Semih Korhan Güner

Semih Korhan Güner

프로필 사진

Semih Korhan Güner

참여 작품

Facing the Screen
Producer
The silver screen is a window to the world — and the screen showing live surveillance footage is a window into the movie theater. Jannik is a projectionist. During his shifts, he uses surveillance cameras to keep an eye on the few moviegoers in the auditoriums. In reality, he’d prefer to see himself on the big screen. When he interacts with people, the line between game and reality becomes blurred.
Facing the Screen
Editor
The silver screen is a window to the world — and the screen showing live surveillance footage is a window into the movie theater. Jannik is a projectionist. During his shifts, he uses surveillance cameras to keep an eye on the few moviegoers in the auditoriums. In reality, he’d prefer to see himself on the big screen. When he interacts with people, the line between game and reality becomes blurred.
Facing the Screen
Director
The silver screen is a window to the world — and the screen showing live surveillance footage is a window into the movie theater. Jannik is a projectionist. During his shifts, he uses surveillance cameras to keep an eye on the few moviegoers in the auditoriums. In reality, he’d prefer to see himself on the big screen. When he interacts with people, the line between game and reality becomes blurred.
루스
Assistant Art Director
Luz, a young cabdriver, drags herself into the brightly lit entrance of a run-down police station. A demonic entity follows her, determined to finally be close to the woman it loves.
Boy
Editor
A young boy finds himself in a dilemma of choosing between social peer pressures or making a moralistic decision.
Boy
Producer
A young boy finds himself in a dilemma of choosing between social peer pressures or making a moralistic decision.
Boy
Writer
A young boy finds himself in a dilemma of choosing between social peer pressures or making a moralistic decision.
Boy
Director
A young boy finds himself in a dilemma of choosing between social peer pressures or making a moralistic decision.
Behind the Walls
Director
After an unexpected phonecall Nihan, the mother of 2 children, has to face a fear she thought she left behind. Her husband Metin who abondened her years ago is suffering from an uncurable desease and comes back to spend his last days with his family.
Ardil
Producer
Following an unexpected phone call, two sisters learn that they will have to live together with their grandmother. And they react negatively. Then they try to persuade their mother not to live with the grandmother. Upon this, the mother starts to question her positioning in terms of life and death. On the other, she notices that the love among them has ended.
Ardil
Director of Photography
Following an unexpected phone call, two sisters learn that they will have to live together with their grandmother. And they react negatively. Then they try to persuade their mother not to live with the grandmother. Upon this, the mother starts to question her positioning in terms of life and death. On the other, she notices that the love among them has ended.
Ardil
Editor
Following an unexpected phone call, two sisters learn that they will have to live together with their grandmother. And they react negatively. Then they try to persuade their mother not to live with the grandmother. Upon this, the mother starts to question her positioning in terms of life and death. On the other, she notices that the love among them has ended.
Ardil
Director
Following an unexpected phone call, two sisters learn that they will have to live together with their grandmother. And they react negatively. Then they try to persuade their mother not to live with the grandmother. Upon this, the mother starts to question her positioning in terms of life and death. On the other, she notices that the love among them has ended.