Daniella Rabbani

So wrapped up in creating the perfect holiday memory at their Feast of the Seven Fishes, an Italian American family completely miss the fact that one of their own does not intend to stick around for the dinner...or at all.

전 애인의 배신으로 5년간 감옥에서 썩은 데비 오션은 가석방되자마자 믿음직한 동료 루와 함께 새로운 작전을 계획한다. 그들의 목표는 바로 뉴욕 메트로폴리탄 박물관에서 열리는 미국 최대 패션 행사인 메트 갈라에 참석하는 톱스타 다프네의 목에 걸린 1천 5백억 원의 다이아몬드 목걸이, 투생을 훔치는 것. 패션 디자이너 로즈 바일부터 보석 전문가 아미타, 소매치기 콘스탄스와 해커 나인 볼까지, 전격 결성된 각 분야 전문가들이 마침내 실행에 나서는데...

A nonconforming granddaughter (with shaved temples and piercing) comes to a retirement house to film a documentary about her boisterous grandmother who survived the Holocaust and Auschwitz. They are divided by more than half a century, they are united by their uncompromising attitude, but they are able to find a common language. This chamber conversational drama about dialogue across two generations states that as long as you argue, as long as you disagree, as long as you can raise your voice - you are alive. The granddaughter is played by the film’s director Daniella Rabbani (who also appeared in minor parts in The Americans and Ocean's 8), and to her, Oma is an adaptation of a personal experience. “When I was a child, my grandparents didn’t tell me about how they survived the Holocaust. My grandfather made attempts to open up, but I would always change the subject. I had no idea about the cleansing effect that such conversations could have”

A nonconforming granddaughter (with shaved temples and piercing) comes to a retirement house to film a documentary about her boisterous grandmother who survived the Holocaust and Auschwitz. They are divided by more than half a century, they are united by their uncompromising attitude, but they are able to find a common language. This chamber conversational drama about dialogue across two generations states that as long as you argue, as long as you disagree, as long as you can raise your voice - you are alive. The granddaughter is played by the film’s director Daniella Rabbani (who also appeared in minor parts in The Americans and Ocean's 8), and to her, Oma is an adaptation of a personal experience. “When I was a child, my grandparents didn’t tell me about how they survived the Holocaust. My grandfather made attempts to open up, but I would always change the subject. I had no idea about the cleansing effect that such conversations could have”

A nonconforming granddaughter (with shaved temples and piercing) comes to a retirement house to film a documentary about her boisterous grandmother who survived the Holocaust and Auschwitz. They are divided by more than half a century, they are united by their uncompromising attitude, but they are able to find a common language. This chamber conversational drama about dialogue across two generations states that as long as you argue, as long as you disagree, as long as you can raise your voice - you are alive. The granddaughter is played by the film’s director Daniella Rabbani (who also appeared in minor parts in The Americans and Ocean's 8), and to her, Oma is an adaptation of a personal experience. “When I was a child, my grandparents didn’t tell me about how they survived the Holocaust. My grandfather made attempts to open up, but I would always change the subject. I had no idea about the cleansing effect that such conversations could have”

For Shirin, being part of a perfect Persian family isn't easy. Acceptance eludes her from all sides: her family doesn't know she's bisexual, and her ex-girlfriend, Maxine, can't understand why she doesn't tell them. Even the six-year-old boys in her moviemaking class are too ADD to focus on her for more than a second. Following a family announcement of her brother's betrothal to a parentally approved Iranian prize catch, Shirin embarks on a private rebellion involving a series of bisexual escapades, while trying to decipher what went wrong with Maxine.