Oleksiy Pankratyev

출생 : 1903-11-13, Kiev, Kiev Governorate, Russian Empire [now Kyiv, Kyiv Oblast, Ukraine]

사망 : 1983-07-08

참여 작품

Крутые ступени
Director of Photography
Golden Hands
Director of Photography
Parajanov's documentary about Ukrainian art.
Dumka
Director of Photography
Documentary showcasing popular and folk songs performed by the Ukrainian State Choir.
Aleksandr Parkhomenko
Director of Photography
About the life and heroic death of the old Bolshevik-Lugansk resident, participant in the civil war, Aleksandr Yakovlevich Parkhomenko. In 1918, capturing Ukraine, the German occupiers sought to use the Haidamaks, the White Guards and the Greens in their struggle. By order of Voroshilov, Aleksandr Parkhomenko from Lugansk arrives in Tsaritsyn. At the same time, the Germans launched an active offensive. The "red" battalions are poorly armed, however, Parkhomenko manages to raise them to the attack and put the enemy to flight.
Black Sea Mutiny
Director of Photography
On the proletarian solidarity of the French navy with the revolutionary people of Russia. The action takes place in the early years of Soviet power in the coastal city of Russia. The French cruiser Mirabeau threatens the city from the sea.
Bread
Director of Photography
Ukrainian agitprop film from 1929 that was banned and long forgotten until its rediscovery in the 1970s, imaginatively shot by the gifted cameraman Oleksii Pankratiev, whose panoramic long shots feature dynamic compositions. The background, barren field and bare sky, raise the agricultural subject matter to the level of an epic poem. Using innovative editing, Shpykovskyi transformed an incredibly simple plot into an avant-garde work. Created the same year as Earth (Zemlya), the film forms a paradoxically conceptual, ideological, and aesthetic pair with Dovzhenko’s movie.
이기주의자
Director of Photography
1917~1922년 소련 내전 중 키예프의 권력이동, 정치적 혼돈 속에서 이득을 보고자 했던 우크라이나인 속물 아폴로 쉬미구예브의 이야기이다. 의욕적이고, 변덕스러운 아폴로는 곧 지역인민위원회의 수장이 되지만 이익에 대한 갈증으로 연이어 위험에 빠진다. 주인공이 낙타를 타고 볼셰비키, 왕정주의자, 무정부주의자의 적대적인 캠프를 번갈아 다니지만, 결국 자신의 이기적인 욕심만을 위해 달리는 코미디 로드무비. 당대와 성격이 전혀 다른 영화로, 볼셰비키의 관료주의와 광신주의, 백인의 약탈적 허영을 조롱한다.
Taras Tryasylo
Director of Photography