Kaori Oda
Nascimento : , Osaka Prefecture, Japan
História
Kaori Oda (小田香 Oda Kaori, born 1987) is a Japanese film director. She has mainly worked in the field of documentary, where she tries to explore the memories of human beings through image and sound.
Director
An omnibus movie produced to commemorate the 10th anniversary of Motomachi Eigakan.
Sound
Karaoke Cafe BOSA is located in the suburbs of Osaka. It’s a place where elderly neighbors gather to chat and sing. The film captures BOSA in these days of unrest as a time capsule of the Anthropocene.
Editor
Karaoke Cafe BOSA is located in the suburbs of Osaka. It’s a place where elderly neighbors gather to chat and sing. The film captures BOSA in these days of unrest as a time capsule of the Anthropocene.
Cinematography
Karaoke Cafe BOSA is located in the suburbs of Osaka. It’s a place where elderly neighbors gather to chat and sing. The film captures BOSA in these days of unrest as a time capsule of the Anthropocene.
Director
Karaoke Cafe BOSA is located in the suburbs of Osaka. It’s a place where elderly neighbors gather to chat and sing. The film captures BOSA in these days of unrest as a time capsule of the Anthropocene.
Director
A train runs at night. Goldfish float in passenger’s dreams.
Director
A moving image work from director Kaori Oda.
Producer
No norte de Iucatã, as dolinas eram a única fonte de água para alguns maias. Cenotes eram usados para sacrifícios rituais, e os maias acreditavam que essas fontes sagradas ligavam este mundo à vida após a morte. O passado e o presente dos que vivem aqui se misturam nesse lugar misterioso.
Editor
No norte de Iucatã, as dolinas eram a única fonte de água para alguns maias. Cenotes eram usados para sacrifícios rituais, e os maias acreditavam que essas fontes sagradas ligavam este mundo à vida após a morte. O passado e o presente dos que vivem aqui se misturam nesse lugar misterioso.
Writer
No norte de Iucatã, as dolinas eram a única fonte de água para alguns maias. Cenotes eram usados para sacrifícios rituais, e os maias acreditavam que essas fontes sagradas ligavam este mundo à vida após a morte. O passado e o presente dos que vivem aqui se misturam nesse lugar misterioso.
Director
No norte de Iucatã, as dolinas eram a única fonte de água para alguns maias. Cenotes eram usados para sacrifícios rituais, e os maias acreditavam que essas fontes sagradas ligavam este mundo à vida após a morte. O passado e o presente dos que vivem aqui se misturam nesse lugar misterioso.
Director of Photography
No norte de Iucatã, as dolinas eram a única fonte de água para alguns maias. Cenotes eram usados para sacrifícios rituais, e os maias acreditavam que essas fontes sagradas ligavam este mundo à vida após a morte. O passado e o presente dos que vivem aqui se misturam nesse lugar misterioso.
Director
Recorded the restoration work done for the reopening of Tadao Ando's "Chapel of the Wind" in Rokko, Kobe. It tells the length of time by showing the mold and moss that eroded the concrete. When the closed door is opened, the stopped time starts flowing again.
Director
A moving image work from Kaori Oda, inspired by the film "Desperate Man Blues".
Writer
Moments in the life of a young Japanese filmmaker in Bosnia, charged with acoustic and visual poetry. Buoyant and essayistic entries in a process of self- and world-reassurance.
Sound
Moments in the life of a young Japanese filmmaker in Bosnia, charged with acoustic and visual poetry. Buoyant and essayistic entries in a process of self- and world-reassurance.
Editor
Moments in the life of a young Japanese filmmaker in Bosnia, charged with acoustic and visual poetry. Buoyant and essayistic entries in a process of self- and world-reassurance.
Cinematography
Moments in the life of a young Japanese filmmaker in Bosnia, charged with acoustic and visual poetry. Buoyant and essayistic entries in a process of self- and world-reassurance.
Herself
Moments in the life of a young Japanese filmmaker in Bosnia, charged with acoustic and visual poetry. Buoyant and essayistic entries in a process of self- and world-reassurance.
Director
Moments in the life of a young Japanese filmmaker in Bosnia, charged with acoustic and visual poetry. Buoyant and essayistic entries in a process of self- and world-reassurance.
Director
Old 8mm family film and images of fireworks combined together.
Editor
Miners in a Bosnian coal mine. The camera silently watches over the miners working tirelessly amidst endless noise and the flickering light of lanterns.
Director of Photography
Miners in a Bosnian coal mine. The camera silently watches over the miners working tirelessly amidst endless noise and the flickering light of lanterns.
Director
Miners in a Bosnian coal mine. The camera silently watches over the miners working tirelessly amidst endless noise and the flickering light of lanterns.
Cinematography
In a train from Sarajevo to Zagreb, looking at the landscape of the foreign country from a window, I somehow felt nostalgic and a question crossed my mind. “What is my first memory?” Could primitive memories be found and shared in human beings? If collective memories exist in us as what is inherited, I would like to know what it is like and to capture them by camera and sound recorder.
Director
In a train from Sarajevo to Zagreb, looking at the landscape of the foreign country from a window, I somehow felt nostalgic and a question crossed my mind. “What is my first memory?” Could primitive memories be found and shared in human beings? If collective memories exist in us as what is inherited, I would like to know what it is like and to capture them by camera and sound recorder.
Director
The experiment presents a cinematic poem to filmmaking and film itself. Directed by eleven filmmakers, all under the vision of Bela Tarr's 'film.factory', delving into what keeps us making films.
Writer
The experiment presents a cinematic poem to filmmaking and film itself. Directed by eleven filmmakers, all under the vision of Bela Tarr's 'film.factory', delving into what keeps us making films.
Editor
A cowherd, sheep, and the wind, all have an equal presence in the village. Death and life are one and indivisible.
Cinematography
A cowherd, sheep, and the wind, all have an equal presence in the village. Death and life are one and indivisible.
Writer
A cowherd, sheep, and the wind, all have an equal presence in the village. Death and life are one and indivisible.
Director
A cowherd, sheep, and the wind, all have an equal presence in the village. Death and life are one and indivisible.
Editor
A short film about the "hand" that connect our world and the other side, under the background of "Matsuage" in Kyoto.
Writer
A short film about the "hand" that connect our world and the other side, under the background of "Matsuage" in Kyoto.
Director
A short film about the "hand" that connect our world and the other side, under the background of "Matsuage" in Kyoto.
When Kacchi came back home for summer break from abroad, she came out to her family as a homosexual. Her mother and father couldn't take it and answered in negative. Though Kacchi had a depression for their reactions, she decided to face her family again throughout a filmmaking about the 'coming-out'.
Camera Operator
When Kacchi came back home for summer break from abroad, she came out to her family as a homosexual. Her mother and father couldn't take it and answered in negative. Though Kacchi had a depression for their reactions, she decided to face her family again throughout a filmmaking about the 'coming-out'.
Sound Editor
When Kacchi came back home for summer break from abroad, she came out to her family as a homosexual. Her mother and father couldn't take it and answered in negative. Though Kacchi had a depression for their reactions, she decided to face her family again throughout a filmmaking about the 'coming-out'.
Sound Mixer
When Kacchi came back home for summer break from abroad, she came out to her family as a homosexual. Her mother and father couldn't take it and answered in negative. Though Kacchi had a depression for their reactions, she decided to face her family again throughout a filmmaking about the 'coming-out'.
Editor
When Kacchi came back home for summer break from abroad, she came out to her family as a homosexual. Her mother and father couldn't take it and answered in negative. Though Kacchi had a depression for their reactions, she decided to face her family again throughout a filmmaking about the 'coming-out'.
Writer
When Kacchi came back home for summer break from abroad, she came out to her family as a homosexual. Her mother and father couldn't take it and answered in negative. Though Kacchi had a depression for their reactions, she decided to face her family again throughout a filmmaking about the 'coming-out'.
Director
When Kacchi came back home for summer break from abroad, she came out to her family as a homosexual. Her mother and father couldn't take it and answered in negative. Though Kacchi had a depression for their reactions, she decided to face her family again throughout a filmmaking about the 'coming-out'.
