Nguyễn Hữu Tuấn

Nguyễn Hữu Tuấn

출생 : , Hanoi, Vietnam

약력

People's Artist Nguyễn Hữu Tuấn (b. 1949) is a Vietnamese cinematographer and photographer. He is known for his collaborations with Vietnamese directors such as Đặng Nhật Minh, Nguyễn Hữu Luyện, Bạch Diệp, etc. He has also worked in several French and American productions.

프로필 사진

Nguyễn Hữu Tuấn

참여 작품

콰이어트 아메리칸
Camera Operator
런던 타임즈의 특파원인 ‘토마스 파울러’는 런던에 아내가 있음에도 아름다운 베트남 여인 ‘풍’을 사랑하고 있다. 젊고 순수하며 열정적인 미국경제 공관원 '파일' 또한 ‘풍’을 사랑하게 된다. ‘파울러’는 런던으로 돌아오라는 명령을 받게 되자 베트남에 ‘풍’과 함께 있기 위해 특종을 잡으려 고군분투한다. 그러던 중 그는 베트남 내 집단 학살과 무분별한 테러행위를 목격하게 되고 우연히 그곳에서 ‘파일’을 만난다.
Wharf of Widows
Director of Photography
Based on a well-known novel of the same title by author Duong Huong, “Wharf of Widows” reflects stories in the context of a rural Village called Dong – a typical North Vietnamese village with bamboo ramparts, communal house roofs, banyan trees and wharves. It was a time when the north hurried to build up the countryside and support the southern battlefield. The movie takes us back to the olden days of peaceful northern villages and women waiting for their men to return from the battlefield. The war robbed the village of healthy strong men leaving behind the women who waited at the water’s edge.
Nostalgia for the Countryside
Director of Photography
Set in a small village in North Vietnam, a tale of awakening which traces a growing love triangle between Nham, an earnest and responsible 17-year-old country boy; the charming Ngu, his lonely and naive sister-in-law with whom he works closely in the fields; and Quyen, a stylishly vivacious expatriate who has just returned from the city, curious about life in the village where she spent her childhood. While all three characters are too reticent to unleash their feelings, the romance turns on the realization that this web of emotions is largely symbolic. Nham represents for Quyen an innocence and a past that she can’t recapture, just as she represents for Nham an urbanity and future prospects that he may never attain; and caught between the two is the delicate Ngu, left in the most desolate postion of positions.
The Return
Director of Photography
In the years following the American war a young woman from Hanoi teaches in a rural school in the south. There she meets a troubled young man, and they have a brief romance that she recalls wistfully years later in her unhappy marriage.
Money, Money!
Director of Photography
Returning to Vietnam after many years of studying abroad, a doctorate in atomic force Thai Duong entered an unimaginable reality. Many funny situations took place in his family when he was pondering over choosing a job in a new environment. Thai Duong was tricked into losing money, and his father and brother Loc Ton performed a risky mission to earn money: buying liquidated bombs.
Hoang Tưởng
Cinematography
Brothers
Director of Photography
A soldier (Hien) survives the war and comes back to live with his brother's family (Tien). He can't seem to adjust to civilian life after the war and feels increasingly alienated from other people, whom he finds calculating, selfish and materialistic.
The Town Within Reach
Director of Photography
At the close of the Sino-Vietnamese border war, a journalist travels to Lạng Sơn in northern Vietnam—the hometown of his former girlfriend—to report on the situation there.