José Esteban Alenda

As her cancer spreads, Noelia's ultimate decision is to return to her native Vieques, Puerto Rico, and claim her freedom to decide her own fate. She reunites with her friends and family, who are still dealing with the contamination of the U.S. Navy after 60 years of military practices.

이사벨은 코스타리카 시골의 작은 나무집에서 남편, 그리고 두 딸과 함께 산다. 그녀는 살림과 바느질을 하면서 하루의 대부분을 보낸다. 그녀가 버는 얼마 안되는 돈은 남편이 관리하는 작은 상자에 넣어진다. 남편과 시댁 식구들은 아들을 얻기 위해 아이를 하나 더 가지라고 압력을 가한다. 실과 옷감을 매만지며 그녀는 자신을 위한 옷을 만들고 옷 가게를 내는 상상을 한다. 그녀의 버릇, 열기, 긴 머리, 은밀한 곳에 침입한 벌레 그리고 가족의 압력 등으로 인해 그녀의 상상은 방해 받고 그녀는 자신과 환경, 가족이 있는 현실을 대면해야 한다.

Javier comes from the future to recover María's lost love. Together, they relive the magic of the day they met and repeat the journey they made from a sunrise in Madrid to a sunset on the Andalusian coast. Everything to get María to be the full of life girl he once fell in love with.

Javier comes from the future to recover María's lost love. Together, they relive the magic of the day they met and repeat the journey they made from a sunrise in Madrid to a sunset on the Andalusian coast. Everything to get María to be the full of life girl he once fell in love with.

Javier comes from the future to recover María's lost love. Together, they relive the magic of the day they met and repeat the journey they made from a sunrise in Madrid to a sunset on the Andalusian coast. Everything to get María to be the full of life girl he once fell in love with.

David comes from the future to relive, together with Nina, the day they met.

It is Sunday. A beautiful dawn on a doomed day. At ten o'clock, a happy child is going to die.

Julia's life takes place in the bath tub. Drop by drop she will build up the courage to change the order of things.

Julia's life takes place in the bath tub. Drop by drop she will build up the courage to change the order of things.

In the fantastic world of the "bosque animado" meet some people who have been transported to this place by a magic force. Now their histories cross one another.

Director José Luis Garci has turned his camera inward on filmmakers and screenwriters to portray them as so self-absorbed in the creative process that there is no other world, no other human relationship that can compete. As José (Adolfo Marsillach) and Federico (Jesus Puente) work together on a new screenplay, their interactions with their family (José's teen daughters, Federico's wife) disappear under the all-consuming task of creation. The daughters give up and go off on their own, and the wife joins a convent while Federico barely notices. And when the producer is interrupted by profound grief at the sudden death of his older son, he almost automatically returns to thinking about the film project when the funeral has ended. Garci honors many great directors at the beginning of this film, and the film continues to play out as an elaboration on this homage -- an illustration both of the dedication and the cost of filmmaking, no judgments given.

A Nobel prize winner returns to his natal city looking for his home.

Private detective Germán Areta el Piojo gets a terminally ill client who wishes to see his long lost, runaway daughter before he dies.

Famous Spanish film critic Alfonso Sánchez talks about his personal life, his work and Anouk Aimée. A sentimental tribute to one of the most relevant figures on the Spanish film scene.

A memory of Marilyn Monroe (1926-1962), woman, actress, goddess, myth, in the words of the Spanish director and scriptwriter José Luis Garci, who returns to his childhood and recovers a lost paradise.

Any given Sunday of 1974 in Spain, soccer games in several stadiums, the sarcastic voice of commentators, the inevitable presence of advertising. Goal! The victors and the defeated.