Rainer Egger

Franz is by far the smallest in the class, has blond ringlets and gets a high-pitched squeaky voice when he gets upset. Luckily, two best friends help: Gabi and Eberhard. When Franz discovers Hank Haberer's "10 rules for a real man" for himself one day, turbulence is inevitable and the friendship of the three gets into trouble.

The film is set in the near future, in a world of perfect capitalism. Society is sustained by a class of top achievers; meanwhile, so-called minimum recipients live under sedation in Fortresses of Sleep. The great majority of top achievers view themselves as happy. An outsourced agency has been established for the rest: Life Guidance is charged with turning these individuals into optimal people as well. Alexander has internalized the system but one wrong word to his child triggers Life Guidance. He starts to rebel and encounters the horror of the system in all its brightness and affability.

Antonia is stuck in her everyday life. She oversleeps, procrastinates and searches the internet for a happy life. Spontaneously, she decides to give structure to her existence and asks her fling for a steady relationship.

Anna todos os dias aparece para visitar e rezar sobre o túmulo de seu noivo Frantz, que morreu na França. Um dia, Adrien, um jovem e misterioso francês, também aparece por lá e sua presença irá provocar reações imprevisíveis.

When Johanna's blind grandmother Ruth tells her the secret about their Jewish past, the “sleeping dogs” of the family history awake.

Na Alemanha, durante a Segunda Guerra Mundial, na década de 1940, o casal de operários Otto (Brendan Gleeson) e Anna (Emma Thompson) recebem a notícia de que seu filho único foi morto em combate. Inconformados com o fato, eles decidem tomar providências contra os nazistas e resistir da sua forma, mas, logo eles caem na mira da Gestapo. No coração do terror a resistência é uma questão de honra. Baseado em fatos reais.

Delving deep into the soul of one of Austria’s most infamous real-life convicts, Jack is a fascinating, unprejudiced look at the path to redemption and the obstacles that bar the way.

Another one of those stories we hear almost every day: refugees are picked up on Austria's border after a dramatic chase. And then nothing more is heard of them. The problem is apparently resolved in the usual way, through incarceration and deportation. But it's different this time: the story continues in Ghana, where everything is suddenly turned upside down.

The story of a Polish mother who is exploited as a cheap worker in Austria, and of an Austrian realtor, who fits the typical cliché of a stubborn, sexually frustrated and ugly midlife man.

A youth discovers Paul McCartney died and the public had never been informed of this fact.

Em 1681 um artesão italiano, reconhecido pela qualidade dos violinos que construía, faz sua obra-prima para presentear o filho que estava prestes a nascer. Sua esposa acaba morrendo no parto, e inconformado, o artesão doa o instrumento para um orfanato. Mais de 300 anos depois várias pessoas estão num leilão disputando o instrumento, e o filme percorre então a sua história, desde a doação até o leilão.

Sophie "inherits" her uncle's preserved whale and finds out that whoever sleeps in the whale's belly with her will be granted one wish, causing chaos and hatred in the village.

Ever had an idea for a film? Ever actually visualised this film in your mind? Or even sketched out scenes and camera angles? Plenty of film buffs have. Michael Glawogger invited 12 people to talk about their ideas for a film and then shot short fragments for them. The result is a crime-story-erotic-lyrical-experimental-vampire-fantasy-horror-soap-opera-splatter-trash-road-movie-melodrama posing as a documentary!

This film is based on the actual events referred to as the "Mühlviertler Hasenjagd" (Hare-hunt in the Mühlviertel) which occurred in February 1945 around the Mauthausen concentration camp. 500 Soviet officers form death block 20 attempt to escape, but only 150 of them actually succeed. Following the tally-ho of the SS, a barbaric manhunt begins. Only very few fugitives survive. With a lot of good luck, the two young officers Michail and Nikolai reach the Karner family's farm. Frau Karner persuades her husband to hide the two escapees.

The sun blazes down from the sky with destructive power; exposing oneself to its light means death. People have transposed everyday existence to the night. In the metropolis of HALF WORLD a culture based on various languages and lifeforms has grown rampant. Everyone is looking for a way to survive.

The psychological inner life of a child that has experienced sexual violence. This film essay symbolically tells of violence and the dynamics of hurting in the language of an inoccent child.

The reality the conscientious objector Roman is confrontend with at an old-age home is something he has previously been spared: suffering, frailty, death. He has to take care of "General" Kulat, an old Wehrmacht officer, a fanatic militarist. Their confrontation becomes war.

For many years the old Waller worked as a railwayman. After Waller is informed that "his" track will be closed down and that he will be retired, he walks the route for one last time and starts to remember his life along the way: Beginning in his childhood in the 1920s, he commemorates the death of his great love as well as he recalls the legal battle with his illegitimate daughter.

Two apartments are joined together, the demolition of a wall transfers two small flats into a big one. Seven young people move in and share the living quarters. They all have definite ideas about life and living together and want to make them come true. But they don´t really know what they want. Everyday life causes problems and when a merry-go-round of changing relationships among the young people begins to run quicker and quicker, the constant moving from one room to the other ands before the eyes of the astonished house superintendent with the setting up again of the wall which separated the two walls.

Felix, a young projectionist, daydreams himself out of the loneliness of his projection booth and into a fantastic universe in which the characters in the films become his own. His dreams, wishes and reality become one in the fuzzy reflection on the projection window. A surreal play by Peter Patzak.