacht officer, a fanatic militarist. Their confrontation becomes war.

For many years the old Waller worked as a railwayman. After Waller is informed that "his" track will be closed down and that he will be retired, he walks the route for one last time and starts to remember his life along the way: Beginning in his childhood in the 1920s, he commemorates the death of his great love as well as he recalls the legal battle with his illegitimate daughter.

Two apartments are joined together, the demolition of a wall transfers two small flats into a big one. Seven young people move in and share the living quarters. They all have definite ideas about life and living together and want to make them come true. But they don´t really know what they want. Everyday life causes problems and when a merry-go-round of changing relationships among the young people begins to run quicker and quicker, the constant moving from one room to the other ands before the eyes of the astonished house superintendent with the setting up again of the wall which separated the two walls.

Felix, a young projectionist, daydreams himself out of the loneliness of his projection booth and into a fantastic universe in which the characters in the films become his own. His dreams, wishes and reality become one in the fuzzy reflection on the projection window. A surreal play by Peter Patzak.