Oleksiy Pankratyev

Nascimento : 1903-11-13, Kiev, Kiev Governorate, Russian Empire [now Kyiv, Kyiv Oblast, Ukraine]

Morte : 1983-07-08

Filmes

Крутые ступени
Director of Photography
Golden Hands
Director of Photography
Parajanov's documentary about Ukrainian art.
Dumka
Director of Photography
Documentary showcasing popular and folk songs performed by the Ukrainian State Choir.
Aleksandr Parkhomenko
Director of Photography
About the life and heroic death of the old Bolshevik-Lugansk resident, participant in the civil war, Aleksandr Yakovlevich Parkhomenko. In 1918, capturing Ukraine, the German occupiers sought to use the Haidamaks, the White Guards and the Greens in their struggle. By order of Voroshilov, Aleksandr Parkhomenko from Lugansk arrives in Tsaritsyn. At the same time, the Germans launched an active offensive. The "red" battalions are poorly armed, however, Parkhomenko manages to raise them to the attack and put the enemy to flight.
Black Sea Mutiny
Director of Photography
On the proletarian solidarity of the French navy with the revolutionary people of Russia. The action takes place in the early years of Soviet power in the coastal city of Russia. The French cruiser Mirabeau threatens the city from the sea.
Bread
Director of Photography
Ukrainian agitprop film from 1929 that was banned and long forgotten until its rediscovery in the 1970s, imaginatively shot by the gifted cameraman Oleksii Pankratiev, whose panoramic long shots feature dynamic compositions. The background, barren field and bare sky, raise the agricultural subject matter to the level of an epic poem. Using innovative editing, Shpykovskyi transformed an incredibly simple plot into an avant-garde work. Created the same year as Earth (Zemlya), the film forms a paradoxically conceptual, ideological, and aesthetic pair with Dovzhenko’s movie.
The Self-Seeker
Director of Photography
An opportunistic Kyivan Apollon Shmyguyev, whose peaceful bourgeois life is interrupted by the civil war, decides to wait out the trouble in the South of Ukraine, which is under the rule of the Russian White Army. After gathering left off goods on Andriyivskyi descent in Kyiv, he goes on a journey with a camel, which somehow had strayed to his house. In the midway he is stopped by the Red Army: the camel gets confiscated for the needs of revolution, and Apollon appears in the disposal of the Bolshevik commissar. Zealous and cunning, Apollon quickly takes lead of the local commissariat. But the ingrained thirst for a profit once again puts his life in danger.
Taras Tryasylo
Director of Photography