Mariana Nunes

Greasy hair; grooved and unshaven face; emanating alcohol fumes. Raúl just doesn't care anymore. In the opening scene of Death Inhabits at Night, the unemployed writer pours himself another glass of cheap wine as an upstairs neighbour leaps to his death. His girlfriend is clearly more upset by the incident. A little later, she finds a letter by the door reminding them to pay the rent or be evicted. Raúl shrugs and suggests going back to bed. But all of this dismissiveness changes following a meeting with a troubled young girl.

Under the masks and fantasies of another day in Rio's suburbs, the intense reality of families and neighbors living in a neighborhood under the domain of the expansive militia is hidden.

"Pureza" tells a story of a mother, Pureza, who goes in search of her son, Abel, disappeared after leaving for the mining in the Amazon.

Based on the biography of Luiz Gama, one of the most important characters in Brazilian history, a black man who used the laws and courts to free more than 500 slaves. Born of a free womb, Gama was sold into slavery at the age of 10 to pay off his father's gambling debts. Even as a slave, he became literate, studied and earned his own freedom, becoming one of the most respected lawyers of his time. An abolitionist and republican who inspired an entire country.

The special features 22 real testimonials from people like Mandela, Martin Luther King and Marielle Franco, who fought racism and freedom in favor of justice.

When Maurício becomes a student at a top medical school, he becomes obsessed with a mystery linked to the dead bodies used for dissection.

In 2027 Brazil, civil servant Joana mainly deals with divorce cases. As a member of a branch of evangelical Christians known as the Divino Amor group, she uses her position to offer a kind of physical therapy to couples who want to separate. Although Joana and her husband Danilo regularly consummate their marriage, neither her constant prayers nor any other methods of assistance seem to be able to fulfill their desire for a child.

18세기 아순시온의 스페인 장교 자마는 새 부임지로의 발령을 간절히 기다리지만, 왕의 전갈은 도착할 기미가 없다. 안토니오 디 베네데토의 원작 소설을 아르헨티나의 여성 거장 감독 루크레시아 마르텔이 영화로 옮긴 작품. 감독 특유의 시적 화면과 실존에 대한 성찰이 돋보인다.

In 2011 Portugal began the so-called "year of the Troika" (EU, IMF and ECB budget cuts and economic restructuring), with the level of debt among the Portuguese people reaching staggering amounts and a growing number of families and companies unable to repay their installment loans. Jorge is an unemployed boxer on the verge of losing his son and his wife, who has decided to return to Brazil. As a means of paying off his debt and persuading his wife to remain in Portugal, Jorge accepts a job with a debt-collection agency, which will drag him into a world of violence and crime.

Where do you draw the line between fact and fiction in one man's life? That's the issue confronting an art expert delving into the biography of a painter who drowned 50 years ago, whose presence suddenly makes itself felt through the appearance of a contemporary friend.

The living call for revenge. The dead minerals and vegetables demand revenge. It is the hour of general protest. It's time for the destroying flights. It's time for the barricades, the shootings. Famines, desires, cravings, lost dreams, miseries of all countries, unite.

브라질의 축구 선수를 넘어 20세기 최고의 천재 축구 선수 펠레. 브라질의 조그만 마을에서 태어나 어릴때부터 아이들과 축구를 하며 자라던 펠레는 산토스 축구팀에 입단하면서 세계 무대로 입성하게 된다. 짜여진 축구의 기술보다 브라질의 감성을 담은 축구를 하고 싶었던 펠레는 그만의 기술로 한발짝씩 성장해 가는데…… 7월, 월드컵의 함성과 함께 축구의 감동을 느껴 보자

Nando, a 12 year old boy, narrates the adventures of his father Antonio, during the 60s in Brazil, who leaves the inland of the state of Minas to go to Brasília, a recently inaugurated city, but still with construction works in progress.

Biopic about the late Joãozinho Trinta, a self-taught classical dancer who turned Rio's Carnival into an international phenomenon in the 1970s and '80s by directing parades for samba schools and putting focus on costumes and decor.

Antônio feels out of place.

11-year-old Lucas finds a philosophy book by Nietzsche in the city dump, discarded by its previous owner. This improbable meeting will be the beginning of a violent revolution in his mind, within his family and within society. In the end, Lucas will be no longer a boy -- He will be dynamite.

Zizo, a radical and anarchist poet living in a marginal quarter of Recife in the north eastern state of Pernambuco, distributes his social angst-filled thoughts through a publication named Febre do Rato, and spews poetry to anyone who’d listen. Our character always revolves within the universe that he has created around himself. A very particular world, in which satisfying the unfortunate is a mixture of a kind of benefit with high dose of malice.

In a petrol station near the road, three characters meet: Rita, the station's owner, that keeps searching for a love that she thought she once had; Wésley, a seller of pirate DVD's and CD's that, after thrown into underemployment, is trying to rebuilt his life; and Caburé, that haven't slept in years waiting to redeem a past of life and death. Gathered by an apparent coincidence, they weave their fate until they discover what is common in their stories.

Cinelimite presents a video essay by Juliano Gomes and Mariana Nunes, in which they delve into the symbolism of Compasso de Espera: a film conceived by Zózimo Bulbul and Antunes Filho in response to the lack of opportunities for Black professionals in the film industry in the late 1960s.