Script
After the premiere, the theatre group gathers in a bar to celebrate. However, the cheerful gathering is interrupted by a drunken Soviet officer. He insists on selling a can of petrol. However, when he senses the awkwardness, the hidden hatred, the cowardice, the timidity of the people there, he begins to enjoy the situation with his intrusiveness. When he takes his pistol out of its holster, things start to get crazy. The people in the bar suddenly become “freedom fighters” against the Russian occupation.
Script
Liesel Landauer and her friend Hana are linked by a lifelong relationship and an exceptional house built by the architect Von Abt for Liesel and her husband Viktor in Czechoslovakia in the early 1930s.
Editor
Jakub (Matej Merunka), a co-owner of the travel agency Dolce Travel, is departing from Prague for the weekend in his hometown of Telc to celebrate the birthday of his mother. Meets Ilona (Agáta Krystufková), a longtime childhood friend whom he had not seen for several years, and he embarks on a spontaneous and intense trip to the Czech border. Their initially carefree journey during which they planned to flee to Italy to pick apricots, over time becomes more frustrating. A film about the current generation of young people, their loss of orientation, lack of important values, goals, fantasies and their own opinion.
Script Supervisor
1952년 소비에트 연방, 범죄 발생률 0%인 완벽한 국가에서 출세가도를 달려온 ‘레오’(톰 하디). 평온한 어느 날, 철길 옆에서 어린 아이가 시체로 발견되고 ‘레오’는 “완벽한 국가에서 범죄란 없다”는 굳은 신념 아래 단순한 기차 사고로 종결 짓는다. 한편 사랑하는 아내 ‘라이사’(누미 라파스)가 스파이로 지목되지만 차마 그녀를 고발하지 못한 ‘레오’는 민병대로 좌천되고, 사고 발생 소식에 ‘네스테로프’ 대장(게리 올드만)과 함께 현장으로 출동한다. 숲 속에서 발견된 아이 시체를 본 ‘레오’는 과거 사고와 유사점을 발견하고 동일범의 소행일지도 모른다는 의심을 갖게 된다. 비슷한 또래 아이들의 모든 사건을 관통하는 단서를 찾게 된 ‘레오’와 ‘네스테로프’ 대장은 끔찍한 아동 연쇄살인사건과 거대한 음모의 실마리를 발견하고 본격적으로 사건을 파헤치기 시작하는데...
Script
The film's main theme is obsession. An obsession with love, with art, originality, copying, with success, money and... with oneself. Sooner or later, if we lose our rational upper hand over it and let ourselves be dragged down by it, every obsession leads to destruction. But it is only when being dragged down, in spite of all the cuts and bruises, that we find a unique DELIGHT, if only for a few short moments - and what else is life really about? It is like a drug. What at first seems to be weak and trivial is capable of expanding and growing into a serious problem that can appear to be absolutely incomprehensible and absurd to those who have never experienced anything like it.
