José Esteban Alenda

As her cancer spreads, Noelia's ultimate decision is to return to her native Vieques, Puerto Rico, and claim her freedom to decide her own fate. She reunites with her friends and family, who are still dealing with the contamination of the U.S. Navy after 60 years of military practices.

Isabel é uma jovem da área rural da Costa Rica. Uma boa nora, boa esposa e boa mãe. Quando o marido Alcides insiste em ter outro filho, ela terá que enfrentar a si mesma e seu ambiente para ter o direito de existir como mulher.

Javier comes from the future to recover María's lost love. Together, they relive the magic of the day they met and repeat the journey they made from a sunrise in Madrid to a sunset on the Andalusian coast. Everything to get María to be the full of life girl he once fell in love with.

Javier comes from the future to recover María's lost love. Together, they relive the magic of the day they met and repeat the journey they made from a sunrise in Madrid to a sunset on the Andalusian coast. Everything to get María to be the full of life girl he once fell in love with.

Javier comes from the future to recover María's lost love. Together, they relive the magic of the day they met and repeat the journey they made from a sunrise in Madrid to a sunset on the Andalusian coast. Everything to get María to be the full of life girl he once fell in love with.

David comes from the future to relive, together with Nina, the day they met.

It is Sunday. A beautiful dawn on a doomed day. At ten o'clock, a happy child is going to die.

Julia's life takes place in the bath tub. Drop by drop she will build up the courage to change the order of things.

Julia's life takes place in the bath tub. Drop by drop she will build up the courage to change the order of things.

In the fantastic world of the "bosque animado" meet some people who have been transported to this place by a magic force. Now their histories cross one another.

Director José Luis Garci has turned his camera inward on filmmakers and screenwriters to portray them as so self-absorbed in the creative process that there is no other world, no other human relationship that can compete. As José (Adolfo Marsillach) and Federico (Jesus Puente) work together on a new screenplay, their interactions with their family (José's teen daughters, Federico's wife) disappear under the all-consuming task of creation. The daughters give up and go off on their own, and the wife joins a convent while Federico barely notices. And when the producer is interrupted by profound grief at the sudden death of his older son, he almost automatically returns to thinking about the film project when the funeral has ended. Garci honors many great directors at the beginning of this film, and the film continues to play out as an elaboration on this homage -- an illustration both of the dedication and the cost of filmmaking, no judgments given.

Albajara é um senhor já de idade, um intelectual ganhador do Prêmio Nobel de Literatura e que leciona na Universidade Berkeley, na Califórnia. Espanhol de nascimento, Albajara faz parte da geração que lutou na guerra civil espanhola e acabou se exilando na América. Isso foi nos anos 30 e, desde então, ele nunca mais voltou para sua cidade natal, Gijon. O que irá acontecer agora, depois de tanto tempo, quando lembranças daqueles dias serão rememoradas?

Private detective Germán Areta el Piojo gets a terminally ill client who wishes to see his long lost, runaway daughter before he dies.

Famous Spanish film critic Alfonso Sánchez talks about his personal life, his work and Anouk Aimée. A sentimental tribute to one of the most relevant figures on the Spanish film scene.

A memory of Marilyn Monroe (1926-1962), woman, actress, goddess, myth, in the words of the Spanish director and scriptwriter José Luis Garci, who returns to his childhood and recovers a lost paradise.

Any given Sunday of 1974 in Spain, soccer games in several stadiums, the sarcastic voice of commentators, the inevitable presence of advertising. Goal! The victors and the defeated.