Kaori Oda
출생 : , Osaka Prefecture, Japan
약력
Kaori Oda (小田香 Oda Kaori, born 1987) is a Japanese film director. She has mainly worked in the field of documentary, where she tries to explore the memories of human beings through image and sound.
Director
An omnibus movie produced to commemorate the 10th anniversary of Motomachi Eigakan.
Sound
오사카 교외에 자리 잡은 가라오케 카페 보사는 동네 노인들이 이야기를 나누고 함께 노래하기 위해 모이는 공간이다. 영화는 이 불안한 시대에 인류세의 타임캡슐과도 같은 보사의 모습을 담는다.
Editor
오사카 교외에 자리 잡은 가라오케 카페 보사는 동네 노인들이 이야기를 나누고 함께 노래하기 위해 모이는 공간이다. 영화는 이 불안한 시대에 인류세의 타임캡슐과도 같은 보사의 모습을 담는다.
Cinematography
오사카 교외에 자리 잡은 가라오케 카페 보사는 동네 노인들이 이야기를 나누고 함께 노래하기 위해 모이는 공간이다. 영화는 이 불안한 시대에 인류세의 타임캡슐과도 같은 보사의 모습을 담는다.
Director
오사카 교외에 자리 잡은 가라오케 카페 보사는 동네 노인들이 이야기를 나누고 함께 노래하기 위해 모이는 공간이다. 영화는 이 불안한 시대에 인류세의 타임캡슐과도 같은 보사의 모습을 담는다.
Director
A train runs at night. Goldfish float in passenger’s dreams.
Director
A moving image work from director Kaori Oda.
Producer
마야의 젖줄이던 '세노테'에 대한 영화. 세노테(Cenote)는 낮은 편평한 석회암 지역에서 볼 수 있는 함몰 구멍에 지하수가 모인 천연 우물을 뜻함. 이름 자체는 마야어에서 따왔으며, 마야인들은 이 우물 을 신성하게 여겨 신에게 제물을 바칠 때 사용하였다고 한다. 세노테들은 서로 연결되어 있다고 한다.
Editor
마야의 젖줄이던 '세노테'에 대한 영화. 세노테(Cenote)는 낮은 편평한 석회암 지역에서 볼 수 있는 함몰 구멍에 지하수가 모인 천연 우물을 뜻함. 이름 자체는 마야어에서 따왔으며, 마야인들은 이 우물 을 신성하게 여겨 신에게 제물을 바칠 때 사용하였다고 한다. 세노테들은 서로 연결되어 있다고 한다.
Writer
마야의 젖줄이던 '세노테'에 대한 영화. 세노테(Cenote)는 낮은 편평한 석회암 지역에서 볼 수 있는 함몰 구멍에 지하수가 모인 천연 우물을 뜻함. 이름 자체는 마야어에서 따왔으며, 마야인들은 이 우물 을 신성하게 여겨 신에게 제물을 바칠 때 사용하였다고 한다. 세노테들은 서로 연결되어 있다고 한다.
Director
마야의 젖줄이던 '세노테'에 대한 영화. 세노테(Cenote)는 낮은 편평한 석회암 지역에서 볼 수 있는 함몰 구멍에 지하수가 모인 천연 우물을 뜻함. 이름 자체는 마야어에서 따왔으며, 마야인들은 이 우물 을 신성하게 여겨 신에게 제물을 바칠 때 사용하였다고 한다. 세노테들은 서로 연결되어 있다고 한다.
Director of Photography
마야의 젖줄이던 '세노테'에 대한 영화. 세노테(Cenote)는 낮은 편평한 석회암 지역에서 볼 수 있는 함몰 구멍에 지하수가 모인 천연 우물을 뜻함. 이름 자체는 마야어에서 따왔으며, 마야인들은 이 우물 을 신성하게 여겨 신에게 제물을 바칠 때 사용하였다고 한다. 세노테들은 서로 연결되어 있다고 한다.
Director
Recorded the restoration work done for the reopening of Tadao Ando's "Chapel of the Wind" in Rokko, Kobe. It tells the length of time by showing the mold and moss that eroded the concrete. When the closed door is opened, the stopped time starts flowing again.
Director
A moving image work from Kaori Oda, inspired by the film "Desperate Man Blues".
Writer
Moments in the life of a young Japanese filmmaker in Bosnia, charged with acoustic and visual poetry. Buoyant and essayistic entries in a process of self- and world-reassurance.
Sound
Moments in the life of a young Japanese filmmaker in Bosnia, charged with acoustic and visual poetry. Buoyant and essayistic entries in a process of self- and world-reassurance.
Editor
Moments in the life of a young Japanese filmmaker in Bosnia, charged with acoustic and visual poetry. Buoyant and essayistic entries in a process of self- and world-reassurance.
Cinematography
Moments in the life of a young Japanese filmmaker in Bosnia, charged with acoustic and visual poetry. Buoyant and essayistic entries in a process of self- and world-reassurance.
Herself
Moments in the life of a young Japanese filmmaker in Bosnia, charged with acoustic and visual poetry. Buoyant and essayistic entries in a process of self- and world-reassurance.
Director
Moments in the life of a young Japanese filmmaker in Bosnia, charged with acoustic and visual poetry. Buoyant and essayistic entries in a process of self- and world-reassurance.
Director
Old 8mm family film and images of fireworks combined together.
Editor
보스니아의 사라예보, 이곳에는 100년이 넘는 긴 역사를 가진 탄광이 있다. 감독은 카메라를 들고 지하 300m 아래에 있는 탄광을 찾아 광부들이 일하는 모습을 가까운 곳에서 기록한다. 거대한 바위와 기계, 그리고 노동자들의 이미지는 어둠 속에서도 뚜렷한 운동의 순간을 만들어낸다.
Director of Photography
보스니아의 사라예보, 이곳에는 100년이 넘는 긴 역사를 가진 탄광이 있다. 감독은 카메라를 들고 지하 300m 아래에 있는 탄광을 찾아 광부들이 일하는 모습을 가까운 곳에서 기록한다. 거대한 바위와 기계, 그리고 노동자들의 이미지는 어둠 속에서도 뚜렷한 운동의 순간을 만들어낸다.
Director
보스니아의 사라예보, 이곳에는 100년이 넘는 긴 역사를 가진 탄광이 있다. 감독은 카메라를 들고 지하 300m 아래에 있는 탄광을 찾아 광부들이 일하는 모습을 가까운 곳에서 기록한다. 거대한 바위와 기계, 그리고 노동자들의 이미지는 어둠 속에서도 뚜렷한 운동의 순간을 만들어낸다.
Cinematography
In a train from Sarajevo to Zagreb, looking at the landscape of the foreign country from a window, I somehow felt nostalgic and a question crossed my mind. “What is my first memory?” Could primitive memories be found and shared in human beings? If collective memories exist in us as what is inherited, I would like to know what it is like and to capture them by camera and sound recorder.
Director
In a train from Sarajevo to Zagreb, looking at the landscape of the foreign country from a window, I somehow felt nostalgic and a question crossed my mind. “What is my first memory?” Could primitive memories be found and shared in human beings? If collective memories exist in us as what is inherited, I would like to know what it is like and to capture them by camera and sound recorder.
Director
The experiment presents a cinematic poem to filmmaking and film itself. Directed by eleven filmmakers, all under the vision of Bela Tarr's 'film.factory', delving into what keeps us making films.
Writer
The experiment presents a cinematic poem to filmmaking and film itself. Directed by eleven filmmakers, all under the vision of Bela Tarr's 'film.factory', delving into what keeps us making films.
Editor
A cowherd, sheep, and the wind, all have an equal presence in the village. Death and life are one and indivisible.
Cinematography
A cowherd, sheep, and the wind, all have an equal presence in the village. Death and life are one and indivisible.
Writer
A cowherd, sheep, and the wind, all have an equal presence in the village. Death and life are one and indivisible.
Director
A cowherd, sheep, and the wind, all have an equal presence in the village. Death and life are one and indivisible.
Editor
A short film about the "hand" that connect our world and the other side, under the background of "Matsuage" in Kyoto.
Writer
A short film about the "hand" that connect our world and the other side, under the background of "Matsuage" in Kyoto.
Director
A short film about the "hand" that connect our world and the other side, under the background of "Matsuage" in Kyoto.
When Kacchi came back home for summer break from abroad, she came out to her family as a homosexual. Her mother and father couldn't take it and answered in negative. Though Kacchi had a depression for their reactions, she decided to face her family again throughout a filmmaking about the 'coming-out'.
Camera Operator
When Kacchi came back home for summer break from abroad, she came out to her family as a homosexual. Her mother and father couldn't take it and answered in negative. Though Kacchi had a depression for their reactions, she decided to face her family again throughout a filmmaking about the 'coming-out'.
Sound Editor
When Kacchi came back home for summer break from abroad, she came out to her family as a homosexual. Her mother and father couldn't take it and answered in negative. Though Kacchi had a depression for their reactions, she decided to face her family again throughout a filmmaking about the 'coming-out'.
Sound Mixer
When Kacchi came back home for summer break from abroad, she came out to her family as a homosexual. Her mother and father couldn't take it and answered in negative. Though Kacchi had a depression for their reactions, she decided to face her family again throughout a filmmaking about the 'coming-out'.
Editor
When Kacchi came back home for summer break from abroad, she came out to her family as a homosexual. Her mother and father couldn't take it and answered in negative. Though Kacchi had a depression for their reactions, she decided to face her family again throughout a filmmaking about the 'coming-out'.
Writer
When Kacchi came back home for summer break from abroad, she came out to her family as a homosexual. Her mother and father couldn't take it and answered in negative. Though Kacchi had a depression for their reactions, she decided to face her family again throughout a filmmaking about the 'coming-out'.
Director
When Kacchi came back home for summer break from abroad, she came out to her family as a homosexual. Her mother and father couldn't take it and answered in negative. Though Kacchi had a depression for their reactions, she decided to face her family again throughout a filmmaking about the 'coming-out'.
