Ohad Benchetrit

In 1909, Willie Boy and his love Carlota go on the run after he accidentally shoots her father in a confrontation gone terribly wrong. With President Taft coming to the area, the local sheriff leads two Native American trackers seeking justice for their “murdered” tribal leader.

저명한 저널리스트인 로버트 피스크는 40년 동안 세계에서 가장 폭력적이고 첨예한 문제들에 대해 보도해왔다. 창 영 감독은 피스크가 전쟁으로 황폐해진 땅을 돌아다니며 사람들에게 진실을 알리고자 고군분투하는 모습을 거침없는 액션으로 포착한다.

Widespread sexual abuse within the Catholic Church has traumatized thousands. Many have only recently come forward to speak publicly, while others have been silenced through settlements. One of the perpetrators, Father Hod Marshall, pled guilty to 17 assault charges; a colleague, Father David Katulski, called him a "very good pedophile." One of his victims, seeking closure for this traumatic part of his childhood, filed suit against the Basilian Fathers of Toronto for its role in enabling Marshall's depravity. As the case moves through the courts—led by "the priest hunter," lawyer Rob Talach—the silence the Catholic Church fought so vigorously to maintain is broken. Director Matt Gallagher opens a channel for those brave survivors who are willing to provide testimony, culminating in a powerful damnation of an institution that must be exposed and held to account.

A profile of the life of Liberian activist Silas Siakor, a tireless crusader against illegal logging and a symbol of resistance for a new generation.

평범한 일상을 보내던 가장 ‘조’(제이슨 모모아)는 치매에 걸린 아버지 ‘린든’(스티븐 랭)의 병세가 악화되자 가족의 소중한 기억이 있는 산장을 찾는다. 익숙한 공간 속 낯선 무언가, 그것이 대량의 마약이라는 사실을 알게 된 순간 두 사람은 산장을 벗어나려 하지만 이미 무장한 괴한들의 습격이 시작되는데…

An incomplete document of a music scene

Focuses on two subjects in particular: Rob Niosi, who has spent many years building a full-scale replica of the prop from the 1960 film The Time Machine, and physicist Ronald L. Mallett, who has dedicated his life to researching the scientific possibility of time travel.

Deaf and mute since having his hearing knocked out at the age of 12, Asher has been training for almost two decades to avenge himself on Ivan, the man that killed his older brother, 21 years ago. And now that his nemesis is out of prison, he gets his chance. But Asher's target also happens to be his father.

Edith dreams of being a successful actress but just can't seem to make things happen. When she can't figure out what she's doing wrong, she begins to do everything wrong.

DON'T GET KILLED IN ALASKA follows Liney (LEE-NEE) a 20 year-old tomboy as she travels back to Ontario with her new boyfriend Dan after a summer of tree planting. Having lost all their money in a questionable incident, Liney agrees to ask her family for money to get them both to Alaska where they plan to spend the winter working on a fishing boat. Liney is forced to deal with her family dynamics as she meets with her estranged mother, her judgmental older brother and her silent father. Everyone has a plan for Liney, except for Liney.

An awkward teenage outcast finds unlikely companions in two aged residents of the retirement home in which she works.

미국 인디언 모하비 족 출신인 울프는 어머니를 강간한 살인자를 찾아가 죽인다. 이후 도망 다니던 울프는 바이크족인 캐시를 만나고 두 사람은 울프의 여동생이 사는 집을 찾아간다. 여동생으로부터 어머니의 유해를 받은 울프는 어머니의 고향에 유해를 뿌리기 위해 북쪽으로 향한다. 한편 독사 같은 FBI 요원 윌리엄스는 울프의 발자취를 따라 수사망을 좁히고 그들을 추격하기 시작하는데…

Gigi abandoned her young daughter, Zarianne, to pursue her dreams of movie stardom but instead becomes a starlet in horror films. Years later, Zarianne is a single mom and artist who creates portraits entirely out of butterfly wings. Her bickering kids are 12 year old Ryder and 14 year old Tate. Gigi returns to Zarianne claiming she is dying and seeking redemption for leaving her motherless. But is Gigi a drifter, grifter or ghost who will destroy their family? Only Tate, Ryder and a mysterious swarm of Sunset Moths hold the secret.

Unfolding on three continents, this engaging documentary follows four groups of people whose lives are wrapped up in the complex world of chocolate.

Before the body-threatening antics of Jackass came crashing into public consciousness, there was Ontario's Ralph Zavadil, aka Cap'n Video, who cascaded off roofs into snowbanks, jumped off ladders into half-empty swimming pools, and drank eggs through his nostrils. Beauty Day is a rambunctious documentary about this irrepressible pioneer of local-access cable shenanigans who entertained and outraged viewers in the small city of St. Catharines-until a special Easter Show, featuring a fat rabbit and adorable puppies (none of which were hurt), got him kicked off the air for good. With a nod to Werner Herzog, Cheel follows the life and times of Cap'n Video and finds that the Cap'n is still quite a firecracker. Written by Laurence Kardish

Forced to move to a boring backwater town, a teenager embarks on affairs with a teacher and a stoner classmate.

A meditative and philosophical exploration of rhythm and synchronization. A complex, artfully constructed and densely layered film that creates an immersive experience that can, at times, make the viewer feel almost in situ with the images and sounds on the screen. Interview subjects span a broad range of disciplines. As individuals and as a society, we have a tendency to keep in step.

Caleb is 27, and was raised in the majestic Kootenays by his bush hippie parents. He loves his father Jim and understands his reverence for wood working, coriander and Soya products, but he just doesn't get Jim's determined effort to achieve economic disaster at every turn. His father is a relentlessly unsuccessful business man, and as the junior partner in their carpentry shop, Caleb is powerless to stop the fiscal self sabotage. When Matthew, an old friend of Jim's, arrives in the valley to develop a high-end fishing lodge, Caleb sees fortune looming, provided he can keep his father distracted long enough. But a small deception leads to colossal betrayal, and soon Caleb must face the fact that he's reached that treasured day when a boy becomes man enough to tell his father get lost.

The Perfect Story offers a riveting, intimate look at the ethical and moral challenges sparked by the relationship between a foreign correspondent and a young Somali refugee. By revealing the boundaries of journalism and filmmaking, the film questions what stories are told, why, and who gets to tell them.