Cinematography
Director of Photography
Director of Photography
Director of Photography
16 year-old Mahmut’s life consists of feeding pigeons and making money from stealing others’ pigeons. His biggest dream is to have the best pigeons. One day, one of his pigeons escapes and does not return. When Mahmut finds a pigeon nesting on a roof, he meets Ismail, an 8-year-old living in that house. This meeting becomes one of the most important turning point that will affect both lives. Mahmut decides to steal the pigeons to help Ismail achieve his dream.
Cinematography
Director of Photography
Director of Photography
The only cure of being jobelessness, unhappy and hopelessness is friendship, life is beautiful together.
Director of Photography
이슬람 무장 테러단체 IS에 의해 납치된 터키 기자 '세이다'. 그녀는 이라크 분쟁 지역 주민들을 인터뷰하다 납치되어 참수당할 위기에 처한다. ‘세이다’를 구출하기 위해 터키 정부는 비밀 수색 및 구조를 전담하는 특수부대를 파견하고, 특수 부대장 '베이셀'은 7명의 팀원들을 이끌고 이라크로 향하는데...
Director of Photography
Kaan has always been looking for a meaning in his life. Gizem and Bengi were in love but the city didn't welcome much girls like them. Fuat had spent his life as a homeless in the streets of Istanbul. There has been a belief that an old spiritual ship once got stuck in Istanbul. A ship that would only be visible to the ones who would belong to it, who would need it in their lives. A ship that would take them to where they belong to. The ship was about to take off. The film is inspired by the short animation film called "How Did The Amentu Ship Move", made in 1970 by Tonguç Yaşar and Sezer Tansuğ.
Director of Photography
Sakir and ilyas have two opposite personality types. Their paths meet in the army. Sakir fools ilyas to escape from the soldier together and adventure starts.
Director of Photography
Cinematography
무엇 하나 두려울 것이 없는 청부살인업자 ‘히트맨’ 카디르. 조직을 떠나 지옥 같은 범죄자의 삶을 정리하려고 하지만 누군가의 계략으로 치명적인 독에 중독 당한다. 모든 것을 다 빼앗긴 순간, 카디르는 무자비한 복수를 위해 다시 총을 꺼낸다.
Director of Photography
작전 수행 중, 산속에 고립이 된 ‘오구즈’와 베키르’, 적군의 습격을 받아 동료를 잃고 단 둘만 살아남게 된다. 그들에게 남은 건 두자루의 총과 총알 5발, 수 많은 적들 속에서 그들은 살아남을 수 있을 것인가!
Cinematography