Marcus Dineen

참여 작품

야간 열차
Director of Photography
평범한 학생인 오스카는 스톡홀름에서 면접을 마치고 집으로 향하는 열차를 탄다. 면접의 결과를 가족들에게 알려주는 전화를 하던 오스카는 건너편에 앉은 매력적인 아랍계 소년 아메드를 발견한다. 오스카는 아메드에게서 눈을 뗄 수가 없다. 아메드 역시 그와 비슷한 감정을 느끼는 것 같다. 아메드도 자꾸만 그를 바라본다. 밤을 달리는 기차 안 승객들은 하나둘 잠이 들고 긴 밤을 뜬눈으로 새우는 오스카와 아메드. 그 둘 사이에 묘한 긴장감이 흐른다.
Haex
Director of Photography
A supernatural sci-fi short.
Fuck You
Director of Photography
Alice is together with Johannes, but his love is suffocating and she doesn't fit into the tiny pigeonhole that the relationship has set out for her. One rebellious summer evening a stolen strap-on is used to challenge the constricting norms that have limited her.
Shadow Animals
Camera Operator
A young girl follows her parents to a party where she experiences assorted grown-up rituals. As the evening progresses she finds the adults' behavior increasingly strange. Everyone tries to fit in, but not everyone succeeds.
Echo
Cinematography
A woman wakes up in the middle of nowhere to see in a mirror her reflection ten seconds ahead of her time. When she wakes up again the nightmare has just started over.
Picture World
photographer
A model agent tries to do a good deed but it pulls us into a game with our own judgemental gaze.
Goldfield
Director of Photography
It is 1853 and in Eastern Australia two men have toiled, driven by the belief that once they strike gold their struggles will be behind them. However they're about to discover that sharing the rare metal will be the hardest test of all.
The Room at the Top of the Stairs
Cinematography
A young artist feels overshadowed by a charismatic and dangerous girl she's never met. Her life changes when she decides to follow in her nemesis's footsteps.
Bad Habits
Director of Photography
"A troubled journey through the byways and back alleys of a mind out of balance." Sister Marie Fenche is a woman on the verge of collapse. Barely able to distinguish reality from fantasy, Marie's life is thrown into turmoil when she awakens one morning, alone in a room with a corpse in the bathtub. Is she being set up or did she kill the man herself? The truth is not even Marie knows for sure.
Lessons from the Night
Cinematography
As dusk approaches and workers stream out of the city, thousands of individuals are about the begins their day’s work. They shuffle through subterranean car parks, sprawling shopping centers and soaring office towers, leaving behind a trail of gleaming floors and emptied waste paper baskets. They are the cleaners – an invisible and underpaid army whose necessary work goes unnoticed.In Lessons From The Night we spend a night with Maia, who reflects on life, work and toilet bowls as we follow her nightly cleaning round through silent empty spaces. As she works, she reveals some of the secrets of the city – the traces of human presence that we leave behind each day – and of her former life in Bulgaria. Lessons From The Night is both a homage to the menial worker and an existential film about cleaning.