Harald Warmbrunn

1945년 4월, 전쟁이 막 끝나갈 즈음 젊은 병사 헤롤트는 탈영을 하다 걸려 총살당할 위기를 간신히 모면한다. 전쟁은 끝나가지만 후방의 군기는 망가질 대로 망가져 온갖 약탈과 범죄를 일삼고 있던 상황. 낮에는 숲에서 쉬고 밤에는 농가에 몰래 숨어들어 먹을 걸 훔치다 걸리면 바로 처형되는 위기 속에서 우연히 나치 간부의 군복을 발견한다. 한 벌의 군복으로 가짜지만 대위가 된 헤롤트는 히틀러의 직속 명령이라는 거짓 임무를 내세워 헤롤트 기동 부대를 만들어 권력을 키워간다. 어느새 헤롤트는 탈영병으로 쫓기던 신세에서 자신을 쫓던 나치 장교와 같은 괴물로 변해가기 시작하는데...

Oliver doesn’t have a family so he steals one.

Schultze is an accordion player and newly without work. When the local music club celebrates its 50th anniversary, his taste of music changes unexpectedly.

Fall 1989: Jan is almost 16. Caught while trying to escape to West Germany, he is transferred from prison to a juvenile detention center. Here, he meets Jana ... and what starts as a bet, becomes true love. When Jana gets pregnant, the situation spirals out of control. In the summer of 1990, Jana and Jan flee into the unknown, insecure future of a new Germany.

A young boy fantasizes his way to school into a battle between cowboys and Indians, where the bad guys want to steal some gold medals. Real events and fantasy interacts in his mind.

May of 1945. Soviet soldiers conducting an operation to rescue the children in a small town in the territory of Germany.

동베를린에서 온 팝 가수 써니는 밴드와 함께 전국 투어 중이다. 평범한 일상을 거부하고 타협할 줄 모르는 그녀는 자신의 개성을 존중해주고 오래 갈 수 있는 관계를 간절히 원하고 있다. 그녀를 위해 노래를 작곡해 준 아마추어 색소폰 연주자 랄프와 사귀기 시작한 써니. 하지만 죽음에 대한 강박증을 지닌데다 불성실한 랄프의 생활습관은 도무지 그녀에게 맞지 않는다. 설상가상으로 평소 그녀를 괴롭히던 멤버와 싸우고 밴드에서 쫓겨나기까지 한 써니는 자신의 삶을 되찾기 위한 투쟁을 시작한다. 써니 역을 맡아 열연을 선보인 레나테 크로스너는 이 작품을 통해 1980년 베를린 영화제에서 여우주연상을 수상했다.

Television adaptation of the Brothers Grimm fairytale.

The five-part feature, based on the novel by Helmut Sakowski, focuses on the friendly but also rival relationship between Druskat and the self-righteous Max Stephan, an old pal with different attitudes towards life and socialism . Druskat came to Mecklenburg as a refugee after World War II, became an integral part of the community, but also repeatedly caused a stir. Since the death of his wife he lives only with his daughter Anja, although there were enough women who wanted to be with him. Now he´s chairman of the LPG, the "volutary" federation for agriculture and animal husbandry. One evening, two men from the public prosecutor's office come to pick him up. He seems prepared, but Anja doesn't know why. Her first way leads her to Max Stephan, LPG chairman in the neighboring village. She happened to be there during the last argument between them, Max threatened to literally destroy Daniel. Did he carry out this threat? In conversations with the villagers, she gradually learns the truth.

15-year old Klaus Kambor, called Kurbel, is living in a village in Lusatia and already thinks of himself as an adult. He can hold a lot of rhubarb wine and has already kissed a girl. But with his new method of lawn mowing, which he thinks is brilliant, Klaus makes a big mistake: He causes a wild fire in the forest. Then he does not react adult-like at all, but shirks the responsibility, which leads to the break-up with his girlfriend Daniela. Furthermore, Klaus does not realize that several of the places he likes the most in his environment are now going to be sacrificed to mining. When Klaus becomes friends with the teacher Konzak and with the construction worker Jule, he feels understood for the first time and starts to take more responsibility.

Dr. Gisa Tonius, a physicist in her thirties who has a nearly adult stepdaughter, cherishes the desire to have her own child. Suddenly, a big interdisciplinary research project threatens to significantly change Gisa′s life. Uncertain whether to look for professional or private fulfillment she asks her family and friends for their opinions. They all have different views on the point at issue. While her husband is afraid of losing her to her profession, her professor thinks that because of her talent she has an obligation towards science. In the end, Gisa reaches a decision: She wants to have a baby as well as take on the research project.

Film by Rolf Losansky.

Berlin in the 1960s. Olaf and Horst are two young metalworkers, who provoke their older colleagues with critiques of the antiquated equipment and lack of materials... not to mention their love of leather jackets and motorbikes. Olaf and Horst begin to be targeted in the house newsletter, and the generational conflict escalates.