Daniella Rabbani

So wrapped up in creating the perfect holiday memory at their Feast of the Seven Fishes, an Italian American family completely miss the fact that one of their own does not intend to stick around for the dinner...or at all.

Cinco anos, oito meses, 12 dias... em contagem regressiva. Este foi o tempo que Debbie Ocean levou para preparar o maior assalto da sua vida. Ela sabe que precisará de uma equipe com as melhores do métier, a começar pela sua parceira de crimes Lou Miller. Juntas, elas recrutam um grupo de especialistas: a joalheira Amita, a vigarista Constance, a especialista em receptação Tammy, a hacker Nine Ball e a estilista Rose. O alvo é US$ 150 milhões de dólares em diamantes... diamantes que estarão no pescoço da atriz mundialmente famosa Daphne Kluger, na grande atração no evento do ano, o Met Gala. O plano é sólido como uma rocha, mas tudo precisará ser perfeito para a equipe conseguir entrar e escapar com os diamantes. Tudo absolutamente à vista.

A nonconforming granddaughter (with shaved temples and piercing) comes to a retirement house to film a documentary about her boisterous grandmother who survived the Holocaust and Auschwitz. They are divided by more than half a century, they are united by their uncompromising attitude, but they are able to find a common language. This chamber conversational drama about dialogue across two generations states that as long as you argue, as long as you disagree, as long as you can raise your voice - you are alive. The granddaughter is played by the film’s director Daniella Rabbani (who also appeared in minor parts in The Americans and Ocean's 8), and to her, Oma is an adaptation of a personal experience. “When I was a child, my grandparents didn’t tell me about how they survived the Holocaust. My grandfather made attempts to open up, but I would always change the subject. I had no idea about the cleansing effect that such conversations could have”

A nonconforming granddaughter (with shaved temples and piercing) comes to a retirement house to film a documentary about her boisterous grandmother who survived the Holocaust and Auschwitz. They are divided by more than half a century, they are united by their uncompromising attitude, but they are able to find a common language. This chamber conversational drama about dialogue across two generations states that as long as you argue, as long as you disagree, as long as you can raise your voice - you are alive. The granddaughter is played by the film’s director Daniella Rabbani (who also appeared in minor parts in The Americans and Ocean's 8), and to her, Oma is an adaptation of a personal experience. “When I was a child, my grandparents didn’t tell me about how they survived the Holocaust. My grandfather made attempts to open up, but I would always change the subject. I had no idea about the cleansing effect that such conversations could have”

A nonconforming granddaughter (with shaved temples and piercing) comes to a retirement house to film a documentary about her boisterous grandmother who survived the Holocaust and Auschwitz. They are divided by more than half a century, they are united by their uncompromising attitude, but they are able to find a common language. This chamber conversational drama about dialogue across two generations states that as long as you argue, as long as you disagree, as long as you can raise your voice - you are alive. The granddaughter is played by the film’s director Daniella Rabbani (who also appeared in minor parts in The Americans and Ocean's 8), and to her, Oma is an adaptation of a personal experience. “When I was a child, my grandparents didn’t tell me about how they survived the Holocaust. My grandfather made attempts to open up, but I would always change the subject. I had no idea about the cleansing effect that such conversations could have”

Shirin (Desiree Akhavan) é uma jovem de família persa. A moradora do Brooklyn, descolada e bissexual está sofrendo pois sua namorada acaba de terminar o relacionamento delas. Shirin já não vai mais ao bar que costumava ser seu refúgio. A jovem se sente solitária e não tem o apoio da família.